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Who wrote about the past in the Middle Ages, who read about it, and
how were these works disseminated and used? History was a subject
popular with authors and readers in the Anglo-Norman world. The
volume and richness of historical writing in the lands controlled
by the kings of England, particularly from the 12th century, has
long attracted the attention of historians and literary scholars.
This collection of essays returns to the processes involved in
writing history, and in particular to the medieval manuscript
sources in which the works of such historians survive. It explores
the motivations of those writing about the past in the Middle Ages
(such as Orderic Vitalis, John of Worcester, Symeon of Durham,
William of Malmesbury, Gerald of Wales, Roger of Howden, and
Matthew Paris), and the evidence provided by manuscripts for the
circumstances in which copies were made.
Our major sources for the life and death of Thomas Becket are
rigorously examined in this major new book. In the wake of his
murder in December 1170, an extraordinarily large number of Lives
of Thomas Becket were produced.They provide an invaluable witness
to the life and death of Thomas and the dramatic events in which he
was involved, but they are also works of great literary value, more
complex and sophisticated than has been recognised. This book, the
first to be devoted to the biographers and their works, consists of
an examination the individual Lives,followed by an analysis of the
biographers' treatment of the major themes in Thomas's life -
conversion, conflict, trial, exile and martyrdom - in the light of
contemporary hagiographical, historical and theological writing and
canon law. It raises points of major significance for the study of
intellectual and literary life in the central middle ages and
provides an important reassessment of the Becket conflict and
Thomas Becket himself. Dr MICHAEL STAUNTON is Lecturer in Medieval
History, School of History and Archives, University College Dublin.
The true importance of cathedrals during the Anglo-Norman period is
here brought out, through an examination of the most important
aspects of their history. Cathedrals dominated the ecclesiastical
(and physical) landscape of the British Isles and Normandy in the
middle ages; yet, in comparison with the history of monasteries,
theirs has received significantly less attention. This volume helps
to redress the balance by examining major themes in their
development between the eleventh and thirteenth centuries. These
include the composition, life, corporate identity and memory of
cathedral communities; the relationships, sometimes supportive,
sometimes conflicting, that they had with kings (e.g. King John),
aristocracies, and neighbouring urban and religious communities;
the importance of cathedrals as centres of lordship and patronage;
their role in promoting and utilizing saints' cults (e.g. that of
St Thomas Becket); episcopal relations; and the involvement of
cathedrals in religious and political conflicts, and in the
settlement of disputes. A critical introduction locates medieval
cathedrals in space and time, and against a backdrop of wider
ecclesiastical change in the period. Contributors: Paul Dalton,
Charles Insley, Louise J. Wilkinson, Ann Williams, C.P. Lewis,
RichardAllen, John Reuben Davies, Thomas Roche, Stephen Marritt,
Michael Staunton, Sheila Sweetinburgh, Paul Webster, Nicholas
Vincent
This collection tells the story of Thomas Becket's turbulent life,
violent death and extraordinary posthumous acclaim in the words of
his contemporaries. The only modern collection from the
twelfth-century Lives of Thomas Becket in English and features all
his major biographers, including many previously untranslated
extracts. Providing both a valuable glimpse of the late
twelfth-century world, and an insight into the minds of those who
witnessed the events. By using contemporary sources, this book is
the most accessible way to study this central episode in medieval
history. Thomas Becket features prominently in most medieval core
courses. This book allows the subject to be taught as never before,
and is highly suitable as a set text. -- .
In-depth study of an important writer and close associate of
Becket. Herbert of Bosham (c.1120-c.1194) was one of the most
brilliant, original and versatile thinkers of the twelfth century.
Herbert was Thomas Becket's closest confidant, a theologian,
biblical commentator, historian, letter-writer and Hebrew scholar;
he wrote a Life of St Thomas unlike any other contemporary
biography, produced one of the most visually-arresting illuminated
Bible books of his age, and composed a commentary on the Psalms
inspired by Jewish scholarship. His uncompromising character, and
the originality and complexity of his thought, meant that Herbert's
works were largely ignored during his lifetime and forgotten for
centuries, but more recently they have begun to receive the
attention and approval that their author insisted they deserved.
The chapters in this book, the first to be devoted to Herbert's
life and works, examine his eventful and troubled life, his
remarkable corpus of works,and how they came to be neglected and
rediscovered. They provide an introduction to his life, writings
and legacy, direction to existing scholarship on the subject, and
new insights on, interpretations of and discoveries about
anidiosyncratic representative of the "twelfth-century
renaissance". MICHAEL STAUNTON is Associate Professor of History at
University College Dublin. Contributors: Julie Barrau, Laura
Cleaver, Matthew Doyle, Anne J. Duggan, Christopher de Hamel,
Sabina Flanagan, Michael Staunton, Nicholas Vincent.
The extraordinary growth and development of the cult of St Thomas
Becket is investigated here, with a particular focus on its
material culture. Thomas Becket - the archbishop of Canterbury cut
down in his own cathedral just after Christmas 1170 - stands
amongst the most renowned royal ministers, churchmen, and saints of
the Middle Ages. He inspired the work of medieval writers and
artists, and remains a compelling subject for historians today. Yet
many of the political, religious, and cultural repercussions of his
murder and subsequent canonisation remain to be explored in detail.
