Forrest Reid (1875-1947), the Ulster novelist, spent his life in Belfast, in the north of Ireland, save for a period as an undergraduate at Christ's College, Cambridge, where he received a B.A. in 1908. He numbered among his many friends and acquaintances George William Russell (A. E.), E. M. Forster, Edmund Gosse, C. S. Lewis, and Walter de le Mare, as well as various Uranians such as Theo Bartholomew, Osbert Burdett, and Mark Andre Raffalovich.

Despite his sixteen novels, his two autobiographies, and a range of other works, despite being a founding member of the Irish Academy of Letters and an honorary Doctor of Letters of Queen's University in Belfast, despite his novel "Young Tom" being awarded the James Tait Black Memorial Prize, Forrest Reid closely borders both oblivion and canonicity. However, this author, who has been aptly dubbed the "Arch-Priest of a Minor Cult," deserves reconsideration and perhaps a place in the pantheon of English letters.

"The Tom Barber Trilogy" - composed of the very distinct novels "Uncle Stephen" (1931), "The Retreat; or, The Machinations of Henry" (1936), and "Young Tom; or, Very Mixed Company" (1944) - is Forrest Reid's magnum opus. The present scholarly edition presents those three novels as clean texts (in Volume I), followed by a study of Forrest Reid and explanatory notes for the trilogy (in Volume II).

Fifteen year old Graham Iddesleigh dreams of a past life, where he frolicked in a garden with a young Greek god. However, his dreams threaten to come to an abrupt end when his father decides to send him away to school. But what is Graham's surprise when he meets a fellow schoolboy, Harold Brocklehurst, who is the very image of the Greek god of his dreams

Graham falls deeply in love with his new friend, and the two boys spend an unforgettable summer together -- until a heartbreaking tragedy occurs, a tragedy that will change Graham's life forever.

"The Garden God" was first published in 1905, in the wake of the Oscar Wilde trial and other scandals, and risked controversy with its undercurrents of pederastic desire. Forrest Reid dedicated the novel to his idol, Henry James, who was outraged and never spoke to Reid again. This first ever scholarly edition of the novel includes a new introduction and notes by Michael Matthew Kaylor, who dismisses the traditional view of Reid as merely a provincial novelist and argues for his inclusion among the major Uranian writers such as Pater, Wilde, and Frederick Rolfe.