Los Angeles is both background and subject in the respective oeuvres of Israel and Ellis. For Israel, the American dream, as embodied by the L.A. mythos, remains affecting and potent, and he approaches his hometown with an uncanny coupling of local familiarity and anthropological curiosity. While Ellis, who became famous for his portrait of an amoral, decadent L.A. of the 1980s in his debut novel Less Than Zero, has continued to elaborate upon his jaundiced vision of a superficial youth society over the past two decades. Now these two artists have come together to create a lively discourse on their city. At Israel s provocation, Ellis has written short texts that Israel then converted into various fonts and combined with commercial stock images. These striking images are displayed in full colour, along with double-page installation photos of the 2016 exhibition and insightful essays and interviews.

In The Player, the Hollywood classic that was adapted into the celebrated movie by Robert Altman, film executive Griffin Mill got away with murder. Now Mill is back, down to his last $6 million, and broke. His second wife wants to leave him. His first wife still loves him. His children hate him, and believing that the end of the world is happening, he wants to save them all, with one last desperate plan to save his life: quit the studio and convince an almost billionaire that he has the road map and the mettle to make them both achieve savage wealth. In The Return of the Player, Tolkin again delivers a brilliant, incise portrait of power, wealth, and family in contemporary society gone out of control with greed and excess.

The H LYW OD sign presides over a Los Angeles devastated by a weaponized microbe that has been accidentally spread around the globe, deleting human identity. In post-NK3 Los Angeles, a sixty-foot-tall fence surrounds the hills where the rich used to live, but the mansions have been taken over by those with the only power that matters: the power of memory. Inside the Fence, life for the new aristocracy, a society of the partially rehabilitated who call themselves the Verified, is a perpetual party. Outside the Fence, in downtown Los Angeles, the Verified use an invented mythology to keep control over the mindless Drifters, Shamblers and Bottle Bangers who serve the gift economy until no longer needed. The ruler, Chief, takes his guidance from gigantic effigies of a man and a woman in the heart of the Fence. In deliciously dark prose, Tolkin winds a noose-like plot around this melee of despots, prophets and rebels as they struggle for command and survival in a town that still manages to exert a magnetic force, even as a ruined husk.

With The Player and The Return of the Player, Michael Tolkin established himself as the master novelist of modern Hollywood. In his new novel, NK3, the H LYW OD sign presides over a Los Angeles devastated by a weaponized microbe that has been accidentally spread around the globe, deleting human identity. In post-NK3 Los Angeles, a sixty-foot-tall fence surrounds the hills where the rich used to live, but the mansions have been taken over by those with the only power that matters: the power of memory. Life for the community inside the Fence, ruled over by the new aristocracy, the Verified, is a perpetual party. Outside the Fence, in downtown Los Angeles, the Verified use an invented mythology to keep control over the mindless and nameless Drifters, Shamblers, and Bottle Bangers who serve the gift economy until no longer needed. The ruler, Chief, takes his guidance from gigantic effigies of a man and a woman in the heart of the Fence. They warn him of trouble to come, but who is the person to watch: the elusive Eckmann, holed up with the last functioning plane at LAX; Shannon Squier, the chisel-wielding pop superstar from the pre-NK3 world, pulled from the shambling masses; a treacherous member of Chief's inner circle; or Hopper, the uncommon Drifter compelled by an inner voice to search for a wife whose name and face he doesn't know? Each threatens to upset the delicate power balance in this fragile world. In deliciously dark prose, Tolkin winds a noose-like plot around this melee of despots, prophets, and rebels as they struggle for command and survival in a town that still manages to exert a magnetic force, even as a ruined husk.

Rob Marshall directs this big-budget musical based on the classic Fellini film 8 1/2. Set in early 1960s Venice, the film follows famous film director Guido Contini (Daniel Day-Lewis) as he struggles to complete his latest project on the eve of his 40th birthday. Meanwhile, he must also juggle the various colourful women in his life: his wife Luisa (Marion Cotillard), his mistress Carla (Penelope Cruz), his muse Claudia (Nicole Kidman), his producer Liliane (Judi Dench), his mother (Sophia Loren) and even a prostitute who resurfaces from the depths of his past (Stacy Ferguson). Kate Hudson co-stars as the American journalist who interviews him about his life and work.