The legendary Davy Crockett arose simultaneously with the emergence of the historical Crockett as a public figure, and once established, the man and the myth were forevermore entangled. The present work, his Life and Adventures (1833), ushered in a series of biographical and autobiographical books that thrust Crockett fully onto the national and international scene. This work, quickly retitled Sketches and Eccentricities, was the most outlandish. Its purported author, J. S. French, mixed two nineteenth-century genres of storytelling - the Humor of the Old Southwest and the sketch - all presented within a historical framework to create an early version of the King of the Wild Frontier. The Crockett encountered here is the marksman who can shoot an elk from 140 yards with his beloved rifle, Betsy, grin the bark off a tree knot, and choose bows and arrows as weapons when challenged to a duel by a fellow congressman. Within a year, Crockett disavowed this book, preferring his autobiography - Narrative of the Life of David Crockett, of the State of Tennessee - but this rollicking story, often bouncing along from tall tale, hunting anecdote, faux moral tale, to humorous pratfall, became a major source for the later biographical writings and a later cultural industry that swept up newspapers, books, political propaganda, plays, and films - and almost every way in which a frontier figure could appear in popular culture. And, while Crockett's image was a source of entertainment and humor, it also pointed toward something far more serious: after his death at the Alamo it presented Americans with a fictional Frontier hero who progressively embodied their views on topics as varied as manliness, manifest destiny, and even white supremacy. However, the Crockett of Sketches - canny, adaptable, intelligent but not educated, hilarious - was above all a perfect reflection of the aspirations, interests, and beliefs of Jacksonian-era Americans.

Although name such as Daniel Boone, Black Hawk, and "Davy" Crockett are familiar to most Americans, the historical, political, and literary contexts that produced the mythical images of these figures are unfamiliar to most outside academia. In Boone, Black Hawk, and Crockett in 1833,Michael A. Lofaro compiles, annotates, and analyzes three (auto)biographical writings published in Cincinnati, Ohio, in 1833-The Biographical Memoir of Daniel Boone; Life of Ma-ka-tai-me-she-kia-kiak, or Black Hawk; and The Life and Col. David Crockett of West Tennessee-to reveal how the portrayals of Boone, Black Hawk, and Crockett revised the idea of the "frontier hero." By placing them together in dialogue through the scholarly reediting of their texts, Lofaro demonstrates that these works exemplify, typify, and epitomize masculinity, burgeoning capitalism, and Jacksonian democracy, probe beliefs in race and class, and provide nothing short of a deep dissection of the frontier mentality of the antebellum period. Additionally, the reception of these works influenced the ways in which nineteenth-century Americans understood and perceived manifest destiny, the removal of Native Americans from their homelands, to the west of the Mississippi River, and the waning concept of "American frontier." With its great scope and insight, this publication creates connections among many academic disciplines, including colonial America, Jacksonian America, Native American studies, as well as literary and folklore studies.

The embodiment of the American hero, Daniel Boone personifies the great adventure of his age - the westward movement of the American people. The prototype for the frontiersman, he was a multifaceted individual who shaped and was driven by the complex forces of this dynamic period in history. Daniel Boone: An American Life brings together over thirty years of research in this extraordinary biography. Based on primary sources, the book depicts Boone through the eyes of those who knew him and within the historical contexts of his eighty-six years. Boone's story offers new insights into the turbulent birth of the nation and demonstrates why the frontier forms such a significant part of the American experience.

Davy Crockett has been America's best-known folk hero for at least 160 years. This informed biography by James Atkins Shackford first appeared in 1956, at the height of the television-inspired Crockett craze. As Michael Lofaro notes in his introduction, "Shackford faced the monumental task of rescuing a nearly unknown David Crockett from the obscurity caused by the popularity of the earlier legendary Davys and deepened by Disney." He succeeded memorably, restoring David Crockett of Tennessee, a true pioneer and colorful figure even without romantic trappings.

" The embodiment of the American hero, the man of action, the pathfinder, Daniel Boone represents the great adventure of his age -- the westward movement of the American people. Daniel Boone: An American Life brings together over thirty years of research in an extraordinary biography of the quintessential pioneer. Based on primary sources, the book depicts Boone through the eyes of those who knew him and within the historical contexts of his eighty-six years. The story of Daniel Boone offers new insights into the turbulent birth and growth of the nation and demonstrates why the frontier forms such a significant part of the American experience.

