In 1859, the legendary Frank Jones Brewery was founded in Portsmouth, paving the way for the booming craft beer scene of today. The surge of budding breweries is bringing exciting styles and flavors to thirsty local palates and neighborhood bars from the White Mountains to the seacoast. Join beer scholars and adventurers Brian Aldrich and Michael Meredith as they explore all of the tastes New Hampshire beer has to offer. They've scoured the taps at Martha's Exchange, peeked around the brew house at Smuttynose and gotten personal with the brewers behind Flying Goose and Moat Mountain. Discover, pint for pint, the craft and trade of the state's unique breweries, from the up-and-comers like Earth Eagle and Schilling to old stalwarts like Elm City and Portsmouth Brewery.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

Beginning with material, this book revolves around physical material making and design decisions that emerge from material interaction.

Combining essays from both practice and academia, this book presents some of the most significant projects and thoughts on materiality from the last decade. Beautifully illustrated with a great deal of technical information throughout, it shows work, technical technique and process, and positions it within a broader theoretical intention.

By assembling a range of voices, here is a multifaceted portrait of material design today. Students and design professionals alike should find in this book an essential resource for understanding this increasingly important aspect of design.

Ocean Mixing: Drivers, Mechanisms and Impacts presents a broad panorama of one of the most rapidly-developing areas of marine science. It highlights the state-of-the-art concerning knowledge of the causes of ocean mixing, and a perspective on the implications for ocean circulation, climate, biogeochemistry and the marine ecosystem. This edited volume places a particular emphasis on elucidating the key future questions relating to ocean mixing, and emerging ideas and activities to address them, including innovative technology developments and advances in methodology. Ocean Mixing is a key reference for those entering the field, and for those seeking a comprehensive overview of how the key current issues are being addressed and what the priorities for future research are. Each chapter is written by established leaders in ocean mixing research; the volume is thus suitable for those seeking specific detailed information on sub-topics, as well as those seeking a broad synopsis of current understanding. It provides useful ammunition for those pursuing funding for specific future research campaigns, by being an authoritative source concerning key scientific goals in the short, medium and long term. Additionally, the chapters contain bespoke and informative graphics that can be used in teaching and science communication to convey the complex concepts and phenomena in easily accessible ways.

This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.

Volume 15 in The Complete Poetical Works of Robert Browning presents poetry Browning wrote in his seventies, his last two volumes: Parleyings (1887) and Asolando (1889). The former is the poet's last sustained meditation on life and on his times, a nine-section credo covering religion, history, poetry, politics, art, and music. Asolando is a coda to his whole oeuvre, a mixture of short love lyrics, historical monologues and anecdotes, light verse, and poems which are quite sui generis, all grouped around the theme of 'fancies and fact'. Both volumes are presented here with previously unknown sources, a wealth of new contextual material, and many textual nuances clarified, giving a fresh view of the last phase of Browning's career. What emerges is a poet more seriously Christian, Protestant, and Liberal than previously supposed, more interested in Britain's destiny and Empire, more enmeshed in the local battles of the 1880's and a writer of considerable range and wit.

"Platform 2" provides a sampling of the most salient research and design explorations undertaken at the Harvard Graduate School of Design (GSD) during the 2008-2009 academic year. Organized thematically, the publication identifies underlying congruencies among studio work, theses, research, lectures, conferences, and writings to unfold some of the many critical ideas and interests currently being explored in the School. Ranging in scope from detailed material fabrication to large-scale territorial and infrastructural strategies, the work spans a broad and diverse set of geographies and scenarios. In documenting this work, the publication archives and disseminates the rich intellectual momentum of the GSD. With contributions by Dirk Sijmons, Sissel Tolaas, Scheri Fultiner, Louisa Hutton, Matthias Sauerbruch, Judith Grant Long, Jose Luis Vallejo / Belinda Tato, Joshua Prince Ramus, Chris Reed, among others.