Where does the particular form or configuration of a pattern come from, and how is it propagated from pattern to pattern? Templets and the Explanation of Complex Patterns provides a natural language for analysing such questions. Using it, the organisational forces that underlie the fabrication of any pattern can be divided into two classes. First, there are the 'universal laws' of pattern assembly, the configurational rules and constraints inherent within the fabric of the pattern elements themselves. Second, there are the 'templets' - external, situational constraints imposed on the pattern elements. From the perspective of templeting, simple patterns can be directly contrasted with complex patterns: the former are completely determined by their universal laws, whereas the latter also require extensive templets. Natural patterns range along the entire spectrum from simple to complex, and the most complex of these include both random patterns and many biological patterns.

It was a shot right through the heart. Worse, Isaac thought, Debra had not even known she'd fired it. "You absolutely have to photograph my wedding, Isaac. No one else can do it." No one? Isaac Holman is a producer of esoteric indie films, the kind that show up in the bargain bins at obscure film festivals. Once and always hopelessly in love with Debra, he cannot believe that she would entice him all the way to Yellowstone National Park, just so he can photograph her marriage to someone else. Debra Siegal has spent a decade climbing the labyrinthine Hollywood studio ladder. On the cusp of her wedding to the scion of a Hollywood mogul, can it be that only now she admits a lingering affection for Isaac? At once hilarious and poignant, Dearly Befuddled is the story of two people, at odds with each other and themselves. In his long-awaited return to fiction, Michael J. Katz brilliantly juxtaposes the glitz of Hollywood and the grandeur of Yellowstone, all in one tumultuous wedding weekend at the Old Faithful Inn.

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Shared knowledge is indispensable to the practice of science, and the scientific paper-whether published in a journal or collation volume-is the chief means by which scientists communicate ideas and results to their colleagues. Mastering the genre is thus an essential element in every scientist's training. Using a published paper as a guide, Michael J. Katz takes the reader through every step of the writing process, including the use of standard formats (abstract, introduction, materials and methods, results, discussion, acknowledgments, and references), language (style and word usage), and publication (choosing the appropriate journal, the review process, and revising). Other chapters discuss figures (photographs, schematic diagrams, and graphs), writing with a computer, and numbers (algorithms and statistics). Nine appendices provide a handy reference to commonly needed information such as scientific abbreviations, non-technical words, and mathematic formulae. While recognizing that the scientific paper is constrained within a well-defined form, the book also stresses that the genre is narrative prose requiring a lucid, precise, and careful style. The elements of composition-gestation, diction, revision, and rewriting-are discussed in detail. Elements of the Scientific Paper is a useful handbook for young scientists and graduate students beginning their publishing careers, as well as for anyone wishing a review of or introduction to the elements of scientific style.