Across America and around the world, people wander through flea markets to search for lost treasures. For decades, no such market was more renowned than the legendary Chelsea flea market, which sprawled over several blocks and within an old garage on the west side of Manhattan. Visitors would trawl through booths crammed with vintage dresses, rare books, ancient swords, glass eyeballs, Afghan rugs, West African fetish dolls, Old Master paintings, and much more. In The Golden Flea, the acclaimed writer Michael Rips takes readers on a trip through this charmed world. With a beguiling style that has won praise from Joan Didion and Susan Orlean, Rips recounts his obsession with the flea and its treasures and provides a fascinating account of the business of buying and selling antiques. Along the way, he introduces us to the flea's lovable oddball cast of vendors, pickers, and collectors, including a haberdasher who only sells to those he deems worthy; an art dealer whose obscure paintings often go for enormous sums; a troubadour who sings to attract customers; and the Prophet, who finds wisdom among all the treasures and trash. As Rips's passion for collecting grows and the flea's last days loom, he undertakes a quest to prove the provenance of a mysterious painting that just might be the one.

The product of six years of collaborative research, this fine biography offers new interpretations of a pioneering figure in anaesthesiology, epidemiology, medical cartography, and public health. It modifies the conventional rags to riches portrait of John Snow by synthesising fresh information about his early life from archival research and recent studies.

It explores the intellectual roots of his commitments to vegetarianism, temperance, and pure drinking water, first developed when he was a medical apprentice and assistant in the north of England. The authors argue that all of Snow's later contributions are traceable to the medical paradigm he imbibed as a medical student in London and put into practice early in his career as a clinician: that medicine as a science required the incorporation of recent developments in its collateral sciences, chiefly anatomy, chemistry, and physiology, in order to understand the causes of disease.

Snow's theoretical breakthroughs in anaesthesia were extensions of his experimental research in respiratory physiology and the properties of inhaled gases. Shortly thereafter, his understanding of gas laws led him to reject miasmatic explanations for the spread of cholera, and to develop an alternative theory in consonance with what was then known about chemistry and the physiology of digestion.

Using all of Snow's writings, the authors follow him when working in his home laboratory, visiting patients throughout London, attending medical society meetings, and conducting studies during the cholera epidemics of 1849 and 1854. The result is a book that demythologises some overly heroic views of Snow by providing a fairer measure of his actual contributions. It will have an impact not only on the understanding of the man but also on the history of epidemiology and medical science.

In a strangely fascinating memoir that could be described as Middle American gothic, Michael Rips delves into the secret past of his family and their seemingly sleepy Nebraska hometown, exposing the eccentricities and surprises that lurk below the surface. Rips learns that his father was raised in a notorious brothel rumored to have Mob ties. From here, the revelations get stranger, with stories of a dead man who fell through a ceiling, a man who wears a prosthetic penis on his boot to attract the ladies, a homeless millionaire, and a chicken-abusing adolescent. Intertwining past and present, this disarming, absorbing memoir is framed by Rips's search to identify a woman who posed years earlier for one of his father's paintings.

Beloved of readers and critics everywhere for its quirkiness, its hilarity, its charm, Pasquale's Nose tells the story of a New York City lawyer who runs away to a small Etruscan village with his wife and new baby, and discovers a community of true eccentrics—warring bean growers, vanishing philosophers, a blind boot maker, a porcupine hunter—among whom he feels unexpectedly at home.