|
Showing 1 - 8 of
8 matches in All Departments
This volume contains three new screenplays (Bedrock, Old World and
New, and Falling Angels) by the writer-director of the
prize-winning films Nothing But a Man, The Plot against Harry,
Vengeance Is Mine, and Pilgrim, Farewell.
From the critically-acclaimed independent filmmaker, Michael
Roemer, comes Film Stories: Screenplays as Story, a
highly-anticipated first collection of screenplays. Beyond film
scripts, Film Stories is designed to help film students master
concepts like three-act structure, conflict, surprise, rising
action, and crisis, while crafting not only a story, but a story
that tells. Volume One contains the screenplays for Nothing But a
Man, The Plot Against Harry, Stone My Heart, and Pilgrim, Farewell.
Volume One also features a comprehensive introduction entitled
"Beginnings," in which Roemer discusses the creation of his
screenplays and includes anecdotes on the making and distribution
of his films that any screenwriter or filmmaker will find
invaluable. Volume Two contains the screenplays for Losing Emily,
Famous Long Ago, Mortal Longings, Act of God, and Sad but Funny.
Why do funny movies make us laugh? In this thoughtful essay, by
turns stimulating and meditative, distinguished filmmaker and Yale
professor Michael Roemer shares his musings on what causes us to
chortle, snort, and guffaw when we watch antics onscreen or
onstage. Roemer keeps us chuckling as he dissects punchy
one-liners, Shakespearean plays, and everything in-between.
Incorporating theories from such great thinkers as Sigmund Freud,
Charles Baudelaire, Henri-Louis Bergson, and Soren Kierkegaard with
the work of classic comedians like Charlie Chaplin, Buster Keaton,
and the Marx Brothers, Roemer examines the purpose of comedy in our
lives and in society. Shocked But Connected provides a serious
reflection on a lighthearted subject.
This volume contains three new screenplays by the writer-director
of the prize-winning films "Nothing But a Man, The Plot Against
Harry, Vengeance is Mine" and" Pilgrim, Farewell."
From the critically-acclaimed independent filmmaker, Michael
Roemer, comes Film Stories: Screenplays as Story, a
highly-anticipated first collection of screenplays. Beyond film
scripts, Film Stories is designed to help film students master
concepts like three-act structure, conflict, surprise, rising
action, and crisis, while crafting not only a story, but a story
that tells. Volume One contains the screenplays for Nothing But a
Man, The Plot Against Harry, Stone My Heart, and Pilgrim, Farewell.
Volume One also features a comprehensive introduction entitled
'Beginnings, ' in which Roemer discusses the creation of his
screenplays and includes anecdotes on the making and distribution
of his films that any screenwriter or filmmaker will find
invaluable. Volume Two contains the screenplays for Losing Emily,
Famous Long Ago, Mortal Longings, Act of God, and Sad but Funny.
From the critically-acclaimed independent filmmaker, Michael
Roemer, comes Film Stories: Screenplays as Story, a
highly-anticipated first collection of screenplays. Beyond film
scripts, this volume (the second of two) is designed to help film
students master concepts like three-act structure, conflict,
surprise, rising action, and crisis, while crafting not only a
story, but a story that tells. Volume Two contains the screenplays
for Losing Emily, Famous Long Ago, Mortal Longings, Act of God, and
Sad but Funny.
Examensarbeit aus dem Jahr 2003 im Fachbereich Geschichte Europa -
Deutschland - 1848, Kaiserreich, Imperialismus, Note: 2,8,
Westfalische Wilhelms-Universitat Munster, Sprache: Deutsch,
Abstract: Cognatio movet invidiam. 1 Erasmus (nach Aristoteles) Ein
Grossteil der kolonialen Beziehungen der Deutschen zu den
Niederlandern kann plausibel mit oben zitierter Redewendung
beschrieben werden. Wahrend mit, Niederlandern" heute gemeinhin die
Staatsburger der Niederlande gemeint sind, bezeichnete der Begriff
in Deutschland zur Zeit des Imperialismus gleichzeitig ein
deutsch-niederlandisches Verwandtschaftsverhaltnis. Auch der
aktuelle Brockhaus von 2001 definiert Niederlander als ein
germanisches Volk, das in den Niederlanden lebe und seine eigene
Sprache aus dem Altniederdeutschen entwickelt hatte. Diese - nicht
abzustreitende - Verwandtschaftsbeziehung konnte jenen in
Deutschland willkommen sein, die Interesse daran hatten, aus einer,
naturlichen" Verbundenheit Kapital zu schlagen. Dieses Interesse
entstand, weil die Verwandten etwas besassen, was Deutschland nicht
hatte oder Deutsche glaubten, nicht in ausreichender Menge zu
haben: Kolonien, bzw. Besitzungen ausserhalb Europas. Als
"niederdeutsche Stammesbruder" wurden ausser den europaischen
niederlandischen Nachbarn2 vor allem auch die Buren in Sudafrika
bezeichnet, die im Zuge des Sudafrikanischen Krieges3 grosse
Sympathien in Europa weckten. Versuche, diese lang zuruckliegende
Verwandtschaft zu instrumentalisieren, trafen auf ein
Selbstverstandnis der Niederlander, das historisch vom Kampf um
Unabhangigkeit und Neutralitat gekennzeichnet war. Schon seit dem
Westfalischen Frieden 1648 waren die Niederlande eine international
anerkannte Republik, und auch die Buren waren standig um
Unabhangigkeit - zunachst sogar von den Niederlandern, spater von
den Briten - bemuht. Der Stammverwandtschaftsgedanke, der von den
Alldeutschen zur politischen Ideologie entwickelt wurde, soll
daraufhin untersucht werden, inwiefern e
|
You may like...
Ongeskonde
Alwyn Uys
Paperback
R240
R206
Discovery Miles 2 060
|