Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

Media across the Asia-Pacific region are at once social, locative and mobile. Social in that these media facilitate public and interpersonal interaction, locative in that this social communication is geographically placed, and mobile in so much as the media is ever-present. The Asia-Pacific region has been pivotal in the production, shaping and consumption of personal new media technologies and through social and mobile media we can see emerging certain types of personal politics that are inflected by the local. The six case studies that inform this book-Seoul, Tokyo, Shanghai, Manila, Singapore and Melbourne-offer a range of economic, socio-cultural, and linguistic differences, enabling the authors to provide new insights into specific issues pertaining to mobile media in each city. These include social, mobile and locative media as a form of crisis management in post 3/11 Tokyo; generational shifts in Shanghai; political discussion and the shifting social fabric in Singapore; and the erosion of public and private, and work and leisure paradigms in Melbourne. Through its striking case studies, this book sheds new light on how the region and its contested and multiple identities are evolving, and concludes by revealing the impact of mobile media on how place is shaped, as well as shaping, practices of mobility, intimacy and a sense of belonging. Employing comprehensive, cross-disciplinary frameworks from theoretical approaches such as media sociology, ethnography, cultural studies and media and communication studies, Online@AsiaPacific will be of huge interest to students and scholars of Asian culture and society, cybercultures, new media studies, communication studies and internet studies.

Media across the Asia-Pacific region are at once social, locative and mobile. Social in that these media facilitate public and interpersonal interaction, locative in that this social communication is geographically placed, and mobile in so much as the media is ever-present. The Asia Pacific region has been pivotal in the production, shaping and consumption of personal new media technologies and through social and mobile media we can see emerging certain types of personal politics that are inflected by the local.

The six case studies that inform this book Seoul, Tokyo, Shanghai, Manila, Singapore and Melbourne offer a range of economic, socio-cultural, and linguistic differences, enabling the authors to provide new insights into specific issues pertaining to mobile media in each city. These include social, mobile and locative media as a form of crisis management in post 3/11 Tokyo; generational shifts in Shanghai; political discussion and the shifting social fabric in Singapore; and the erosion of public and private, and work and leisure paradigms in Melbourne. Through its striking case studies, this book sheds new light on how the region and its contested and multiple identities are evolving, and concludes by revealing the impact of mobile media on how place is shaped, as well as shaping, practices of mobility, intimacy and a sense of belonging.

Employing comprehensive, cross-disciplinary frameworks from theoretical approaches such as media sociology, ethnography, cultural studies and media and communication studies, "Online@AsiaPacific" will be of huge interest to students and scholars of Asian culture and society, cybercultures, new media studies, communication studies and internet studies.

This title aims to provide introductory and concluding surveys of the subject of farms, trees and farmers. Two central parts explore trends in farmer tree-growing and the factors which influence decision-making. Eight case studies cover, among other topics, the need for tree products, market access, the allocation of land and labour, and exposure to risk. In showing why farmers decide to grow or not grow trees, it seeks to increase the reader's knowledge about farming systems and to provide a guide to encouraging farm forestry throughout the world.

This title aims to provide introductory and concluding surveys of the subject of farms, trees and farmers. Two central parts explore trends in farmer tree-growing and the factors which influence decision-making. Eight case studies cover, among other topics, the need for tree products, market access, the allocation of land and labour, and exposure to risk. In showing why farmers decide to grow or not grow trees, it seeks to increase the reader's knowledge about farming systems and to provide a guide to encouraging farm forestry throughout the world.

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms-and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software-all of which are now woven into the domestic fabric of the modern household.

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

La France, depuis 1973, a fait de grands e./forts pour reduire sa dependance energetique~' tlle en fera plus encore a l'avenir et il n 'est pas hors de portee, dans le long terme, de couvrir la moitie de nos besoins par la production nationale d'energie. Nous ny parviendrons cependant que par de vastes programmes technologiques, des investissements accrus - et il nous faudra encore importer la moitie de notre energie, la quasi totalite du petrole necessaire. L 'economie franfaise, nos entreprises, l'ensemble de leurs personneIs, devront donc plus que jamais " communiquer" avec ceux qui, partout dans le monde, ont les memes ambitions. C'etait devancer l'evenement que de lance" en 1971 un dictionnaire anglais-franfais des termes petroliers,' c'est a nouveau construire l'avenir que de publier cette seconde edition dont le vaste champ, technique, economique, financier, juridique, repond si bien aux besoins de lecteurs qui n 'appartiennent pas a la seule profession petroliere. Qu 'il me soit permis d'en feliciter les auteurs, en soulignant le soin extreme qu 'ils ont mis a donner a chaque terme son exacte equivalence dans notre langue. F. de Wissocq Avant-Propos A l'origine, au cours des annees 50 et 60, Fabio Zubini avait remge un lexique des termes petroliers anglais interessant surtout le raffinage et la chimie du petroie. Le bon accueil reserve a cet ouvrage, en italien d'abord (1969), puis a sa version fran~aise (1971), conduisit finalement a " remettre l'ouvrage sur le metier ".

