The recent revival of interest in the Muslim world has generated numerous studies of modern Islam, most of them focusing on the Sunni majority. Shi'ism, an often stigmatized minority branch of Islam, has been discussed mainly in connection with Iran. Yet Shi'i movements have been extraordinarily effective in creating political strategies that have

The recent revival of interest in the Muslim world has generated numerous studies of modern Islam, most of them focusing on the Sunni majority. Shi'ism, an often stigmatized minority branch of Islam, has been discussed mainly in connection with Iran. Yet Shi'i movements have been extraordinarily effective in creating political strategies that have

In At the Pivot of East and West, Michael M. J. Fischer examines documentary filmmaking and literature from Southeast Asia and Singapore for their para-ethnographic insights into politics, culture, and aesthetics. Women novelists—Lydia Kwa, Laksmi Pamuntjak, Sandi Tan, Jing Jing Lee, and Danielle Lim—renarrate Southeast Asian generational and political worlds as gendered psychodramas, while filmmakers Tan Pin Pin and Daniel Hui use film to probe into what can better be seen beyond textual worlds. Other writers like Daren Goh, Kevin Martens Wong, and Nuraliah Norasid reinvent the detective story for the age of artificial intelligence, use monsters to reimagine the Southeast Asian archipelago, and critique racism and the erasure of ethnic cultural histories. Continuing his project of applying anthropological thinking to the creative arts, Fischer exemplifies how art and fiction trace the ways in which taken-for-granted common sense changes over time, speak to the transnational present, and track signals of the future before they surface in public awareness.

In At the Pivot of East and West, Michael M. J. Fischer examines documentary filmmaking and literature from Southeast Asia and Singapore for their para-ethnographic insights into politics, culture, and aesthetics. Women novelists—Lydia Kwa, Laksmi Pamuntjak, Sandi Tan, Jing Jing Lee, and Danielle Lim—renarrate Southeast Asian generational and political worlds as gendered psychodramas, while filmmakers Tan Pin Pin and Daniel Hui use film to probe into what can better be seen beyond textual worlds. Other writers like Daren Goh, Kevin Martens Wong, and Nuraliah Norasid reinvent the detective story for the age of artificial intelligence, use monsters to reimagine the Southeast Asian archipelago, and critique racism and the erasure of ethnic cultural histories. Continuing his project of applying anthropological thinking to the creative arts, Fischer exemplifies how art and fiction trace the ways in which taken-for-granted common sense changes over time, speak to the transnational present, and track signals of the future before they surface in public awareness.

In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Fischer examines the work of key Southeast and East Asian artists within the crucibles of unequal access, geopolitics, the reverberations of past traumas, and emergent socialities. He outlines the work of artist-theorists including Entang Wiharso, Sally Smart, Charles Lim, Zai Kuning, and Kiran Kumar, who speculate about the changing of the world in ways that are attuned to cultivating, repairing, and rethinking the world in the Anthropocene. Their artistic vocabulary not only undoes Western art models and categories; it probes the unfolding future, addresses past trauma, and creates contested, vibrant, and flourishing spaces. Throughout Indonesia, Korea, Singapore, Thailand, and Vietnam, and from Kumar's experimental dance to Kuning's rattan and beeswax ghost ships to Lim's videography of Singapore from the sea, Fischer argues that these artists' theoretical discourses should be privileged over those of the curators, historians, critics, and other gatekeepers who protect and claim art worlds for themselves.

In this volume, leading scholars in anthropology, religion, and area studies engage global and local perspectives dialectically to develop a historically grounded, ethnographically driven social science. The book's chapters, drawing on research in East and Southeast Asia, Africa, Europe, and the Americas, are also in conversation with the extensive work of editor and contributor Stanley J. Tambiah: They all investigate some aspect of what Tambiah has called "multiple orientations to the world." The implicit focus throughout is on human cultural differences and the historically constituted nature of the political potentialities (both positive and negative) that stem from these. As a whole, then, the volume promotes an approach to scholarship that actively avoids privileging any one conceptual framework or cultural form at the expense of recognizing another-a style of inquiry that the editors call "radical egalitarianism." Together, these scholars encourage a comparative examination of contemporary societies, provide insights into the historical development of social scientific and sociopolitical categories, and raise vital questions about the possibilities for achieving equality and justice in the presence of competing realities in the global world today. Michael M.J. Fischer's Afterword provides a brilliant exegesis of Tambiah's multifaceted oeuvre, outlining the primary themes that inform his scholarship and, by extension, all the chapters in this book.

