American re-imagining of the 2010 Mexican horror film of the same name. The reclusive Parker family headed by ailing patriarch Frank (Bill Sage) have a dark and macabre family secret. While grieving for their mother, Iris (Ambyr Childers) and Rose (Julia Garner) are left to care for their father and younger brother Rory (Jack Gore) as well as take responsibility for attending to their horrific familial custom. As a storm hits the small town where the family live, a number of gruesome discoveries by the local authorities lead them to the door of the Parkers and ever closer to the ancestral secret they work so hard to maintain.

This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism.

These new essays examine the many ways that issues of gender and sexuality intersect with other identities and practices - including race, religion, disability, music and education - on the Fox hit program Glee. With gender and sexuality concerns at the crux, the authors tackle such specific aspects of the show as the coming out narrative, Glee fandom and fan fiction, representation of sex education, and the intersection of Broadway music and queerness. The aim of these essays is to open up a dialogue about Glee - which is often dismissed by critics and fans alike - and to reveal how scholars are critically engaging with the show around issues of gender and sexuality.

This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism.

Barry Bigley has just set up as a private detective and the last thing he needs, besides a lack of clients, is constant interference from a mother obsessed with cleaning, a father desperate to appear on television, a fiance eager for marriage, and a threatening landlord. So when the daughter of a rich diamond merchant is kidnapped, it should be Barrys chance to overcome all obstacles and hit the big time. Of course, it would help if he had the faintest idea of how a private detective goes about his business.

*Festival Award Winner* Its been a busy Christmas week at Tollerbay shopping centre, but peace reigns now that the late-night shoppers have gone home. As midnight approaches, and she does her regular checks, the last thing security guard Connie needs is an old tramp taking up residence on her patch. However, as they talk, he turns out to have had quite a past, and they eventually find they have more in common than either of them would have suspected. This is a warm-hearted look at bridging the generation gap, ideal for the festive season.

Annie's Creek We are living in a dysfunctional time. People are becoming more and more isolated, computers often replacing family, friends and neighbors. I would encourage you to push the off button, and step out of your comfort zone. See what can happen when you make the effort to again engage in face to face relationships. In the story Annie's Creek, we see how God uses those who surround us to profoundly influence our lives. Sarah McAdams shares with us her story, the struggles, the joys and the sorrows. We see how God uses all of it, both the good and the bad to accomplish his purposes, and in the process, teaches Sarah what it means to walk with Him. Sandra Park was born in Huntsville, Texas and raised in Houston, Texas. She graduated from Sam Houston State University in Huntsville, where she was exposed to many tales of early Texas history and it's bigger than life heroes. Sandra is a wife, mother, grandmother, retired teacher and gardener. She and her husband, Clyde, have three grown children and six grandchildren. They make their home on thirty-six acres outside of Bedias, Texas.

Wedding planning doesn't have to be stressful! From budgeting to bachelorette parties to writing your own vows, this pocket-sized manual is packed with tips to plan, execute, and enjoy the perfect engagement and wedding. It's a personal wedding planner you can carry in your pocketthe perfect engagement present or planning handbook for any soon-to-be bride.