• A point of entry into the study of landscapes and environments of the middle ages for non-specialists this book explores the cultural ways that people in the middle ages made landscape and thought about the nonhuman worlds in which they lived providing students with the perfect introduction to this new field. • Examines a diverse range of environments, ranging from fields, fens, and forests to desert wastelands, castles and fortifications, from rivers and oceans to towns and cities, and from the depths of hell to the heights of heaven. Allowing students to see the range of ways that people in the Middle Ages interacted with the world around them. • Provides a wide range of primary source material, including evidence from texts, material culture, and visual arts, this book reflects the diversity of landscapes and human responses to them throughout the course of the middle ages, enabling students to see examples of the themes discussed in the book and provides lecturers with sources to critique in their seminars.

• A point of entry into the study of landscapes and environments of the middle ages for non-specialists this book explores the cultural ways that people in the middle ages made landscape and thought about the nonhuman worlds in which they lived providing students with the perfect introduction to this new field. • Examines a diverse range of environments, ranging from fields, fens, and forests to desert wastelands, castles and fortifications, from rivers and oceans to towns and cities, and from the depths of hell to the heights of heaven. Allowing students to see the range of ways that people in the Middle Ages interacted with the world around them. • Provides a wide range of primary source material, including evidence from texts, material culture, and visual arts, this book reflects the diversity of landscapes and human responses to them throughout the course of the middle ages, enabling students to see examples of the themes discussed in the book and provides lecturers with sources to critique in their seminars.

The most recent cutting-edge scholarship on the tenth, eleventh and twelfth centuries. The essays collected here demonstrate the rich vitality of scholarship in this area. This volume has a particular focus on the interrelations between the various parts of north-western Europe. After the opening piece on Lotharingia, there are detailed studies of the relationship between Ponthieu and its Norman neighbours, and between the Norman and Angevin duke-kings and the other French nobility, followed by an investigation of the world of demons and possession in Norman Italy, with additional observations on the subject in twelfth-century England. Meanwhile, the York massacre of the Jews in 1190 is set in a wider context, showing the extent to which crusader enthusiasm led to the pogroms that so marred Anglo-Jewish relations, not just in York but elsewhere in England; and there is an exploration of poverty in London, also during the 1190s, viewed through the prism of the life and execution of William fitz Osbert. Another chapter demonstrates the power of comparative history to illuminate the norms of proprietary queenship, so often overlooked by historians of both kingship and queenship. And two essays focusing on landscape bring the physical into close association with the historical: on the equine landscape of eleventh and twelfth-century England, adding substantially to our understanding of the place of the horse in late Anglo-Saxon and early Anglo-Norman societies, and on the Brut narratives of Geoffrey of Monmouth, Wace, and Lazamon, arguing that they use realistic landscapes in their depiction of the action embedded in their tales, so demonstrating the authors' grasp of the practical realities of contemporary warfare and the role played by landscapes in it.

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London; THOMAS WILLIAMS is a former curator of Early Medieval Coins at the British Museum. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion. Trees were of fundamental importance in Anglo-Saxon material culture - but they were also a powerful presence in Anglo-Saxon religion before and after the introduction of Christianity. This book shows that they remained prominentin early English Christianity, and indeed that they may have played a crucial role in mediating the transition between ancient beliefs and the new faith. It argues that certain characteristics of sacred trees in England can be determined from insular contexts alone, independent of comparative evidence from culturally related peoples. This nevertheless suggests the existence of traditions comparable to those found in Scandinavia and Germany. Tree symbolismhelped early English Christians to understand how the beliefs of their ancestors about trees, posts, and pillars paralleled the appearance of similar objects in the Old Testament. In this way, the religious symbols of their forebears were aligned with precursors to the cross in Scripture. Literary evidence from England and Scandinavia similarly indicates a shared tradition of associations between the bodies of humans, trees, and other plant-life. Though potentially ancient, these ideas flourished amongst the abundance of vegetative symbolism found in the Christian tradition. Michael Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University.

