Most places in Britain have had a local history written about them. Up until this century these histories have addressed more parochial issues, such as the life of the manor, rather than explaining the features and changes in the landscape in a factual manner. Much of what is visible today in Britain's landscape is the result of a chain of social and natural processes, and can be interpreted through fieldwork as well as from old maps and documents.
Michael Aston uses a wide range of source material to study the complex and dynamic history of the countryside, illustrating his points with aerial photographs, maps, plans and charts. He shows how to understand the surviving remains as well as offering his own explanations for how our landscape has evolved.

eBook available with sample pages: 0203442121

Most places in Britain have had a local history written about them. Up until this century these histories have addressed more parochial issues, such as the life of the manor, rather than explaining the features and changes in the landscape in a factual manner. Much of what is visible today in Britain's landscape is the result of a chain of social and natural processes, and can be interpreted through fieldwork as well as from old maps and documents. Michael Aston uses a wide range of source material to study the complex and dynamic history of the countryside, illustrating his points with aerial photographs, maps, plans and charts. He shows how to understand the surviving remains as well as offering his own explanations for how our landscape has evolved.

Demonstrating the range and popularity of Bach piano transcriptions during the early twentieth century, this volume brings together arrangements from notable British musical figures, including Myra Hess, Leonard Borwick, Harriet Cohen, and William H. Harris. The collection includes exuberant fantasias and fugues, gentle transcriptions from instrumental works, and popular chorales such as 'Jesu, joy of man's desiring' and 'Bist du bei mir'. With an introduction by David Owen Norris, Bach Transcriptions for Piano is the perfect resource for all intermediate to advanced pianists wishing to further explore Bach's music.

The volume includes arrangements of celebrated chamber and orchestral works alongside original duets, in a survey of prominent composers and styles from the USA. It reflects the indigenous influences of jazz, ragtime, and folk music, and of European styles and genres. Authoritative and expertly edited, the collection is designed for intermediate pianists (Grades 5-7) and includes an historical and technical commentary on every piece.

Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems, alongside new editions of original works written specifically for piano duet. You'll find sonata movements by less well-known composers of the period, Clementi and J.C.F. Bach, as well as Beethoven's complete Sonata in D major, one of the few original duet sonatas written by the composer. The volume is concluded with a light and attractive Minuet and Trio by Haydn, a colourful Theme and Variations by Mozart, and a graceful and flowing arrangement of Schubert's Entr'acte Music from Rosamunde. Ranging from the intimate to the virtuosic, these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium.

This varied and exciting duet collection is full of new and accessible arrangements for every duet player and lover of Baroque music. In beautifully prepared editions, you'll find perennial favourites as well as a host of other Baroque classics and less well-known gems, most arranged as piano duets for the first time. There's plenty for those looking to dazzle an audience, as well as lively dances and more intimate beauties.

These ten characterful pieces with a range of imaginative titles and moods provide attactive and accessible pieces for students and more experienced players. They are published here in a newly engraved edition with fingerings and a short introductory note.

An attractive and varied collection of 20th-century piano duets by British composers. The album includes a reprint of Lambert's classic and witty work, 'Trois pieces negres, pour les touches blanches', as well as new arrangements of Walton's 'Popular Song' and Vaughan Williams's beautiful but little known 'The Lake in the Mountains'. This collection will be of interest to piano duettists everywhere and an ideal introduction to the medium for students.

The volume contains all the works for piano (solo, piano duet, two pianos), and works for organ and guitar. It includes an introduction, textual notes, and facsimiles

for piano duet
Piano Duets: Romantic Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems, alongside new editions of original works written specifically for piano duet. You'll find duet favourites by Brahms and Dvorak, and new arrangements of well-known orchestral pieces by Berlioz and Tchaikovsky. To complete its survey of the Romantic period, the collection includes an intricate piano study by Liszt, a movement from a piano quartet by Mendelssohn, and a nocturnal Lied by Fanny Mendelssohn. Ranging from the intimate to the virtuosic, these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium.

This book examines recent views on the emerging settlement patterns of early medieval Britain and their relation to land use, drawing on both archaeological and documentary sources. Six essays, displaying the combined skills of historians, archaeologists and geographers, explore the evolution of the South West in rural and urban contexts across many centuries. Simon Esmonde Cleary takes the study from the later Romano-British into the post-Roman period; Christopher Holdsworth examines the re-emergence of Christianity in sixth-century England, the location of minsters and their role in the economy. The problematic theme of continuity or dislocation recurs in a number of chapters and is closely investigated by Peter Rose and Ann Preston Jones in their chapter on Cornwall, a region marginal to the main thrust of Anglo-Saxon cultural influence. Ethnicity as a factor for change is challenged and Colleen Batey, looking at Northern Britain, finds that archaeology fails to identify with any degree of certainty the specific Scandinavian house type in the uplands. Della Hooke presents a more general summary of the period across England, noting the evidence for the emerging landscape regions which were characterized by particular settlement types and field systems and, in a case study of the Failand ridge in North Somerset, James Bond sets the evidence within a much broader time scale, revealing the gaps which still caracterize our knowledge of the early medieval period.