In the Age of Democratic Revolution, countries on both sides of the Atlantic were linked together through trade networks, diplomatic ties, and social interactions. More importantly, however, they also shared a common revolutionary dynamic that oscillated back and forth across the ocean. Revolutionary Currents explores the global crosscurrents and revolutionary ideologies that inspired four great modern revolutions England's Glorious Revolution of 1688-89, the American Revolution of 1776, the French Revolution in 1789, and the Mexican Revolution in the early 1800s. Michael A. Morrison and Melinda S. Zook bring together noted historians to look at how each nation reshaped these revolutionary traditions, making them their own, and exported them once again. In examining each event, the contributors respond to the historiographical trends of revolutionary ideology, transatlantic cross-fertilzation of ideas, and nation-building. In assessing and analyzing the ideas, traditions, and nationalisms that inspired revolution and nation-building in the modern world, this book breaks new ground in the area of transatlantic history."

John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-3 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Many of the conventions of modern practice can be traced to Barrymore's performances: he was the first actor to bring the vocal and physical manner of a post-War gentleman to Shakespeare's tragic protagonists; he was the first to reinterpret time-honored roles in light of modern psychological theory. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book, first published in 1997, situates Barrymore's distinctive contribution in light of past and ensuing tradition. It also provides a biographical sketch of one of the most revered and tragic actors of the twentieth century.

Penned by leading historians, the specially-commissioned essays of Whither the Early Republic represent the most stimulating and innovative work being done on imperialism, environmental history, slavery, economic history, politics, and culture in the early Republic. The past fifteen years have seen a dramatic expansion in the scope of scholarship on the history of the early American republic. Whither the Early Republic consists of innovative essays on all aspects of the culture and society of this period, including Indians and empire, the economy and the environment, slavery and culture, and gender and urban life. Penned by leading historians, the essays are arranged thematically to reflect areas of change and growth in the field. Throughout the book, preeminent scholars act as guides for students to their areas of expertise. Contributors include Pulitzer Prize-winner Alan Taylor, Bancroft Prize-winner James Brooks, Christopher Clark, Ted Steinberg, Walter Johnson, Patricia Cline Cohen, David Waldstreicher, and more. These essays, all originally commissioned to appear in a special issue of the Journal of the Early Republic, explore a diverse array of subjects: the struggles for control of North America; the economic culture of the early Republic; the interactions of humans with plants, climate, animals, and germs; the commodification of people; and the complex intersections of politics and culture. Whither the Early Republic offers a wealth of tools for introducing a new generation of historians to the nature of the field and also to the wide array of possibilities that lie in the future for scholars of this fascinating period.

John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the twentieth century. "This young artist, profiting by the lessons of tradition...casts it boldly aside and emerges into the rarefied atmosphere of a new art, greater because it is new, stronger because it is built upon an old foundation." Brooklyn Times, March 9, 1920

From the moment the Pilgrims set foot on our shores, Satan launched a full-scale onslaught for the very soul of America. But although pagan Enlightenment thinking infiltrated and rationalists tried to displace our Christian foundation, the Lord raised up revivalists to bring America and the world back to Himself. The author presents compelling evidence in this book that America is a Christian nation, and that because of "trust in God," this country became the number one world power. But sadly, many have tried to uproot our Christian heritage. As a result, God continues to withdraw His protection and blessings. The author offers biblical proof that only God can restore our economy. Power belongs to God. If we come back to God through fasting, prayer, and restoring Christian values, we will win. After praying for months on the streets of NYC for revival, and warning New Yorkers to come back to God, the author first witnessed the Occupy Wall Street uprising and then later found her ministry negatively affected by a NY State court decision allowing the NYC Department of Education to ban churches from worshiping in public schools. These events confirmed to her the need for radical corporate prayer to win the (peaceful) spiritual war against Satan. Will you join her in this prayer and fasting movement to bring revolution and awakening to our nation?

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Tracing the sectionalization of American politics in the 1840s and 1850s, Michael Morrison offers a comprehensive study of how slavery and territorial expansion intersected as causes of the Civil War. Specifically, he argues that the common heritage of the American Revolution bound Americans together until disputes over the extension of slavery into the territories led northerners and southerners to increasingly divergent understandings of the Revolution's legacy. Manifest Destiny promised the literal enlargement of freedom through the extension of American institutions all the way to the Pacific. At each step--from John Tyler's attempt to annex Texas in 1844, to the Kansas-Nebraska Act, to the opening shots of the Civil War--the issue of slavery had to be confronted. Morrison shows that the Revolution was the common prism through which northerners and southerners viewed these events and that the factor that ultimately made consensus impossible was slavery itself. By 1861, no nationally accepted solution to the dilemma of slavery in the territories had emerged, no political party existed as a national entity, and politicians from both North and South had come to believe that those on the other side had subverted the American political tradition. |A comprehensive study of how slavery and territorial expansion intersected as causes of the Civil War. Specifically, the disputes over the extension of slavery into the territories led to divergent understandings of the legacy of the American Revolution, the Union, and republican government.

In the Age of Democratic Revolution, countries on both sides of the Atlantic were linked together through trade networks, diplomatic ties, and social interactions. More importantly, however, they also shared a common revolutionary dynamic that oscillated back and forth across the ocean. Revolutionary Currents explores the global crosscurrents and revolutionary ideologies that inspired four great modern revolutions-England's Glorious Revolution of 1688-89, the American Revolution of 1776, the French Revolution in 1789, and the Mexican Revolution in the early 1800s. Michael A. Morrison and Melinda S. Zook bring together noted historians to look at how each nation reshaped these revolutionary traditions, making them their own, and exported them once again. In examining each event, the contributors respond to the historiographical trends of revolutionary ideology, transatlantic cross-fertilzation of ideas, and nation-building. In assessing and analyzing the ideas, traditions, and nationalisms that inspired revolution and nation-building in the modern world, this book breaks new ground in the area of transatlantic history.