Robert Fucilla and Billy Zane star in this low-budget British special forces action thriller. Former SAS man turned mercenary Andy Marlow (Fucilla) is sent into the Balkans to rescue an American ambassador and his aide in the wake of a military coup.

Rich in implications for our present era of media change, the Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Bela Balazs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.

Rich in implications for our present era of media change, the Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Bela Balazs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, the Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.

Cult of the Will is the first comprehensive study of modernity's preoccupation with willpower. From Nietzsche's "will to power" to the fantasy of a "triumph of the will" under Nazism, the will--its pathologies and potential cures--was a topic of urgent debates in European modernity. In this study, Michael Cowan examines the emergence of "will therapy" and its impact on arts and culture in Germany after 1900. The book's five chapters lead readers through cross sections of modern German cultural history, including not only literature and aesthetics but also medicine, economics, body culture, and pedagogy. Modernity's fixation on willpower helped prepare the way for fascism, but this trajectory is not Cowan's main concern. His focus falls rather on more widespread "technologies of the self" and their role in the effort to reimagine agency for a modern subject caught up in increasingly complex systemic networks.