Most widely noted for his acclaimed Let Us Now Praise Famous Men and his Pulitzer Prize-winning novel, A Death in the Family, Tennessee native James Agee was also a journalist, film critic, poet, and screenwriter. More than fifty years after Agee's untimely death, his canon of work continues to grow in popularity, and his ability to capture the human condition in all its forms remains unparalleled. Agee Agonistes is a compilation of seventeen essays from the James Agee Celebration hosted by the University of Tennessee in April 2005. The collection includes some of the best interpretations of Agee's work and explores the influences on his art, delineates the connections and syntheses he makes within his texts, and examines his involvement in music, ethics, surrealism, local and national history, cinema, television, poetry, literature, sociology, and journalism. The volume features never-before-seen pictures of Agee, previously unknown correspondence, and a remembrance by his oldest daughter, Deedee. The volume also includes the most extensive bibliography of secondary sources on Agee assembled to date. The essays are divided into four parts: Agee's Influences and Syntheses-Contributors: Paul Sprecher, William Bruce Wheeler, Jack Neely, Jeffrey J. Folks, Hugh Davis, Paul Ashdown Agee's Films-Contributors: Daniel Feller, Jeffrey Couchman, Mary E. Papke, John Wranovics Agee's Literature-Contributors: Fred Chappell, Angie Maxwell, John H. Summers, James A. Crank, Michael A. Lofaro Agee's Correspondence-Contributor: Brian Gempp. In addition, the volume includes an introductory essay entitled "Mapping Agee's Myriad Mind" by noted author David Madden. Agee Agonistes will be of interest to all those who study twentieth-century America and will introduce a new generation of readers to James Agee. Michael Lofaro is professor of American literature and American and Cultural Studies at the University of Tennessee, Knoxville. He has authored and edited numerous volumes and is coeditor, with Hugh Davis, of James Agee Rediscovered: The Journals of Let Us Now Praise Famous Men and Other New Manuscripts. He is also the general editor for the ten-volume series, The Works of James Agee, and the editor of its forthcoming first volume, A Death in the Family: A Restoration of the Author's Text.

In his introduction to this edition of "Daniel Boone: Master of the Wilderness," Michael A. Lofaro, a professor of English at the University of Tennessee and the author of "The Life and Adventures of Daniel Boone," assesses John Bakeless's achievement: "After fifty years his is still the standard by which all other biographies of the frontiersman are judged."

It’s difficult to overestimate the impact of the many new works by James Agee uncovered and published in the last twenty years. These previously unknown primary works have, in turn, encouraged a parallel explosion of critical evaluation and reevaluation by scholars, to which James Agee in Context is the latest contribution. This superb collection from well-known James Agee scholars features myriad approaches and contexts for understanding the author’s fiction, poetry, journalism, and screenwriting. The essays bring the reader from the streets of James Agee’s New York to travel with the author from Alabama to Hollywood to Havana. Contributors explore overlapping and sometimes unique subjects, themes, and accomplishments (or lack thereof) in Agee’s uncovered works and highlight the diversity of interest that Agee’s complete body of work inspires. The insightful scholarship on influence examines connections between Agee and Wright Morris, Helen Levitt, John Dos Passos, Ernest Hemingway, and Stephen Crane. Such juxtapositions serve to illustrate how Agee drew on literary influences as a young man, how he used his work as a journalist to craft fiction as he was about to turn thirty, and his influence upon others. The volume concludes with three poems and a short story by Agee, all previously unknown. It seems astonishing that so much remains to be discovered about this protean author, his materials, and his circle. Yet, the recovery and analysis of neglected texts and information mined from newspapers and magazines proves the extent to which Agee kept his mind and his work, as he himself put it, “patiently concentrated upon the essential quietudes of the human soul.”

These never before collected or reprinted tales, were part of the original primary force that created the tall tale Davy Crockett. The Nashville almanacs significantly contributed to the development of the Davy Crockett myths. Two-thirds of the tales found in this edition have never before been collected or reprinted in any readily accessible form.

Published in 1957 to wide acclaim, James Agee's A Death in the Family was posthumously awarded the Pulitzer Prize for literature. However, the novel had been so heavily edited by publisher and editor David McDowell that it little resembled the manuscript that James Agee had completed at the time of his death. The inaugural title of the University of Tennessee Press's scholarly edition of The Works of James Agee, this restored text of A Death in the Family is, in many ways, a new novel. This volume provides, for the first time, a modern critical edition of Agee's manuscript, a novel based upon his childhood and his attempts to understand the death of his father. The new introduction is a revealing nightmare rather than an idyllic reverie; the book includes ten and one-third previously omitted chapters, substitutes three finished chapters for erroneously printed drafts, and is divided into forty-five chapters rather than twenty; it is chronological and has no flashback chapters; real names of people and places are used, as are more regional speech patterns; and young Rufus (based on young James), his father, and their deep and caring relationship are far more fully developed. All are changes that showcase the intended autobiographical realism of the novel. This comprehensive edition also provides the reader with an introductory essay, a way to read the McDowell edition from it for purposes of comparison, Agee's draft of his memories of his father's death, unfinished letters to his parents, manuscript variants, and textual notes which document each part of the reconstruction. The edition has received the approval of the Committee on Scholarly Editions of the Modern Language Association. Wonderfully evocative, this exciting reconstruction of A Death in the Family provides a firmer sense of Agee's achievement as a writer of creative non-fiction and presents his literary genius to a new generation of readers. Michael A. Lofaro is professor of American literature and American and cultural studies at the University of Tennessee, Knoxville. He has authored and edited numerous volumes, most recently Agee Agonistes: Essays on the Life, Legend, and Works of James Agee.