This book outlines policies developing nations can adopt to reduce financial risk and, turning to the needs of the poorest of the least developed countries, examines a variety of proposals aimed at increasing the concessional assistance to the countries that cannot qualify for commercial bank funds.

Although commercial banks have played an increasingly important role in providing capital to developing nations, many analysts argue that private financing poses risks both to borrowing nations and the stability of the international economic system. In response, Mr. DaCosta demonstrates that developing nations that adopt appropriate policies can gain substantially by drawing on private sources of capital. His analysis indicates that many criticisms of the role of commercial banks are unfounded and that debt problems in LDCs typically are related to inadequate reserve and external debt management policies in the borrowing countries themselves. Emphasizing that economic growth in LDCs often is constrained by balance-of-payment deficits, Mr. DaCosta shows that nations relying on private capital frequently experience higher-than-average growth rates and argues that the advantages of unconditional or untied aid generally outweigh the constraints imposed by the multilateral aid agencies. In conclusion, he outlines specific policies developing nations can adopt to reduce financial risk and, turning to the needs of the poorest of the LDCs, examines a variety of proposals aimed at increasing the flow of concessional assistance to those countries that cannot qualify for commercial bank funds.

This is a comprehensive guide to writing the first draft of a feature length screenplay. While it focuses on the college semester (16 Weeks), it is also completely appropriate for anyone attempting to write a screenplay within a timeline. The text breaks down different approaches to designing a screenplay by providing pragmatic guidelines enhancing your ability to use creativity rather than focusing on rules. It highlights the skills necessary to execute compelling visual language to achieve good story, plot, dialog, dynamic characters, and help you put it all together. Think of this as a companion tool as you write. The language is simplified and yet academic, theoretically sound and yet pragmatic. It also offers additional insight into the history of screenwriting, the re-write process, and the specific skill sets needed for adaptation. This book is easy to understand and provides accounts for context from the author as a professional screenwriter, as well as anecdotes from other professionals (David Mickey Evans - The Sand Lot, and Vince McKewin - Fly Away Home, and Jeb Stuart - Die Hard, The Fugitive, Dana Coen - JAG, NCIS, and Anthony Tambakis - Warrior, Suicide Squad 2).