Focusing upon three previously unpublished accounts of youthful English travellers in Western Europe (in contrast to the renowned but maturely retrospective memoirs of other seventeenth-century figures such as John Evelyn), this study reassesses the early origins of the cultural phenomenon known as the 'Grand Tour'. Usually denoted primarily as a post-Restoration and eighteenth-century activity, the basis of the long term English fascination with the 'Grand Tour' was firmly rooted in the mid-Tudor and early-Stuart periods. Such travels were usually prompted by one of three reasons: the practical needs of diplomacy, the aesthetic allure of cultural tourism, and the expediencies of political or religious exile. The outbreak of the English Civil War during the late-1640s acted as a powerful stimulus to this kind of travel for male members of both royalist and parliamentarian families, as a means of distancing them from the social upheavals back home as well as broadening their intellectual horizons. The extensive editorial introductions to this publication of the experiences of three young Englishmen also consider how their travel records have survived in a variety of literary forms, including personal diaries (Montagu), family letters (Hammond) and formal prose records (Maynard's travels were written up by his servant, Robert Moody), and how these texts should now be interpreted not in isolation but alongside the diverse collections of prints, engravings, curiosities, coins and antiquities assembled by such travellers.

English Travellers to Venice 1450 -1600 contains 35 separate accounts (with 27 colour and 45 black and white illustrations) of the experiences of a wide range of English travellers to Venice. These accounts, drawn from contemporary manuscript and printed sources, provide vivid impressions of the challenges and hardships endured by visitors to the city and of the complexities of Anglo-Venetian relations during the pre- and post-Reformation periods. They also communicate these travellers' sense of wonder at the city's grandeur and artistic treasures and their enduring fascination with Venice's republican government, political structures and Mediterranean possessions. These travellers include pilgrims, scholars, religious exiles, ambassadors, English courtiers and noblemen, eccentric and renegade characters, seafarers and an undercover intelligence gatherer during the late 1580s for Sir Francis Walsingham, Queen Elizabeth's 'spymaster'. This volume's introduction assesses elements of Anglo-Venetian contacts between 1450 and 1600 and examines some specific topics, such as: the leading role of Venetian naval experts in attempts in 1545 to salvage Henry VIII's flagship the Mary Rose; a first-hand account by an English visitor's servant of the disastrous and lethal 1575-7 outbreak of the plague at Venice; and, during the build-up to the Spanish Armada, the impressive international reach of the Venetian intelligence service which enabled the doge and Council to remain well informed about both Spanish and English plans. In addition to the colour plates, illustrating the brilliant artistic achievements of Venetian art by Bellini, Carpaccio, Titian, Veronese and Tintoretto, the volume includes a selection of engravings of Venetian life from the renowned collections of Giacomo Franco. A wide range of illustrations is also included from important early maps of Venice, by Erhard Reuwich for Bernard von Breydenbach's Peregrinatio in Terram Sanctam (1486), Hartmann Schedel's Liber chronicarum (1493), Jacopo de' Barbari's aerial view of Venice (1500) and the stunning map of Venice in Civitates orbis terrarum (1572-1617) by Georg Braun and Frans Hogenberg. Perhaps most remarkable is that many of the locations, buildings, religious objects and artistic treasures described in this volume may still be seen today by visitors to this unique Italian city, renowned for centuries as 'La Serenissima'.

The letters of Dorothy Percy Sidney, Countess of Leicester, dating predominantly from about 1636 until 1643, cover a wide range of issues and vividly illustrate her centrality to her illustrious family's personal and public affairs. These c.100 letters are here for the first time fully transcribed and edited. The edition includes a biographical and historical introduction, setting the context of the Sidneys' family and political activities at the time of Dorothy's marriage to Robert in 1615 and then tracing the major events and involvements of her life until her death in 1659. A key to the cipher used in the letters to disguise identities of individuals is also supplied. Following the introduction is the complete text of each of Dorothy Percy Sidney's letters to her husband, Robert, second Earl of Leicester, and to and from William Hawkins, the Sidney family solicitor, along with several others, including letters from Dorothy to Archbishop Laud and the Earl of Holland. Her husband's account of her last moments in 1659, and testamentary directions relating to her will, are also included. The letters are arranged in chronological order and supported by a series of footnotes that elucidate their historical context and briefly to identify key individuals, places, political issues and personal concerns. These notes are further supported by selective quotations from Dorothy's incoming correspondence and other related letters and documents. A glossary supplies more detailed information on 'Persons and Places.' Dorothy Percy Sidney's letters eloquently convey how, even with her undoubted personal potency and shrewd intelligence, the multifaceted roles expected of an able and determined aristocratic early modern Englishwoman-especially when her husband was occupied abroad on official business-were intensely demanding and testing.

Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.

The Sidneys rank amongst the most influential families in early modern England, and can count amongst their number many leading lights of the Tudor and Stuart period. From the Elizabethan poet and soldier Philip, to the republican Algernon, the Sidney family were intimately bound up with the political, cultural and courtly life of early modern England. Taking a broadly chronological approach, this volume offers an overview of the Sidneys across several generations. By analysing various individuals and their writings, an intriguing new perspective is offered, not only on the culture of English politics, but also on the self-perception and ambitions of a leading renaissance family. During the Tudor period their long and fruitful (but sometimes problematical) association with the Dudley family in court and royal affairs is reassessed with regard to their relations with Edward VI, Mary I and Elizabeth I. During the Stuart period the Sidneys intimacy and loyalty to James I, Queen Anne and Charles I is contrasted to their more neutral (even hostile) attitudes to Charles II and James II. Against the backdrop of this shifting royal favour and religious and political upheaval, the Sidneys' political and domestic tactics used to preserve the family's reputation, estates and property are explored. The first book length study of the Sidney family's relationship with the English monarchy, this work will be welcomed by all those with an interest in English political and cultural history. Drawing upon both historical and literary sources it offers an absorbing insight into the self-perceptions of a leading renaissance family and how they adapted to the vicissitudes of the sixteenth and seventeenth century world.

