The idea of universalism inherited from the French Revolution has been strongly discredited by its colonial history; today, it is also the target of nationalist attacks. What remains of it? Now available in English, Markus Messling's critically acclaimed study shows how contemporary Francophone literatures seek, after European universalism, approaches to a new universality, without which knowledge and justice cannot be organised in world society. With a foreword by Souleymane Bachir Diagne

How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche's Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful-or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present.

From the turn of the twentieth century to the 1950s, a group of transgender people on both sides of the Atlantic created communities that profoundly shaped the history and study of sexuality. By exchanging letters and pictures among themselves they established private networks of affirmation and trust, and by submitting their stories and photographs to medical journals and popular magazines they sought to educate both doctors and the public. Others of My Kind draws on archives in Europe and North America to tell the story of this remarkable transatlantic transgender community. This book uncovers threads of connection between Germany, the United States, and the Netherlands to discover the people who influenced the work of authorities like Magnus Hirschfeld, Harry Benjamin, and Alfred Kinsey not only with their clinical presentations, but also with their personal relationships. It explores the ethical and analytical challenges that come with the study of what was once private, secret, or unacceptable to say. With more than 170 colour and black and white illustrations, including many stunning, previously unpublished photographs, Others of My Kind celebrates the faces, lives, and personal networks of those who drove twentieth-century transgender history.

A 2021 CHOICE Outstanding Title From the turn of the twentieth century to the 1950s, a group of transgender people on both sides of the Atlantic created communities that profoundly shaped the history and study of sexuality. By exchanging letters and pictures among themselves they established private networks of affirmation and trust, and by submitting their stories and photographs to medical journals and popular magazines they sought to educate both doctors and the public. Others of My Kind draws on archives in Europe and North America to tell the story of this remarkable transatlantic transgender community. This book uncovers threads of connection between Germany, the United States, and the Netherlands to discover the people who influenced the work of authorities like Magnus Hirschfeld, Harry Benjamin, and Alfred Kinsey not only with their clinical presentations, but also with their personal relationships. It explores the ethical and analytical challenges that come with the study of what was once private, secret, or unacceptable to say. With more than 170 colour and black and white illustrations, including many stunning, previously unpublished photographs, Others of My Kind celebrates the faces, lives, and personal networks of those who drove twentieth-century transgender history.

Magnus Hirschfeld’s Institute for Sexual Science was founded in Berlin in 1919 as a place of research, political advocacy, counseling, and public education. Inspired by the world’s first gay rights organizations, it was closely allied with other groups fighting for sexual reform and women’s rights, and was destroyed in 1933 as the first target of the Nazi book burnings. Not Straight from Germany examines the legacy of that history, combining essays and a lavish array of visual materials. Scholarly essays investigate the ways in which sex became public in early 20th-century Germany, contributing to a growing awareness of Hirschfeld’s influence on histories of sexuality while also widening the perspective beyond the lens of identity politics.   Two visual sourcebooks and catalog essays on an exhibition of contemporary artists’ responses to the Hirschfeld historical materials interrogate the modes of visual representation that Hirschfeld employed by re-imagining the public visibility of his institute from a contemporary perspective. The archival material includes stunning, never-before-published images from Hirschfeld’s institute that challenge many received ideas, while the scholarly and art catalog essays explore collaboration and dialogue as methods of research and activism that resonate beyond the academy to pressing issues of public concern.