In Anthropology in the Meantime Michael M. J. Fischer draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century. Providing a history and inventory of experimental methods and frameworks in anthropology from the 1920s to the present, Fischer presents anthropology in the meantime as a methodological injunction to do ethnography that examines how the pieces of the world interact, fit together or clash, generate complex unforeseen consequences, reinforce cultural references, and cause social ruptures. Anthropology in the meantime requires patience, constant experimentation, collaboration, the sounding-out of affects and nonverbal communication, and the conducting of ethnographically situated research over longitudinal time. Perhaps above all, anthropology in the meantime is no longer anthropology of and about peoples; it is written with and for the people who are its subjects. Anthropology in the Meantime presents the possibility for creating new narratives and alternative futures.

In this volume, leading scholars in anthropology, religion, and area studies engage global and local perspectives dialectically to develop a historically grounded, ethnographically driven social science. The book’s chapters, drawing on research in East and Southeast Asia, Africa, Europe, and the Americas, are also in conversation with the extensive work of editor and contributor Stanley J. Tambiah: They all investigate some aspect of what Tambiah has called “multiple orientations to the world.� The implicit focus throughout is on human cultural differences and the historically constituted nature of the political potentialities (both positive and negative) that stem from these. As a whole, then, the volume promotes an approach to scholarship that actively avoids privileging any one conceptual framework or cultural form at the expense of recognizing another—a style of inquiry that the editors call “radical egalitarianism.� Together, these scholars encourage a comparative examination of contemporary societies, provide insights into the historical development of social scientific and sociopolitical categories, and raise vital questions about the possibilities for achieving equality and justice in the presence of competing realities in the global world today. Michael M.J. Fischer’s Afterword provides a brilliant exegesis of Tambiah’s multifaceted oeuvre, outlining the primary themes that inform his scholarship and, by extension, all the chapters in this book.

In Anthropology in the Meantime Michael M. J. Fischer draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century. Providing a history and inventory of experimental methods and frameworks in anthropology from the 1920s to the present, Fischer presents anthropology in the meantime as a methodological injunction to do ethnography that examines how the pieces of the world interact, fit together or clash, generate complex unforeseen consequences, reinforce cultural references, and cause social ruptures. Anthropology in the meantime requires patience, constant experimentation, collaboration, the sounding-out of affects and nonverbal communication, and the conducting of ethnographically situated research over longitudinal time. Perhaps above all, anthropology in the meantime is no longer anthropology of and about peoples; it is written with and for the people who are its subjects. Anthropology in the Meantime presents the possibility for creating new narratives and alternative futures.

Anthropology as Cultural Critique helped redefine cultural anthropology in the 1980s. Now, with Emergent Forms of Life and the Anthropological Voice, pathbreaking scholar Michael M. J. Fischer moves the discussion to a consideration of the groundwork laid in the 1990s for engagements with the fast-changing worlds of technoscience, telemedia saturation, and the reconstruction of societies after massive trauma. Fischer argues that new methodologies and conceptual tools are necessitated by the fact that cultures of every kind are becoming more complex and differentiated at the same time that globalization and modernization are bringing them into exponentially increased interaction. Anthropology, Fischer explains, now operates in a series of third spaces well beyond the nineteenth- and twentieth-century dualisms of us/them, primitive/civilized, East/West, or North/South. He contends that more useful paradigms-such as informatics, multidimensional scaling, autoimmunity, and visual literacy beyond the frame-derive from the contemporary sciences and media technologies.A vigorous advocate of the anthropological voice and method, Fischer emphasizes the ethical dimension of cultural anthropology. Ethnography, he suggests, is uniquely situated to gather and convey observations fundamental to the creation of new social institutions for an evolving civil society. In Emergent Forms of Life and the Anthropological Voice Fischer considers a dazzling array of subjects-among them Iranian and Polish cinema, cyberspace, autobiographical and fictional narrative, and genomic biotechnologies-and, in the process, demonstrates a cultural anthropology for a highly networked world. He lays the groundwork for a renewed and powerful twenty-first-century anthropology characterized by a continued insistence on empirical fieldwork, engagements with other disciplines, and dialogue with interlocutors around the globe.

Originally published in 1966, this edition of Elizabeth E. Bacon's classic work of history and ethnography includes an extensive introduction by Michael M. J. Fischer that surveys developments in our knowledge of Central Asia in the fifteen years since its initial publication while speaking to the timeless qualities of Bacon's original research and insights.