'I've been summoned, Thursday, ten sharp.' So begins one day in the life of a young clothing-factory worker during Ceausescu's totalitarian regime. She has been questioned before, but this time she knows it will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. 'Marry me', the notes say, with her name and address. Anything to get out of the country.As she rides the tram to her interrogation, her thoughts stray to her friend Lilli, shot while trying to flee to Hungary; to her grandparents, deported after her first husband informed on them; to Major Albu, her interrogator, who begins each session with a wet kiss on her fingers; and to Paul, her lover and the one person she can trust. In her distraction, she misses her stop and finds herself on an unfamiliar street.And what she discovers there suddenly puts her fear of the appointment into chilling perspective. Bone-spare and intense, The Appointment is a pitiless rendering of the terrors of a crushing regime.

In Thus Spake Zarathustra, Nietzsche conducts his protagonist through his great journey of life - the quest for meaning, and fulfilment, and for a way to live with the knowledge of death. In this faithful new translation by Michael Hulse, Zarathustra is revealed in all his bold and ironic splendour, as a man who strives to find a way to live - joyfully - in a secular world. Luminous and ecstatic, Thus Spake Zarathustra is a grand celebration of perilous, beautiful, human life by one of the most important philosophers in history.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.

The Rings of Saturn-with its curious archive of photographs-records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald's The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."

Part fiction, part travelogue, the narrator of this compelling masterpiece pursues his solitary, eccentric course from England to Italy and beyond, succumbing to the vertiginous unreliability of memory itself. What could possibly connect Stendhal's unrequited love, the artistry of Pisanello, a series of murders by a clandestine organisation, a missing passport, Casanova, the suicide of a dinner companion, stale apple cake, the Great Fire of London, a story by Kafka about a doomed huntsman and a closed-down pizzeria in Verona?

Perfectly titled, Vertigo -W.G. Sebald's marvelous first novel - is a work that teeters on the edge: compelling, puzzling, and deeply unsettling. An unnamed narrator, beset by nervous ailments, journeys accross Europe to Vienna, Venice, Verona, Riva, and finally to his childhood home in a small Bavarian village. He is also journeying into the past. Traveling in the footsteps of Stendhal, Casanova, and Kafka, the narrator draws the reader, line by line, into a dizzying web of history, biography, legends, literature, and - most perilously - memories.

Encountering an eccentric cast of characters along the way, Sebald confronts the frailty of human existence as he voyages along the Suffolk coast on foot. What begins as the record of a journey on foot through coastal East Anglia becomes the great, constellated story of people and cultures past and present: of Chateaubriand, Thomas Browne, Swinburne and Conrad, of fishing fleets, skulls and silkworms. A rich meditation on the past via a melancholy trip along the Suffolk coast, The Rings of Saturn is an intricately patterned and haunting book on the transience of all things human. VINTAGE VOYAGES: A world of journeys, from the tallest mountains to the depths of the mind

'Sebald is the Joyce of the 21st Century' The Times What begins as the record of W. G. Sebald's own journey on foot through coastal East Anglia, from Lowestoft to Bungay, becomes the conductor of evocations of people and cultures past and present. From Chateaubriand, Thomas Browne, Swinburne and Conrad, to fishing fleets, skulls and silkworms, the result is an intricately patterned and haunting book on the transience of all things human. 'A novel of ideas with a difference: it is nothing but ideas... Formally dexterous, fearlessly written (why shouldn't an essay be a novel?), and unremittingly arcane; by the end I was in tears' Teju Cole, Guardian

Lucid narratives of family dramas, global warming, and conversations with Death make a riveting new collection from this prize-winning poet. The poems swing between Mexico City, New York, the Peloponnese, a Staffordshire village and home - their engagement with the church, art and natural beauty provide sure-footed travelling companions. In an extended sequence, Death relates stories of her encounters with people and culture. This is not to suggest the poems make for comfortable reading: each poem's subject provides an opportunity to challenge and question its integrity. By turns mischievous and assured, this collection becomes more engrossing the more you read.

A Walking tour through the haunted landscapes of the past, in the company of the exiled and the departed.The Rings of Saturn begins as the record of a journey on foot through coastal East Anglia. From Lowestoft to Southwold to Bungay, Sebald's own story becomes the conductor of evocations of people and cultures past and present: of Chateau briand, Thomas Browne, Swinburne and Conrad, of fishing fleets, skulls and silkworms. The result is a book unlike any other in contemporary literature, an intricately patterned and endlessly thought-provoking meditation on the transience of all things human.