This book examines the development of the cult and the impact of
the legacy of Saint Thomas within the Plantagenet orbit of the late
twelfth and early thirteenth centuries - the "Empire" assembled by
King Henry II, defended by his son King Richard the Lionheart, and
lost by King John. Traditional textual and archival sources, such
as miracle collections, charters, and royal and papal letters, are
used in conjunction with the material culture inspired by the cult,
to emphasise the wide-ranging impact of the murder and of the
cult's emergence in the century following the martyrdom. From the
archiepiscopal church at Canterbury, to writers and religious
houses across the Plantagenet lands, to the courts of Henry II, his
children, and the bishops of the Angevin world, individuals and
communities adapted and responded to one of the most extraordinary
religious phenomena of the age.
The extraordinary growth and development of the cult of St Thomas
Becket is investigated here, with a particular focus on its
material culture. Thomas Becket - the archbishop of Canterbury cut
down in his own cathedral just after Christmas 1170 - stands
amongst the most renowned royal ministers, churchmen, and saints of
the Middle Ages. He inspired the work of medieval writers and
artists, and remains a compelling subject for historians today. Yet
many of the political, religious, and cultural repercussions of his
murder and subsequent canonisation remain to be explored in detail.
This book examines the development of the cult and the impact of
the legacy of Saint Thomas within the Plantagenet orbit of the late
twelfth and early thirteenth centuries - the "Empire" assembled by
King Henry II, defended by his son King Richard the Lionheart, and
lost by King John. Traditional textual and archival sources, such
as miracle collections, charters, and royal and papal letters, are
used in conjunction with the material culture inspired by the cult,
toemphasise the wide-ranging impact of the murder and of the cult's
emergence in the century following the martyrdom. From the
archiepiscopal church at Canterbury, to writers and religious
houses across the Plantagenet lands, to thecourts of Henry II, his
children, and the bishops of the Angevin world, individuals and
communities adapted and responded to one of the most extraordinary
religious phenomena of the age. Dr Paul Webster is currently
Lecturer in Medieval History and Project Manager of the Exploring
the Past adult learners progression pathway at Cardiff University;
Dr Marie-Pierre Gelin is a Teaching Fellow in the History
Department at University College London. Contributors: Colette
Bowie, Elma Brenner, Jose Manuel Cerda, Anne J. Duggan,
Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul
Webster.
No single recent enterprise has done more to enlarge and deepen our
understanding of one of the most critical periods in English
history. ANTIQUARIES JOURNAL Anglo-Norman Studies, published
annually and containing the papers presented at the Battle
conference, is established as the single most important publication
in the field, covering not only matters relating to pre- and
post-Conquest England and France, but also the activities and
influences of the Normans on the wider European, Mediterranean, and
Middle Eastern stage; it celebrates its twenty-first anniversary
with this volume. This year there is an emphasis on the examination
of sources: translation-narratives, the Life of Hereward, the Book
of Llandaf, a Mont Saint Michel cartulary, Benoit de Sainte-Maure
and Roger of Howden. Secular topics include Anglo-Flemish relations
and the origins of an important family; ecclesiastical matters
considered are the Breton church in the late eleventh century,
William Rufus's monastic policy, the patrons of the great abbey of
Bec, and, for the first time in this series, the life of St Thomas
of Canterbury.
The contexts for the works of eleventh and twelfth-century
historians are here brought to the fore. History was a subject
popular with authors and readers in the Anglo-Norman world. The
volume and richness of historical writing in the lands controlled
by the kings of England, particularly from the twelfth century, has
long attracted the attention of historians and literary scholars,
whilst editions of works by such writers as Orderic Vitalis, John
of Worcester, Symeon of Durham, William of Malmesbury, Gerald of
Wales, Roger of Howden, and Matthew Paris has made them well known.
Yet the easy availability of modern editions obscures both the
creation and circulation of histories in the Middle Ages. This
collection of essays returns to the processes involved in writing
history, and in particular to the medieval manuscript sources in
which the works of such historians survive. It explores the
motivations of those writing about the past in the Middle Ages, and
the evidence provided by manuscripts for the circumstances in which
copies were made. It also addresses the selection of material for
copying, combinations of text and imagery, and the demand for
copies of particular works, shedding new light on how and why
history was being read, reproduced, discussed, adapted, and
written. LAURA CLEAVER is Senior Lecturer in Manuscript Studies,
Institute of English Studies, University of London; ANDREA WORM is
Professor of Art History. Kunsthistorischen Institut, Eberhard
Karls University, Tubingen. Contributors: Stephen Church, Kathryn
Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb
Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea
Worm
The Historians of Angevin England is a study of the explosion of
creativity in historical writing in England in the late twelfth and
early thirteenth centuries, and what this tells us about the
writing of history in the middle ages. Many of those who wrote
history under the Angevin kings of England chose as their subject
the events of their own time, and explained that they did so simply
because their own times were so interesting and eventful. This was
the age of Henry II and Thomas Becket, Eleanor of Aquitaine and
Richard the Lionheart, the invasion of Ireland and the Third
Crusade, and our knowledge and impression of the period is to a
great extent based on these contemporary histories. The writers in
question - Roger of Howden, Ralph of Diceto, William of Newburgh,
Gerald of Wales, and Gervase of Canterbury, to name a few - wrote
history that is not quite like anything written in England before.
Remarkable for its variety, its historical and literary quality,
its use of evidence and its narrative power, this has been called a
'golden age' of historical writing in England. The Historians of
Angevin England, the first volume to address the subject, sets out
to illustrate the historiographical achievements of this period,
and to provide a sense of how these writers wrote, and their idea
of history. But it is also about how medieval intellectuals thought
and wrote about a range of topics: the rise and fall of kings,
victory and defeat in battle, church and government, and attitudes
to women, heretics, and foreigners.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
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