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms-and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software-all of which are now woven into the domestic fabric of the modern household.

Devil's Charge, the second in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero Captain Stryker, 'the Sharpe of the Civil War', fight for his honour. 'Stands in comparison with the best of Cornwell' Yorkshire Post England stands divided: king against Parliament, town against country, brother against brother. For Captain Stryker, scarred hero of a dozen wars, the rights and wrongs of the cause mean little. His loyalties are to his own small band of comrades - and to Queen Henrietta Maria's beautiful and most deadly agent, Lisette Gaillard. So when Prince Rupert entrusts him with a secret mission to discover what has happened to Lisette and the man she was protecting - a man who could hold the key to Royalist victory - nothing, not false imprisonment for murder, ambush, a doomed siege or a lethal religious fanatic will stand in his way. A Sunday Times Historical Fiction Book of the Year

Traitor's Blood, the first in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero Captain Stryker, 'the Sharpe of the Civil War', confront his nemesis. 'Stands in comparison with the best of Cornwell' Yorkshire Post Once seen in the heat of battle, Captain Stryker is never forgotten. A hardened veteran of the wars in the Low Countries, he has come home to England to seek revenge on the man who left him for dead and scarred him for life. Stryker is driven by loyalty rather than conviction to serve King Charles's cause. He has no truck with aristocracy, preferring the company of a handful of trusted men, including sometime actor Lancelot Forreseter and his foul-mouthed sergeant, Skellen. But when the existence of a dangerous spy at the heart of the Royalist establishment is discovered, it is Stryker whom Prince Rupert chooses to capture the man before he realises the game is up. Lightly armed and with only a handful of men, Stryker must journey across a country riven by bitterness and beset by marauding bands of soldiers in a race against time. But unbeknown to Stryker, someone else is also closing in on his quarry, someone whom Stryker has sworn to kill: Captain Eli Makepeace, his nemesis, the man who nearly destroyed him . . .

Die Histochemie hat ein fast unubersehbares Arsenal von Methoden zur Stoff- ortung im histologischen Praparat bereitgestellt. Die histochemische Grundlagen- forschung entwickelt in rascher Folge weitere spezielle Verfahren, die fur die topo- chemische Analyse licht- und elektronenmikroskopischer Objekte eingesetzt werden koennen. Die beeindruckenden Moeglichkeiten histochemischer Gewebsuntersuchung haben zu breiter Anwendung auf den verschiedensten Gebieten, vor allem auch in der klinischen Medizin, gefuhrt. Dies hat zur naturlichen Folge, dass haufig histochemisch zunachst unerfahrenes technisches Hilfspersonal mit der Praparatherstellung befasst ist und dass auch die wissenschaftliche Interpretation der Ergebnisse oft auf unzu- reichenden Erfahrungsgrundlagen erfolgt. So erklart es sich, dass so viele histoche- mische Befunde veroeffentlicht werden, die der Kritik nicht standhalten. Aus vielfaltigen Erfahrungen bei der Zusammenarbeit auf dem Gebiet der ange- wandten Histochemie ergibt sich, dass insbesondere der Mediziner vielen z. T. elemen- taren Schwierigkeiten gegenubersteht. Das exakte Nacharbeiten von Methoden anhand der ausgezeichneten Werke, die fur diesen Zweck bereits zur Verfugung stehen, genugt offensichtlich nicht, die histochemische Praxis auf eine sichere Grund- lage zu stellen. Von dem Gedanken ausgehend, dass Verstandnis fur den Mechanismus der einzelnen speziellen histochemischen Reaktionen zwar selbstverstandlich notwendig, aber allein nicht ausreichend ist, dass vielmehr Einsicht in die allgemeinen Grund- prinzipien histologisch-histochemischer Arbeitsweisen geweckt werden musse, wurde das vorliegende Werk konzipiert. Der Akzent der Darstellung liegt auf der Behand- lung der methodischen Grundmoeglichkeiten. Deren Systematisierung fuhrt zu einer Methodologie im eigentlichen Sinn, in deren Rahmen jede spezielle Methode die Wertigkeit einer Anwendung oder eines Beispiels hat.