Artist Michael Lawrence has followed his own passions: dance, theatre, poetry and music transcribing his feelings into exhuberant, colorful, tender reflections. Michael has exhibited his paintings and sculptures in numerous countries and is widely collected. Film director Oliver Stone, author Ray Bradbury and movie star Kirk Douglas are amongst the collectors who own his work. The son of a Hollywood actor and a screenwriter, Michael grew up alongside Jim Morrison and numerous tales of his relationships with the rich and famous - Andy Warhol, Timothy Leary, Leonard Cohen, John Cage to name just a few - along with his painting and scupltures fill this wonderful autobiography. Dedicated to Charles Chaplin, Loaded Brush is 415 pages featuring over 150 images details a fascinating and memorable life in art.

My Voyage in Art includes 197 colour images of paintings, watercolours, sculptures and people over a 60 year period accompanied by a detailed essay. Encounters with Roy Lichtenstein, Jim Morrison, Andy Warhol and others illuminate.

Jiggy is horrified to hear that his parents have signed him up for a reality TV show called Kid Swap. He is to move in with another family and everything he does will be filmed. Sadly, most of what he does while the camera is pointing his way is not the kind of thing he wants to share with millions of total strangers. And then, on top of it all, there's his bizarre skin problem...Find out how Jiggy copes with TV fame and flick the pages for a disgusting dinner!

This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

Programming Graphical User Interfaces with R introduces each of the major R packages for GUI programming: RGtk2, qtbase, Tcl/Tk, and gWidgets. With examples woven through the text as well as stand-alone demonstrations of simple yet reasonably complete applications, the book features topics especially relevant to statisticians who aim to provide a practical interface to functionality implemented in R. The book offers: A how-to guide for developing GUIs within R The fundamentals for users with limited knowledge of programming within R and other languages GUI design for specific functions or as learning tools The accompanying package, ProgGUIinR, includes the complete code for all examples as well as functions for browsing the examples from the respective chapters. Accessible to seasoned, novice, and occasional R users, this book shows that for many purposes, adding a graphical interface to one's work is not terribly sophisticated or time consuming.

This collection interrogates the representation of humanitarian crisis, catastrophe and care. Contributors explore the refraction of humanitarian intervention from the mid-twentieth century to the present across a diverse range of media forms, including screen media (film, television and online video), newspapers, memoirs, music festivals and social media platforms (notably Facebook, YouTube and Flickr). Examining the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century, the book reveals significant synergies between the humanitarian enterprise - the endeavour to alleviate the suffering of particular groups - and its media representations, particularly in their modes of addressing and appealing to specific publics. -- .

Tracks & Signs of the Birds of Britain and Europe contains a wealth of fascinating material for any field naturalist. This unique guide enables the reader to find, interpret and understand field marks left by a variety of birds throughout Britain and Europe, and to use these to identify the species in question. It covers subjects including tracks and trails, feeding and other behavioural signs, nests, pellets, droppings, feathers and skulls, habitat types and field analysis methods. All European bird families are featured, with numerous individual species being described in detail. Fully revised and updated, this third edition contains a great deal of new material, including 19 new colour plates and hundreds of new photographs, line drawings and diagrams. Tracks & Signs of the Birds of Britain and Europe is an indispensable addition to any feather-finder or track-watcher's backpack - the ultimate resource for anyone wanting to identify a bird species from the sometimes subtle clues they leave behind.

VOICES OF SERVANT-LEADERSHIP

"Servant-leadership has never been more applicable to the world of leadership than it is today."
--Ken Blanchard, author, The Heart of Leadership

"We are each indebted to Greenleaf for bringing spirit and values into the workplace."
--Peter Block, author, Stewardship

"I congratulate the Greenleaf Center for its invaluable service to society and for carrying the torch of servant-leadership over the years."
--Stephen R. Covey, author, The 7 Habits of Highly Effective People

"Robert Greenleaf takes us beyond cynicism and cheap tricks and simplified techniques into the heart of the matter, into the spiritual lives of those who lead."
--Parker Palmer, author, The Courage to Teach

