Reflections on the Bicentenary of the 1819 Massacre of Reformers in Manchester Two hundred years after the massacre of protestors in Manchester, known as Peterloo, distinguished scholars of Romantic-era literature join together in this commemorative volume to assess the implications of the violence. Contributors explore how attitudes toward violence and the claims of people to participate in government were reflected and revised in the verbal and visual culture of the time. Their analyses provide fresh insights into cultural engagement as a means of resisting oppression and a sign of the resilience of humanity in facing threats and force. Key Features Provides a multi-perspectival, historical revaluation of the violence of Peterloo Draws on contemporary theorizations of violence by Judith Butler, Slavoj Zizek and Rob Nixon to account for the cultural factors leading to Peterloo Supplements treatments of Peterloo centering on English history with attention to the significance of that event from Scottish, Irish and North American perspectives

Reflections on the Bicentenary of the 1819 Massacre of Reformers in Manchester Two hundred years after the massacre of protestors in Manchester, known as Peterloo, distinguished scholars of Romantic-era literature join together in this commemorative volume to assess the implications of the violence. Contributors explore how attitudes toward violence and the claims of people to participate in government were reflected and revised in the verbal and visual culture of the time. Their analyses provide fresh insights into cultural engagement as a means of resisting oppression and a sign of the resilience of humanity in facing threats and force. Key Features Provides a multi-perspectival, historical revaluation of the violence of Peterloo Draws on contemporary theorizations of violence by Judith Butler, Slavoj Zizek and Rob Nixon to account for the cultural factors leading to Peterloo Supplements treatments of Peterloo centering on English history with attention to the significance of that event from Scottish, Irish and North American perspectives

Masks of Anarchy tells the extraordinary story of Shelley's "The Masque of Anarchy," its conception in Italy, its suppression in England, and how it became a rallying cry for workers across the Atlantic a century later. "Shake your chains to earth like dew," it implores. "Ye are many-they are few." In 1819, British troops attacked a peaceful crowd of demonstrators near Manchester, killing and maiming hundreds. News of the Peterloo Massacre, as it came to be known, traveled to the young English poet Percy Shelley, then living in Italy, who immediately sat down at his desk and penned one of the greatest political poems in the English language. His words would later inspire figures as wide-ranging as Henry David Thoreau and Mahatma Gandhi-and also Pauline Newman, the woman the New York Times called the "New Joan of Arc" in 1907. Newman was a Jewish immigrant who grew up in the tenements of New York City's Lower East Side, worked in the Triangle Shirtwaist Factory, and came to be one of the leading organizers-and the first female organizer-of one of America's most powerful unions, the International Ladies' Garments Workers' Union. Marching with tens, sometimes hundreds of thousands of New Yorkers in the streets, Newman found Shelley's poetry a perennial source of inspiration.