This book examines the role of collective violence in the achievement of solidarity, shedding light on the difficulty faced by sociology in theorizing violence and warfare as a result of the discipline's tendency to idealize society in an attempt to legitimize the idea of progressive social change. Using the global War on Terror as a focal point, the authors develop this argument through the related issues of power, knowledge, and ethics, explaining the War on Terror in terms of the Anglo-American tradition of imperial power and domination. Exploring the victimage rituals through which society is brought together in the ritual domination and destruction of a constructed "villain," Progressive Violence: Theorizing the War on Terror also considers the price of the liberal moral values in terms of which the global war on terror is frequently justified, and the volume of "progressive violence" involved in advancing the cause of freedom. The authors use this case to theorize the general role of vicarious victimage ritual in the social genesis of political violence and sadism, and its calculated use by politicians to achieve their imperial aims. As such, it will appeal to scholars of sociology and social theory with interests in terrorism, violence, and geopolitics.

Blending concepts from 'dramatism' such as 'victimage ritual' with Foucault's approach to modern power and knowledge regimes, this book presents a novel and illuminating perspective on political power and domination resulting from the global war on terrorism. With attention to media sources and political discourse within the context of the global war on terror, the author draws attention to the manner in which power elites construct scapegoats by way of a victimage ritual, thus providing themselves with a political pretext for extending their power and authority over new territories and populations, as well as legitimating an intensification of domestic surveillance and social control. A compelling analysis of ritual rhetoric and political violence, Power, Discourse and Victimage Ritual in the War on Terror will be of interest to sociologists, political theorists and scholars of media and communication concerned with questions of surveillance and social control, political communication, hegemony, foreign policy and the war on terror.

Blending concepts from 'dramatism' such as 'victimage ritual' with Foucault's approach to modern power and knowledge regimes, this book presents a novel and illuminating perspective on political power and domination resulting from the global war on terrorism. With attention to media sources and political discourse within the context of the global war on terror, the author draws attention to the manner in which power elites construct scapegoats by way of a victimage ritual, thus providing themselves with a political pretext for extending their power and authority over new territories and populations, as well as legitimating an intensification of domestic surveillance and social control. A compelling analysis of ritual rhetoric and political violence, Power, Discourse and Victimage Ritual in the War on Terror will be of interest to sociologists, political theorists and scholars of media and communication concerned with questions of surveillance and social control, political communication, hegemony, foreign policy and the war on terror.

This book is a compilation of previously published studies on the role of culture and language in political violence and terrorism. These studies have contributed to a paradigmatic shift in sociological thinking about language and culture in politics, particularly in regard to the genesis and dynamics of violence and terrorism. Blending ideas derived from Michel Foucault and Kenneth Burke, this book is unique in its range of focus from detailed studies of specific cases of violence and terrorism to peace movements in resistence of violence, war, and terrorism.

An orphan turned caddy born near the Omaha stockyards, Johnny Goodman was considered too small, too foreign, and too poor to play the country club game. But he swore he would prove everyone wrong, and before a nation's riveted gaze this self-taught kid from the wrong side of the tracks beat the legendary Bobby Jones in the 1929 U.S.
Amateur at a little-known California course called Pebble Beach. Goodman's victory sent shock waves through the rarified world of golf in the Roaring Twenties, but he was just getting started. The idealistic Goodman clung to his amateur status despite lucrative offers from sponsors and Hollywood, ultimately winning the 1933 U.S. Open--the last amateur to perform this stunning feat. A hero in the Depression-era press, Goodman went on to win the 1937 U.S. Amateur--becoming only the fifth golfer in history to wear both crowns.
Like The Greatest Game Ever Played, Michael Blaine's King of Swings brings the story of one of golf's forgotten heroes to life.