A rocky coast along the Sea of Japan; an immense plain of rice fields in the snow; Mount Fuji towering over misty wooded hills; silent temples devoid of people but brimming with Buddhist deities; a Torii gate mysteriously emerging from moving clouds and water-these are a few images from this remarkable collection of photographs by Michael Kenna, whose black-and-white work is highly renowned. Forms of Japan, brilliantly designed by Yvonne Meyer-Lohr, is organized into chapters simply titled, "Sea," "Land," "Trees," "Spirit," and "Sky." The quietly evocative photographs, often paired with classic haiku poems of Basho, Buson, Issa and others, provide a contemplative portrait of a country better-known for its energy and industry. Gorgeously reproduced to convey the enormous subtleties that exist in Michael Kenna's traditional black-and-white silver prints, the photographs in this book include both well-known and previously unpublished images from all corners of Japan: Hokkaido, Honshu, Kyushu, Okinawa and Shikoku.

More than twenty years after its initial publication, Michael Kenna's seminal collection of photographs of the Ford River Rouge industrial complex is now available in a new, revised, and expanded edition. One of the world's most acclaimed photographers working exclusively in black-and-white, Michael Kenna has traveled the world to create stunning, magical images of nature and manmade objects. Known for the ethereal tone and incredibly nuanced detail of his photographs, Kenna is also a chronicler of environmental degradation. His images of an auto plant outside of Detroit, Michigan, are some of his best-known works. Long out of print, Rouge has been brought back to life with a spectacular new design, an authoritative essay by art historian James Steward, and many previously unpublished images that were part of the original series. As the city of Detroit struggles to reclaim its heritage as an American commercial and artistic hub, these photographs resonate more than ever with the stark realities and hidden beauty of the industrial landscape.

The celebrated contemporary photographer Michael Kenna presents a gorgeous new collection of images, all photographed with plastic Holga cameras. Michael Kenna is internationally renowned for producing evocative black-and-white images of nature and the urban environment. Often photographing at night or in the early morning hours, the majority of his photographs involve long time exposures with the camera on a tripod. However, some of Kenna's more quirky, whimsical, and unpredictable images have been photographed with inexpensive, hand-held, plastic Holga cameras. These cameras generally produce relatively lowfidelity images, with marked vignetting. Precisely because of these attributes and its portability, Kenna often carries a Holga camera, even when he is not specifically photographing. For this beautifully produced book, Kenna has chosen his favorite Holga images, many never seen before, from his vast archive of negatives. Despite their low-tech origin, these refined and artful photographs bear the hallmarks of Kenna's brilliant work.