Mit den Commentaria et Lexica Graeca in Papyris reperta wird der Fachwelt ein einzigartiges papyrologisches Sammelwerk vorgelegt. Die bisher verstreut publizierten, auf Papyrus erhaltenen Teile antiker griechischer Kommentare - d.h. der Hypomnemata und Randnotizen zu griechischen Autoren sowie der Glossare und Lexika - werden in diesem Lexikon alphabetisch zusammengefuhrt. Zu jedem im Lexikon erfassten Fragment erhalt der Benutzer zunachst einen Uberblick uber Herkunft, Entstehungszeit und derzeitigen Aufbewahrungsort sowie uber alle dazu bisher erschienenen Publikationen. Darauf folgen die Anmerkungen unter Auswertung aller vorliegenden Aspekte in der jeweiligen Landessprache des Kommentators. Das Werk wird von mehr als 40 Wissenschaftlern aus verschiedenen europaischen und aussereuropaischen Landern erarbeitet. Im 2-Jahres-Rhythmus sind je ein bis zwei Lieferungen im Umfang von 250 - 300 Seiten vorgesehen. Das Gesamtwerk, das insgesamt etwa 15 Lieferungen umfassen soll, ist in vier Hauptteile gegliedert: Pars I: Commentaria et lexica in auctores; Pars II: Commentaria in adespota; Pars III: Lexica; Pars IV: Concordantiae et Indices. Bis jetzt noch nicht publizierte Papyri werden im Anhang reproduziert."

The ancient Greek commentaries that were preserved on papyrus have previously been published in scattered works. This corpus is unique in the academic world in that it presents these texts in collected form. The entire work is divided into four main sections: Pars I Commentaria et lexica in auctores; Pars II Commentaria in adespota; Pars III Lexica; Pars IV Concordantiae et Indices.

This is a corpus that is unique in the academic world. It presents those parts of ancient Greek commentaries preserved on papyrus, that is the hypomnemata and marginalia on Greek authors, as well as glossaries and lexica. Previously these have only been published scattered in separate works. A new installment of some 250a "300 pages is planned to appear every 2a "3 years (a total of about 10 installments are planned for the period 2003/2020). The entire work is divided into four main sections: Pars I Commentaria et lexica in auctores; Pars II Commentaria in adespota; Pars III Lexica; Pars IV Concordantiae et Indices.

This work presents a singular body of hitherto scattered publications of Greek commentaries surviving on papyri. Parts II and III, which will compromise some 250-300 pages, are currently in production and will be scheduled for publication every two to three years.

The ancient Greek commentaries that were preserved on papyrus have previously been published in scattered works. This corpus is unique in the academic world in that it presents these texts in collected form. The entire work is divided into four main sections: Pars I Commentaria et lexica in auctores; Pars II Commentaria in adespota; Pars III Lexica; Pars IV Concordantiae et Indices.

Mid Life is subtitled 'Poetry 1980-2000', and is a revised and reconsidered Collected Poems covering the period 1980-1994 in terms of composition, and several further years of revision. The contents of this volume, in earlier versions, originally appeared as A Whole Bauble from Carcanet Press in 1995. Now revised, this volume sums up the author's "midlife" in compositional terms - the early period having been discarded, and the later appearing from Arc Publications as a series of books under the overall title Music. A retrospective volume in the year that the author turns 60, this book demonstrates the continuing fascination that works such as the long sequence 'Continual Song' can exert upon the reader. The opening period of the author's writing career - at least, that part of it with which he is now comfortable - is now again available for readers rightly fascinated by his more recent work.

Ickerbrow Trig, the book, is simply a collection of poems written since A Cure for Woodness. As for the book’s title, it’s simply the remnant of a bonnet-bee and an exhausted pun. As a topographical feature, it exists, un-named as such on any map, though Ickerbrow is better known to followers of the Ordnance Survey as High Brown Knoll [it’s the knoll that’s turned the brow brown]. “In Michael Haslam we have a genuine major poet of the north of England” —David Wheatley, The Literary Review, on Scaplings “On each of these pages Michael Haslam sets out (on foot) into the world immediately confronting him, and gathers from it the words, experience, memories, percepts… that he needs to form a poetry of rich texture. He does this singingly, so that the words echo each other and form queues, and with the sharpest awareness of all the bright play offered by language when it is opened up, when it faces its own history. The accumulation, constantly seeking closer particulars and further connections, welcomes dialect and science, the meanings of place names, star jelly and deoxyribonucleic acid, as necessary terms of the song, which is finally the song of where he is, which is the Calder Valley, West Yorkshire, and the world, the absolute gained by loving attention to the particular.” —Peter Riley