"Servant-leadership is more than a concept. As far as I'm concerned, it is a fact. I would simply define it by saying that any great leader, by which I also mean an ethical leader of any group, will see herself or himself primarily as a servant of that group and will act accordingly."
--M. Scott Peck, author, The Road Less Traveled

"No one in the past thirty years has had a more profound impact on thinking about leadership than Robert Greenleaf. If we sought an objective measure of the quality of leadership available to society, there would be none better than the number of people reading and studying his writings."
--Peter M. Senge, author, The Fifth Discipline

Contributors include
James A. Autry, John C. Bogle, Richard R. Broholm, John C. Burkhardt, John Carver, Don DeGraaf, Shann R. Ferch, Robert K. Greenleaf, Daniel H. Kim, Larry Neal, Larry C. Spears, David L. Specht, Colin Tilley, Wendell J. Walls, and Margaret J. Wheatley, withForeword by Warren Bennis.

Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.

This book explains the relationship between what we believe about how people are saved and our approach to sharing the gospel in the context of the local church.

Constitutional law is one of the most engaging and yet challenging first year law classes. At the confluence of history, politics, legal theory, and judicial review, it requires students to learn a new framework for legal interpretation and thought unique from other areas of law.
For the first time, Oxford University Press equips students with an accessible guide to acing these challenging constitutional law exams. In Constitutional Law: Model Problems and Outstanding Answers, Kevin Saunders and Michael Lawrence help students demonstrate their knowledge of constitutional law in the structured and sophisticated manner that professors expect on law school exams. The book provides clear introductions on the fundamental topics in constitutional law, provides hypotheticals similar to those that students can expect to see on an exam, including multi-issue questions, and offers model answers to those hypotheticals. Professors Saunders and Lawrence then also coach students in how to evaluate their own work with a comprehensive self-analysis section.
Constitutional Law: Model Problems and Outstanding Answers prepares students by challenging them to use the law they learn in class while also explaining the best way to express sophisticated answers on law school exams.
Model Problems and Outstanding Answers is an innovative new series by Oxford University Press. Featuring topical introductions and clear fact patterns, each book contains exercises designed to help students develop methods to craft organized, relevant, and thoughtful responses to exam-style questions. These exercises show the student how to think like a lawyer. By guiding students to the most appropriate ways to apply their knowledge to new facts, the series offers meaningful and significant preparation for law school exams and bar-exam essays. Current titles in the series include Federal Income Taxation, Civil Procedure, and Criminal Law.

Biblical theology is taken down from the shelves of misunderstanding and neglect and placed in pastors' hands as the practical, everyday tool it is.

Capitol Hill Baptist Church associate pastor Michael Lawrence contributes to the IXMarks series as he centers on the practical importance of biblical theology to ministry. He begins with an examination of a pastor's tools of the trade: exegesis and biblical and systematic theology. The book distinguishes between the power of narrative in biblical theology and the power of application in systematic theology, but also emphasizes the importance of their collaboration in ministry.

Having laid the foundation for pastoral ministry, Lawrence uses the three tools to build a biblical theology, telling the entire story of the Bible from five different angles. He puts biblical theology to work in four areas: counseling, missions, caring for the poor, and church/state relations. Rich in application and practical insight, this book will equip pastors and church leaders to think, preach, and do ministry through the framework of biblical theology.

Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.

The Bible has a way of shocking us. If Americans could still blush, we might blush at the words, "Rejoice in the wife of your youth, a lovely deer, a graceful doe. Let her breasts fill you at all times with delight; be intoxicated always in her love" (Proverbs 5:18-19).

But, of course, sin always tries to trash God's gifts. So we can't just celebrate sex for what God made it to be; we have to fight what sin turned it into. The contributors to this unique volume encourage you to do both: celebrate and struggle.

This book has something for all-men and women, married and single-from contributors like John Piper, C. J. and Carolyn Mahaney, Mark Dever, Al Mohler, Carolyn McCulley, and others.

Before Count Dracula became one of the greatest, most feared vampires of all time, he was just a young boy called Wilfred who didn't really feel like he belonged anywhere. But Wilfred's dad, the old Count, doesn't think his son is up to the task of being a great vampire! Can Wilfred show his father what he's really made of? Particularly suitable for struggling, reluctant or dyslexic readers aged 7+

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.