Graham Greene remarked that 'politics are in the air we breathe, like the presence or absence of a God' (The Other Man). This study is the first to provide a detailed consideration of the impact of his political thought and involvements on his writings both fictional and factual. It also offers the first detailed consideration of Greene's involvements in espionage and British intelligence from the 1920s until the late-1980s. It incorporates material not only from his major fictions but also from his prolific journalism, letters to the press, private correspondence, diaries and working manuscripts and typescripts, as well as consideration of the diverse political involvements and writings of his extended family network. It shows how the full range of Greene's writings was inspired and underpinned by his fascination with the essential human duality of political action and religious belief, coupled with an insistent need as a writer to keep the political personal.

Graham Greene remarked that 'politics are in the air we breathe, like the presence or absence of a God' (The Other Man). This study is the first to provide a detailed consideration of the impact of his political thought and involvements on his writings both fictional and factual. It also offers the first detailed consideration of Greene's involvements in espionage and British intelligence from the 1920s until the late-1980s. It incorporates material not only from his major fictions but also from his prolific journalism, letters to the press, private correspondence, diaries and working manuscripts and typescripts, as well as consideration of the diverse political involvements and writings of his extended family network. It shows how the full range of Greene's writings was inspired and underpinned by his fascination with the essential human duality of political action and religious belief, coupled with an insistent need as a writer to keep the political personal.

Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information. -- .

Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information. -- .

In his attitude toward religion, George Orwell has been characterised in various terms: as an agnostic, humanist, secular saint or even Christian atheist. Drawing on the full range of his public and private writings - from major works such as Keep the Aspidistra Flying, 1984 and Down and Out in Paris and London to his shorter journalism and private letters and journals - George Orwell and Religion is a major reassessment of Orwell's life-long engagement with religion. Exploring Orwell's life and work, Michael Brennan illuminates for the first time how this profound engagement with religion informed the intensely humanitarian spirit of his writings.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

This is a new and comprehensive reconsideration of Graham Greene's use of Catholic and theological issues in his fictions and other writings from the 1920s until the 1980s. This major new reconsideration of Graham Greene's writings, from the 1920s until the 1980s, focuses both on his best known novels and his less familiar works, including his short stories, plays, poetry, film scripts and reviewing, journalism and personal correspondence. It explores the major issues of Catholic faith and doubt, particularly in relation to his portrayal of secular love and physical desire, and examines the religious and secular issues and plots involving trust, betrayal, love and despair. Although Greene's female characters have often been underestimated, Brennan argues that while sometimes abstract, symbolic and two-dimensional, these figures often prove central to an understanding of the moral, personal and spiritual dilemmas of his male characters. Finally, he reveals how Greene was one of the most generically ambitious writers of the twentieth century, experimenting with established forms but also believing that the career of a successful novelist should incorporate a great diversity of other categories of writing. Offering a new and original perspective on the reading of Greene's literary works and their importance to English twentieth-century fiction, this will be of interest to anyone studying Greene.

This is a new and comprehensive reconsideration of Graham Greene's use of Catholic and theological issues in his fictions and other writings from the 1920s until the 1980s. This major new reconsideration of Graham Greene's writings, from the 1920s until the 1980s, focuses both on his best known novels and his less familiar works, including his short stories, plays, poetry, film scripts and reviewing, journalism and personal correspondence. It explores the major issues of Catholic faith and doubt, particularly in relation to his portrayal of secular love and physical desire, and examines the religious and secular issues and plots involving trust, betrayal, love and despair. Although Greene's female characters have often been underestimated, Brennan argues that while sometimes abstract, symbolic and two-dimensional, these figures often prove central to an understanding of the moral, personal and spiritual dilemmas of his male characters. Finally, he reveals how Greene was one of the most generically ambitious writers of the twentieth century, experimenting with established forms but also believing that the career of a successful novelist should incorporate a great diversity of other categories of writing. Offering a new and original perspective on the reading of Greene's literary works and their importance to English twentieth-century fiction, this will be of interest to anyone studying Greene.

Mary Sidney Herbert, Countess of Pembroke and sister to Sir Philip Sidney, is the most important woman writer of the Elizabethan era outside the royal family. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed 'Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later women writers, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed `Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

'the highest matter in the noblest form' John Donne's description of the Psalms celebrates not only the perfection of the biblical psalms but their translation into poetic form by the Sidneys, who turned them into some of the most accomplished lyric poems of the English Renaissance. Although it was not printed until the nineteenth century, the Sidney Psalter was widely read in manuscript and influenced poets from Donne and Herbert to Milton and beyond. It turned these well-known and well-loved Psalms into sophisticated verse, selecting or inventing a different stanza form for each one. This variety of forms matches the appeal of their content: there are Psalms of praise and blame, Psalms of cursing and lamentation, Psalms of joy and exaltation, Psalms that recount history, and Psalms that describe Creation or divine law. This is the first complete edition of the Psalter for over forty years. The Psalms are provided in an authoritative modernized text, with helpful glosses and notes illuminating points of interpretation, and an introduction setting the Psalms in their literary and cultural contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.