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This is the first comprehensive overview of the career to date of
British artist Hurvin Anderson (b.1965). Anderson is known for
painting loosely rendered 'observations' of scenes and spaces
loaded with personal or communal meaning. Anderson's painting style
is notable for the ease with which he slips between figuration and
abstraction, playing with the tropes of earlier landscape
traditions and 20th-century abstraction. His paintings of
barbershop interiors, country tennis clubs and tropical roadsides
teem with rich brushwork and multitudes of decorative patterns or
architectural features, at once obscuring and adding to underlying
ruminations on identity and place. Drawing on interviews with the
artist, Michael J. Prokopow offers a critical assessment of Hurvin
Anderson's painting practice to date that will be enlightening for
all students, dealers and collectors of contemporary painting.
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