King Kong and The Thing from Another World are among the most popular horror and science fiction films of all time and both were made by RKO Radio Pictures. Between 1929 and 1956, RKO released over 140 genre features, including The Most Dangerous Game, The Phantom of Crestwood, Before Dawn, The Monkey's Paw, The Hunchback of Notre Dame, You'll Find Out, The Spiral Staircase, The Enchanted Cottage,It's a Wonderful Life, Captive Women and Killers from Space. RKO is remembered for its series of psychological horror movies produced by Val Lewton, including Cat People, I Walked with a Zombie, The Seventh Victim and The Body Snatcher. The studio also produced films in the adventure, comedy, fantasy, mystery and western genres. They released many Walt Disney classics - Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Cinderella, Peter Pan - as well as several ""Tarzan"" features. This volume covers these movies in detail with critical and historical analysis, in-depth plot synopsis and numerous contemporary reviews.

Between 1952 and 1977, Allied Artists Pictures Corporation released over 80 feature films with horror, science fiction and fantasy themes, several of them featuring such genre stars as Vincent Price, Boris Karloff, John Carradine and Lon Chaney, Jr. Among Allied Artists' contributions are the classic Invasion of the Body Snatchers and the William Castle productions House on Haunted Hill and Macabre. Allied also released the camp favorites Frankenstein Meets the Space Monster, From Hell It Came and Queen of Outer Space, and imported European efforts such as Blood and Black Lace and Caltiki the Immortal Monster. Included here are detailed plot synopses and critical analyses of all of the films. Also covered are 22 features, including Little Shop of Horrors, made by other companies and released to television by Allied, and the studio's theatrical double-feature reissue of Paramount's The Blob and Universal's Dinosaurus!

From 1928 through 1982, when Columbia Pictures Corporation was a traded stock company, the studio released some of the most famous and popular films dealing with horror, science fiction and fantasy. This volume covers more than 200 Columbia feature films within these genres, among them Close Encounters of the Third Kind, Seventh Voyage of Sinbad, Earth vs. The Flying Saucers and The Revenge of Frankenstein. Also discussed in depth are the vehicles of such horror icons as Boris Karloff, Bela Lugosi, and John Carradine. Additionally highlighted are several of Columbia's lesser known genre efforts, including the Boston Blackie and Crime Doctor series, such individual features as By Whose Hand?, Cry of the Werewolf, Devil Goddess, Terror of the Tongs and The Creeping Flesh, and dozens of the studio's short subjects, serials and made-for-TV movies.

John Carradine, Jamie Lee Curtis, Yvonne De Carlo, Faith Domergue, Boris Karloff, Otto Kruger, Bela Lugosi, Jack Palance, Vincent Price, Santo, and George Zucco are just a few of the 80 horror film stars that are covered in this major standard reference work, now in its third edition. The author has revised much of the information from the two previous editions and has added several more performers to the lineup of horror film stars. The performers are given well rounded career bios and detailed horror film write-ups, with complete filmographies provided for those most associated with horror, science fiction, and fantasy movies, and genre-oriented filmographies for the lesser stars.

Founded by Robert M. Savini in 1933, Astor Pictures Corporation distributed hundreds of films in its 32 years of production. The company distributed over 150 first run features in addition to the numerous re-releases for which it became famous. Astor had great success in the fields of horror and western movies and was a pioneer in African-American film productions. While under Savini's management, Astor and its subsidiaries were highly successful, but after his death in 1956 the company was sold, leading to eventual bankruptcy and closure. This volume provides the first in-depth look at Astor Pictures Corporation with thorough coverage of its releases, including diverse titles like La Dolce Vita and Frankenstein's Daughter.

Giving deserved attention to nearly 150 neglected films, this book covers early sound era features, serials and documentaries with genre elements of horror, science fiction and fantasy, from major and minor studios and independents. Full credits, synopses, critical analyses and contemporary reviews are provided for The Blue Light, The Cat Creeps, College Scandal, Cosmic Voyage, The Dragon Murder Case, The Haunted Barn, Lost Gods, Murder in the Red Barn, The New Gulliver, Return of the Terror, Seven Footprints to Satan, S.O.S. Iceberg, While the Patient Slept, The White Hell of Pitz Palu and many others.

The western genre touched on ideals of honor, conquest, and freedom of spirit, and its stories packed cinemas of the early sound era. This volume covers 30 western film series produced from the mid 1930s to the early 1950s. Included are such long-running series as Hopalong Cassidy, The Durango Kid and The Three Mesquiteers as well as those that had moderate or brief runs like The Singing Cowgirl and The Texas Rangers. Major genre stars like John Wayne, Ken Maynard, Tim McCoy, Buck Jones and Johnny Mack Brown headlined the popular Saturday matinee fare. The book contains a plot synopsis and analysis of each series' place in cinema history, many photographs and illustrations and a detailed filmography.

From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called "Poverty Row." Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940.

This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson has the strongest face in the business, and he is also one of its best actors. Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.