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noel Adams, John Baker, Michael D. J. Bintley, Sue Brunning, Laszlo Sandor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams

Essays on aspects of iconography as manifested in the material culture of medieval England. Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts,to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape. MEG BOULTON is Research Affiliate and Visiting Lecturer in the History of Art Department at the University of York; MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London. Contributors: Elizabeth Alexander, Michael Brennan, Melissa Herman, Mags Mannion, Thomas Pickles, Harry Stirrup, Heidi Stoner, Colleen Thomas, Philippa Turner, Carolyn Twomey,

Drawing on sources from archaeology and written texts, the author brings out the full significance of trees in both pagan and Christian Anglo-Saxon religion. Trees were of fundamental importance in Anglo-Saxon material culture - but they were also a powerful presence in Anglo-Saxon religion before and after the introduction of Christianity. This book shows that they remained prominentin early English Christianity, and indeed that they may have played a crucial role in mediating the transition between ancient beliefs and the new faith. It argues that certain characteristics of sacred trees in England can be determined from insular contexts alone, independent of comparative evidence from culturally related peoples. This nevertheless suggests the existence of traditions comparable to those found in Scandinavia and Germany. Tree symbolismhelped early English Christians to understand how the beliefs of their ancestors about trees, posts, and pillars paralleled the appearance of similar objects in the Old Testament. In this way, the religious symbols of their forebears were aligned with precursors to the cross in Scripture. Literary evidence from England and Scandinavia similarly indicates a shared tradition of associations between the bodies of humans, trees, and other plant-life. Though potentially ancient, these ideas flourished amongst the abundance of vegetative symbolism found in the Christian tradition. MICHAEL D.J. BINTLEY is Senior Lecturer in Medieval Literature at Canterbury Christ Church University.

This is the first edition of Andreas for 55 years, also the first to present the Anglo-Saxon, or rather Old English, text with a parallel Modern English poetic translation. The book aims not only to provide both students and scholars with an up-to-date text and introduction and notes, but also to reconfirm the canonical merit of Andreas as one of the longest and most important works in Old English literature. The introduction to our text is substantial, re-positioning this poem in respect of nearly six decades' progress in the palaeography, sources and analogues, language, metrics, literary criticism and archaeology of Andreas. The book argues that the poet was Mercian, that he was making ironic reference to Beowulf and that his story of St Andrew converting pagan Mermedonian cannibals was coloured by King Alfred's wars against the Danes (871-9, 885-6, 892-6). Andreas is here dated to Alfred's later reign with such analysis of contexts in history and ideology that the author's name is also hypothesized. The Old English text and Modern English translation of Andreas are presented in a split-page format, allowing students at whatever level of familiarity with the Anglo-Saxon vernacular to gain a direct access to the poem in close to its original form. The translation follows the poem's word order and style, allowing modern readers to feel the imagination, ideology and humour of Andreas as closely as possible. The text of the Old English poem is accompanied by a full set of supporting notes, and a glossary representing the translation.

This is the first edition of Andreas for 55 years, also the first to present the Anglo-Saxon, or rather Old English, text with a parallel Modern English poetic translation. The book aims not only to provide both students and scholars with an up-to-date text and introduction and notes, but also to reconfirm the canonical merit of Andreas as one of the longest and most important works in Old English literature. The introduction to our text is substantial, re-positioning this poem in respect of nearly six decades' progress in the palaeography, sources and analogues, language, metrics, literary criticism and archaeology of Andreas. The book argues that the poet was Mercian, that he was making ironic reference to Beowulf and that his story of St Andrew converting pagan Mermedonian cannibals was coloured by King Alfred's wars against the Danes (871-9, 885-6, 892-6). Andreas is here dated to Alfred's later reign with such analysis of contexts in history and ideology that the author's name is also hypothesized. The Old English text and Modern English translation of Andreas are presented in a split-page format, allowing students at whatever level of familiarity with the Anglo-Saxon vernacular to gain a direct access to the poem in close to its original form. The translation follows the poem's word order and style, allowing modern readers to feel the imagination, ideology and humour of Andreas as closely as possible. The text of the Old English poem is accompanied by a full set of supporting notes, and a glossary representing the translation.