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Certain films seem to encapsulate perfectly the often abstract
ethical situations that confront the media, from truth-telling and
sensationalism to corporate control and social responsibility.
Using these movies--including "Ace in the Hole," "All the
President's Men," "Network," and "Twelve Angry Men"--as texts,
authors Howard Good and Michael Dillon demonstrate that, when
properly framed and contextualized, movies can be a powerful lens
through which to examine media practices.
Moreover, cinema can present human moral conduct for evaluation
and analysis more effectively than a traditional case study can. By
presenting ethical dilemmas and theories within a dramatic
framework, "Media Ethics Goes to the Movies" offers a unique
perspective on what it means for media professionals to be both
technically competent and morally informed.
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