Barely noticed upon publication in 1941, writer James Agee and photographer Walker Evans's unique chronicle of Alabama sharecroppers, Let Us Now Praise Famous Men, would enjoy a remarkable revival during the 1960s. Remembering it as a "bible of sorts" for civil rights activists like himself, psychiatrist Robert Coles called it "an eloquent testimony that others had cared, had gone forth to look and hear, and had come back to stand up and address their friends and neighbors and those beyond personal knowing." The book has remained in print ever since, profoundly affecting subsequent generations of readers. In this collection, seventeen gifted essayists offer provocative new perspectives on the Agee-Evans classic, ranging from personal appreciations to computational analysis, with forays into literary, film, historical, social, and cultural criticism, among other approaches. David Moltke-Hansen examines the political context in which the book was produced, comparing it in particular to the works of Erskine Caldwell and others with more explicit agendas than Agee, while Sarah E. Gardner explores Agee's position as a southerner in the literary culture of 1930s Manhattan. Contrasting Agee's text to the uncaptioned Evans photographs that open the book, Jeffrey Couchman discusses how the writer applied a "cinematic eye" to his descriptions of the sharecroppers' homes and their possessions. In their essays, Hugh Davis, Brent Walker Cline, and David Madden link Agee with earlier writers such as Wordsworth, Schopenhauer, Dostoevsky, and Melville, while Michael Jacobs considers Agee as a forefather of the "New Journalism" championed by Tom Wolfe. Other contributors explore such disparate topics as Agee's conception of irony, the conflict of art and nature in the book, and the author's portrayal of space. Taken together, these artful elucidations of a notoriously difficult but brilliant work provide the most comprehensive and wide-ranging view of Let Us Now Praise Famous Men to date.

These never before collected or reprinted tales, were part of the original primary force that created the tall tale Davy Crockett. The Nashville almanacs significantly contributed to the development of the Davy Crockett myths. Two-thirds of the tales found in this edition have never before been collected or reprinted in any readily accessible form.

Although name such as Daniel Boone, Black Hawk, and "Davy" Crockett are familiar to most Americans, the historical, political, and literary contexts that produced the mythical images of these figures are unfamiliar to most outside academia. In Boone, Black Hawk, and Crockett in 1833,Michael A. Lofaro compiles, annotates, and analyzes three (auto)biographical writings published in Cincinnati, Ohio, in 1833-The Biographical Memoir of Daniel Boone; Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk; and The Life and Col. David Crockett of West Tennessee-to reveal how the portrayals of Boone, Black Hawk, and Crockett revised the idea of the "frontier hero." By placing them together in dialogue through the scholarly reediting of their texts, Lofaro demonstrates that these works exemplify, typify, and epitomize masculinity, burgeoning capitalism, and Jacksonian democracy, probe beliefs in race and class, and provide nothing short of a deep dissection of the frontier mentality of the antebellum period. Additionally, the reception of these works influenced the ways in which nineteenth-century Americans understood and perceived manifest destiny, the removal of Native Americans from their homelands, to the west of the Mississippi River, and the waning concept of "American frontier." With its great scope and insight, this publication creates connections among many academic disciplines, including colonial America, Jacksonian America, Native American studies, as well as literary and folklore studies.

The legendary Davy Crockett arose simultaneously with the emergence of the historical Crockett as a public figure, and once established, the man and the myth were forevermore entangled. The present work, his Life and Adventures (1833), ushered in a series of biographical and autobiographical books that thrust Crockett fully onto the national and international scene. This work, quickly retitled Sketches and Eccentricities, was the most outlandish. Its purported author, J. S. French, mixed two nineteenth-century genres of storytelling - the Humor of the Old Southwest and the sketch - all presented within a historical framework to create an early version of the King of the Wild Frontier. The Crockett encountered here is the marksman who can shoot an elk from 140 yards with his beloved rifle, Betsy, grin the bark off a tree knot, and choose bows and arrows as weapons when challenged to a duel by a fellow congressman. Within a year, Crockett disavowed this book, preferring his autobiography - Narrative of the Life of David Crockett, of the State of Tennessee - but this rollicking story, often bouncing along from tall tale, hunting anecdote, faux moral tale, to humorous pratfall, became a major source for the later biographical writings and a later cultural industry that swept up newspapers, books, political propaganda, plays, and films - and almost every way in which a frontier figure could appear in popular culture. And, while Crockett's image was a source of entertainment and humor, it also pointed toward something far more serious: after his death at the Alamo it presented Americans with a fictional Frontier hero who progressively embodied their views on topics as varied as manliness, manifest destiny, and even white supremacy. However, the Crockett of Sketches - canny, adaptable, intelligent but not educated, hilarious - was above all a perfect reflection of the aspirations, interests, and beliefs of Jacksonian-era Americans.