From the winner of the IMPAC Award and the 2009 Nobel Prize in Literature, a fierce and devastating novel about a young woman's discovery of betrayal in the most intimate reaches of her life
"I've been summoned. Thursday, ten sharp." Thus begins a day in the life of a young factory worker during Ceausescu's totalitarian regime. She has been questioned before; this time, she believes, will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. "Marry me," the notes say, with her name and address. Anything to get out of Romania.
As each tram stop brings the young woman closer to the appointment, her thoughts stray to her father and his infidelities; to her friend Lilli, shot trying to flee to Hungary; to her grandparents, deported after her own husband informed on them; and to Paul, her lover, her one source of trust despite his drunkenness. In her distraction, she misses her stop and finds herself on an unfamiliar street. And what she discovers there makes her fear of the interrogation pale by comparison.
Bone-spare and intense, "The Appointment" powerfully renders the humiliating terrors of a crushing regime and its corrosive effects on family and friendship, sex and love.

Based partly on Goethe’s unrequited love for Charlotte Buff, this novel of pathological sensibility strikes a powerful blow against Enlightenment rationalism.

At first The Emigrants appears simply to document the lives of four Jewish émigrés in the twentieth century. But gradually, as Sebald's precise, almost dreamlike prose begins to work its magic, the four narrations merge into one overwhelming evocation of exile and loss.

Almost painfully direct, the poems of 'The Secret History' testify to a new depth and a new tenderness in Michael Hulse's voice. The shadow of his dead father and the light of new love meet here in a collection that is impossible to put down and that lingers in the heart as much as in the memory.

"Ostensibly a record of a journey on foot through coastal East Anglia," as Robert McCrum in the London Observer noted, The Rings of Saturn "is also a brilliantly allusive study of England's imperial past and the nature of decline and fall, of loss and decay. . . . The Rings of Saturn is exhilaratingly, you might say hypnotically, readable. . . . It is hard to imagine a stranger or more compelling work." The Rings of Saturn - with its curious archive of photographs - chronicles a tour across epochs as well as countryside. On his way, the narrator meets lonely eccentrics inhabiting tumble-down mansions and links them to Rembrandt's "Anatomy Lesson," the natural history of the herring, a matchstick model of the Temple of Jerusalem, the travels of Sir Thomas Browne's skull, and the massive bombings of WWII. Cataloging change, oblivion, and memories, he connects sugar fortunes, Joseph Conrad, and the horrors of colonizing the Belgian Congo. The narrator finds threads which run from an abandoned bridge over the River Blyth to the terrible dowager Empress Tzu Hsi and the silk industry in Norwich. "Sebald," as The New Yorker stated, "weaves his tale together with a complexity and historical sweep that easily encompasses both truth and fiction." The Emigrants (hailed by Susan Sontag as an "astonishing masterpiece-perfect while being unlike any book one has ever read") was "one of the great books of the last few years," as Michael Ondaatje noted: "and now The Rings of Saturn is a similar and as strange a triumph."

Scathingly clever short stories. Includes "The Devil in the White House" and "The Development of Iraq as a Case for the Files." At once a genuine story-teller and a literary documentarian, Alexander Kluge's genius lies in the very special way he makes found material his own. Each of the miniatures collected here touches on "facts" and is only several pages long. In just a paragraph he can etch a whole world: he is as great a master of compression as Kafka or Kawabata. Arranged in five chapters, the dozens of stories of The Devil's Blind Spot are condensed, like novels in pill form. The first group of stories illustrates the little-known virtues of the Devil. The second explores love from Kant and opera through the Grand Guignol. The third is entitled "Sarajevo Is Everywhere" and tests how convincing power is. The fourth group concerns the cosmos, and the fifth ranges all our "knowledge" against our feelings. In each piece, Kluge alights on precise particulars: on board the atomic submarine Kursk, for instance, we are marched precisely step by step through a black comedy of the exact, disastrous stages of thinking that lead to catastrophe. Sample titles include "The Devil in the White House," "The Development of Iraq as a Case for the Files," "Intelligence of the Second Degree," and "Love's Mouth Also Kisses the Dog."