Contributors to this Hansard Society/Palgrave volume consider how British government and politics changed as Tony Blair gave way to Gordon Brown. "Gordon at the Helm" looks at a range of factors under Brown such as public opinion, party and opposition politics, British government and administration, public policy, local government and foreign policy.

The essential message of the 'two regimes' model is that the social politics of fatherhood have taken on a global significance and that the USA and Sweden represent two ends of an international continuum of ways of thinking about fatherhood. The key selling points of the two regimes model are its topicality, originality, its global appeal, and its particularised appeal to readers in the USA, the Nordic countries, Great Britain, Ireland, the European Union, Japan and China. The book offers students a comparative analytical framework and new insights into why some welfare states have 'father-friendly' social policies and others do not. The book makes an original contribution to the growing fields of welfare regime and gender studies by linking the epochal decline of patriarchal fatherhood to welfare state expansion over the course of the twentieth century and it raises new questions about the legitimacy of religiously inspired neo-patriarchy. -- .

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

This wide-ranging study, by one of the UK's leading scholars of British politics, presents a fascinating picture of the role of the MP during the last 150 years. It looks at the three major roles of backbench MPs - the partisan role, the constituency role, and the scrutiny role. Rush argues that balance between them has changes significantly and the conflict between the MP as a partisan and as a check on the government creates a dilemma at the heart of parliamentary government.

This work aims to introduce students to the wide range of concepts, themes and ideas now regarded as central to political sociology and to draw on the extensive research available. Topics covered include the distribution of power, public opinion and modernization theory.

Born to a prominent family in Havana but exiled to the United States as a girl, Ana Mendieta (1948-1985) is regarded as one of the most significant artists of the postwar era. During her too-brief career, she produced a distinctive body of work that includes drawings, installations, performances, photographs, and sculptures. Less well known is her remarkable and prolific production of films. This richly illustrated catalogue presents a series of sequential color stills from each of twenty-one original Super 8 films that have been newly preserved and digitized in high definition for the 2015 exhibition, combined with related photographs, and reference still images from all of the artist's 104 filmworks; together these illustrations sample the full range of the artist's film practice from 1971 to 1981. The book includes Mendieta's first published comprehensive filmography resulting from three years of collaborative research conducted by the Estate of Ana Mendieta Collection and the University of Minnesota as well as original essays by John Perreault, Michael Rush, Rachel Weiss, Lynn Lukkas, Raquel Cecilia Mendieta, and Laura Wertheim Joseph. The first book-length treatment of Mendieta's moving-image practice, Covered in Time and History aims to locate her films centrally within her larger oeuvre and at the forefront of the multidisciplinary shifts that characterized visual arts practice during the 1970s. Published in association with the Katherine E. Nash Gallery at the University of Minnesota. Exhibition dates: University of California, Berkeley Art Museum & Pacific Film Archive (BAMPFA): November 9, 2016-February 12, 2017 NSU Art Museum Fort Lauderdate: February 28-July 3, 2016 Katherine E. Nash Gallery, University of Minnesota: September 15-December 12, 2015

The book's focus is on the implications for Irish social policy of social change including the need to respond to changes resulting from immigration and shifts within the Irish welfare economy that have created new needs for social care. Many of the chapters locate Irish debates about care in a broader social policy context. This is a companion volume to "Contemporary Irish Social Policy and Theorising Irish Social Policy".

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism – particularly in the work of Duchamp – artists abandoned strict adherence to traditional hierarchies of media and embraced any means, including technological, which best served their purposes. In the last 50 years especially, ideas about time and duration have reinstated narrative in art, via film-making and video, the theatricality of Happenings, Performance and Installation art, digitally manipulated photography and Virtual Reality. This pioneering book, originally published under the title New Media in Late 20th-Century Art, discusses the most influential artists internationally – from Eadweard Muybridge to Robert Rauschenberg, Bill Viola and Pipilotti Rist – and those seminal works which have radically transformed the map of world art.

The most complete and up-to-date overview available of an art form born some forty years ago and now ubiquitous internationally.
Video art has moved from brief showings on tiny screens in alternative art spaces to dominance in international exhibitions and artistic events, in which vast video installations sometimes occupy factory-sized buildings or video projections take over the walls of an entire city block. It embraces all the significant art ideas and forms of recent times--from Abstract, Conceptual, Minimal, Performance, and Pop to photography and film.
Abundantly illustrated with frames and sequences, this updated edition offers a history of the medium from its early practitioners, such as Bruce Nauman and Vito Acconci, who used the video camera as an extension of their own bodies, through the vast array of conceptual, political, personal, and lyrical installations of the 1980s and 1990s by Gary Hill, Bill Viola, Inigo Manglano-Ovalle, Mary Lucier, Michal Rovner, and others up to the present day.
A new chapter, "Video Ascending," explores the recent use of video in what might be called "the new cinematics"--not only multi-screen installations mixing sound and visuals but also immersive environments, including Virtual Reality, and alternative sculpture that combines solid forms with moving images. 383 illustrations, 296 in color.