June 1812. Napoleon begins his invasion of Russia leading the largest army Europe has ever seen. But amongst the troops of the Grande Armee is a savage murderer whose bloodlust is not satisfied in battle. When an innocent Polish woman is brutally stabbed, Captain Quentin Margont of the 84th regiment is put in charge of a secret investigation to unmask the perpetrator. Armed with the sole fact that the killer is an officer, Margont knows that he faces a near-impossible task and the greatest challenge of his military career.

Study exploring the treatment of the Arthurian legends by the French Romantic movement. French Romanticism was a widespread movement, as apparent in the works of historians and scholars as in the works of creative writers. One of its principal characteristics was the cult of the middle ages, and this book examines the treatment of the Arthurian legends in French Romantic medievalism. Taking into account works of historiography and literary history, as well as literary texts proper, it assesses the place of the Arthurian material in French culture in the period up to 1860, the date of publication of Edgar Quinet's Merlin l'enchanteur. In so doing, it reveals key features of French Romanticism and traces the origins of some of the problems and contradictions which still affect the practice of medieval studies. The authorargues that the depiction of Arthurian legends in French Romantic writing discloses some of the underlying ideological positions of the movement and the developing tensions between the interests of a general literary public and the ambitions of scholars seeking to define and promote medieval literature as an emerging field of study. In addition to scholars such as Claude Fauriel, Paulin Paris and Francisque Michel, other important figures in French Romanticism are considered, including Quinet and Michelet. MICHAEL GLENCROSSis Senior Lecturer in French at the University College of Ripon & York St John.

Its France, 1761. Beyond the glittering court of Louis XV and Madame de Pompadour at Versailles, lies Paris, a capital in the grip of crime and immorality ...A police officer disappears and Nicolas Le Floch, a young recruit to the force, is instructed to find him. When unidentified human remains suddenly come to light, he seems to have a murder investigation on his hands. As the city descends into Carnival debauchery, Le Floch will need all his skill, courage and integrity to unravel a mystery which threatens to implicate the highest in the land. This is the first in a series of six historical crime novels which has sold in excess of 400,000 copies in French. The author brings eighteenth century Paris vividly to life and the story features real-life characters Madame de Pompadour and Loius XV as well as engaging hero Nicolas le Floch. It is soon to be adapted for French Television.

"It's a clever plot and Le Floch is sympathetic, but it's the superb Parisian detail and atmosphere that truly beguiles."--"The Times"

This is the second volume of the Nicolas Le Floch Investigations.

October 1761 finds newly promoted Commissioner Le Floch on duty at a royal performance of Jean-Philippe Rameau's latest work. Events take a dramatic turn and Nicolas is soon embarked on a major investigation when the body of a courtier's son is found. The evidence points to suicide, but Le Floch's instincts tell him he is dealing with murder of the most gruesome kind.

Jean-Francois Parot is a diplomat and historian.