The embodiment of the American hero, Daniel Boone personifies the great adventure of his age - the westward movement of the American people. The prototype for the frontiersman, he was a multifaceted individual who shaped and was driven by the complex forces of this dynamic period in history. Daniel Boone: An American Life brings together over thirty years of research in this extraordinary biography. Based on primary sources, the book depicts Boone through the eyes of those who knew him and within the historical contexts of his eighty-six years. Boone's story offers new insights into the turbulent birth of the nation and demonstrates why the frontier forms such a significant part of the American experience.

" The embodiment of the American hero, the man of action, the pathfinder, Daniel Boone represents the great adventure of his age -- the westward movement of the American people. Daniel Boone: An American Life brings together over thirty years of research in an extraordinary biography of the quintessential pioneer. Based on primary sources, the book depicts Boone through the eyes of those who knew him and within the historical contexts of his eighty-six years. The story of Daniel Boone offers new insights into the turbulent birth and growth of the nation and demonstrates why the frontier forms such a significant part of the American experience.

"Southern Manuscript Sermons before 1800 "is the first guide to the study of the manuscript sermon literature of the Southern colonies/states of Maryland, Virginia, North Carolina, South Carolina, and Georgia. The bibliography contains entries for over 1,600 sermons by over a hundred ministers affiliated with eight denominations. The compilation provides a previously unavailable major tool for research into the early South.
Richard Beale Davis began the bibliography in 1946 as part of his research for "Intellectual Life in the Colonial South, 1585-1763," which won the National Book Award in history. Michael A. Lofaro took over the project in 1976, expanded the colonial entries (pre-1764), and added the period of 1764-1799. George M. Barringer contributed entries for Jesuit sermons. Sandra G. Hancock contributed those for Thomas Cradock.
The bibliography is also available online (dlc.lib.utk.edu/sermons). This database contains the same in-depth descriptions of these sermons, over 90 percent of which are unknown. It provides multiple avenues of access. Searches can be constructed and limited by single or combined criteria of author, repository, book of the Bible, date, state, denomination, keyword, and short title.
Scholars can employ both versions of this tool to construct a more complete picture of the southern mind before 1800 and to reveal how that mind contributes to a national ethos. The bibliography will aid many disciplines--religion, cultural and American studies, history, literature, political science, sociology, psychology, and more--and all those who wish to interpret the past and its effect upon the present. It will lead to a more balanced appraisal of American intellectual history by encouraging access to a large body of southern sermons to place alongside those of the northern and middle states for critical assessment.

Davy Crockett has been America's best-known folk hero for at least 160 years. This informed biography by James Atkins Shackford first appeared in 1956, at the height of the television-inspired Crockett craze. As Michael Lofaro notes in his introduction, "Shackford faced the monumental task of rescuing a nearly unknown David Crockett from the obscurity caused by the popularity of the earlier legendary Davys and deepened by Disney." He succeeded memorably, restoring David Crockett of Tennessee, a true pioneer and colorful figure even without romantic trappings.

In his introduction to this edition of "Daniel Boone: Master of the Wilderness," Michael A. Lofaro, a professor of English at the University of Tennessee and the author of "The Life and Adventures of Daniel Boone," assesses John Bakeless's achievement: "After fifty years his is still the standard by which all other biographies of the frontiersman are judged."