Drama / 3m. An explosive Israeli play about three Palestinian brothers. Set during the Intifada with the Israeli-Arab struggle as its backdrop, Masked depicts the tragedy of one family torn between duty, kinship, principles and survival. "Powerful! Remarkably of the moment..." -The New York Times "Provocative drama. An articulate calculus of loyalty and betrayal." -The New Yorker "A contemporary emotionally charged family drama." -Time Out New York "Passionate. Fascinating. A heartbreaker. Hastor's characters have strong, detailed specificity..." -Newsday "Powerful tragedy...Its real strength may be in the way its nuanced characters muddy notions of right and wrong." -Economist

This first English anthology of Israeli Holocaust drama makes available five important Israeli dramatic works, focusing on the more controversial productions of the last two decades. Although it once relied on a repertoire drawn largely from other countries, the fledgling Israeli stage is coming into its own, and a hearty generation of native writers makes this volume a welcome tradition to what has been a dearth of contemporary Hebrew drama available in English. This collection brings together for the first time the dramatic responses to the Holocaust from two generations of Israeli playwrights. Leah Goldberg, Aharon Megged, and Ben Zion Tomer were born in Eastern Europe and settled in British Palestine before World War II. Joshua Sobol and Motti Lerner were born in British Palestine and Israel respectively. Written some forty years after the events, their plays question the conventional notion of heroism, of good and evil, and the more ambiguous moral issues of collaboration and the failure to resist.

Jewish-American poetry and drama play an important role in contemporary American culture. These writings also reflect an enormous diversity of perspectives. Some poets, such as Allen Ginsberg, have attained fame and a large audience, while others have been recognized chiefly by scholars. Poets such as Howard Nemerov are more conservative, others such as Kenneth Koch are experimental, and still others, such as Ginsberg, are prophetic. Similarly, some Jewish-American playwrights, especially Arthur Miller, have acquired a worldwide following, while others continue to labor in obscurity. The spectrum of Jewish-American drama encompasses the liberated Jewish women of Wendy Wasserstein and Emily Mann, the gay Jewish persons who come out of the closet in the plays of Harvey Fierstein, and the satires of Arthur Kopit and Woody Allen.

The rich experiences of Jewish-American drama and poetry are captured in this authoritative reference work. The volume includes alphabetically arranged entries for more than 70 contemporary Jewish-American dramatists and poets, such as Paddy Chayevsky, Sarah Blacher Cohen, Allen Ginsberg, John Hollander, Barbara Lebow, Denise Levertov, Allen Mandelbaum, David Mamet, and Arthur Miller. Each entry includes a brief biography, a discussion of major works and themes, an overview of the critical reception of the author's writings, and a bibliography of primary and secondary sources. The first part of the book includes entries for dramatists, while the second covers poets. Each part is introduced by a short overview essay, and the volume closes with selected, general bibliographies.

Since World War II, Jewish-American novelists have significantly contributed to the world of literature. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definition of Jewish religious and cultural traditions; Art Speigelman, whose controversial DEGREESIMaus DEGREESR established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources of information.

Since World War II, Jewish-American novelists have made numerous significant contributions to contemporary literature. Authors of earlier generations would frequently write about the troubles and successes of Jewish immigrants to America, and their works would reflect the world of European Jewish culture. But like other immigrant groups, Jewish-Americans have become increasingly assimilated into mainstream American culture. Many feel the loss of their heritage and long for something to replace the lost values of the old world.

This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definitions of Jewish religious and cultural traditions; Art Speigelman, whose controversial DEGREESIMaus DEGREESR established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources for information.