A new edition of the Russian Nobelist's collection of novellas, short stories, and prose poems
"Stories and Prose Poems" contains twenty-two works of widely varied style and character from the Nobel Prize winner Aleksandr Solzhenitsyn. These shorter pieces demonstrate the extraordinary mastery of language that places Solzhenitsyn among the greatest Russian prose writers of the twentieth century.
When the two superb stories "Matryona's House" and "An Incident at Krechetovka Station" were first published in Russia in 1963, the Moscow "Literary Gazette," the mouthpiece of the Soviet literary establishment, wrote: "His talent is so individual and so striking that from now on nothing that comes from his pen can fail to excite the liveliest interest."
For some readers the most exciting discovery will be the astonishing group of sixteen prose poems. In these works of varying lengths, Solzhenitsyn has distilled the joy and bitterness of Russia's fate into language of unrivaled lyrical purity.

Bulgakov paints an excellent picture of Stalin's regime in this allegorical masterpiece. WITH AN INTRODUCTION BY WILL SELF The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.

A masterpiece - a classic of twentieth-century fiction' New York Times Bulgakov paints a powerful picture of Stalin's regime in this allegorical classic. The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught. VINTAGE CLASSICS RUSSIAN SERIES - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

WITH A NEW INTRODUCTION BY ANDREY KURKOV A rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is now on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

Brilliant stories that show the growth of a novelist's mind, and the raw material that fed the wild surrealism of Bulgakov's later fiction.
With the ink still wet on his diploma, the twenty-five-year-old Dr. Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (or fails to cope) with the new and often appalling responsibilities of a lone doctor in a vast country practice -- on the eve of Revolution -- is described in Bulgakov's delightful blend of candid realism and imaginative exuberance.

"My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart." Daniel Radcliffe. The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent

Reissued to tie in with a new production of Flight adapted by Ron Hutchinson and performed at the Olivier, Royal National Theatre

Mikhail Bulgakov was one of the Soviet Union's finest playwrights, whose work was often at odds with the Soviet State. This volume brings together his major dramatic achievements, including The White Guard, Madame Zoyka, Flight, Moliere, Adam and Eve and The Last Days.

Bulgakov is a much-studied author by schools, colleges and universities.

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film -- and one of the most original aesthetic thinkers of the twentieth century.

The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein's thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.

In this moving play by the science editor of Pravda, victims of the explosion at the Chernobyl nuclear power station embark on a non-return journey in a terminal radiation clinic. The arrival of nine survivors from the disaster starts a string of confessions and recriminations which ends in a powerful condemnation of the bureaucratic muddle and official cover-up.6 women, 12 men