How can one think about the same thing twice without knowing that it's the same thing? How can one think about nothing at all (for example Pegasus, the mythical flying horse)? Is thinking about oneself special? One could mistake one's car for someone else's, but it seems one could not mistake one's own headache for someone else's. Why not?
Mark Sainsbury and Michael Tye provide an entirely new theory--called "originalism"-- which provides simple and natural solutions to these puzzles and more. Originalism's central thesis is that concepts, the constituents of thoughts, are to be individuated by their origin, rather than epistemically or semantically. The doctrine has further valuable consequences for the nature of thought, our knowledge of our own thoughts, the nature of experience, the epistemology of perception-based beliefs, and for arguments based on conceivability. Sainsbury and Tye argue that although thought is special, there is no special mystery attaching to the nature of thought. Their account of the mind considers it as part of nature, as opposed to something with supernatural powers--which means that human beings have more opportunities to make mistakes than many have liked to think.

In this provocative book, Michael Tye presents his unique account of the metaphysical foundations of psychological discourse. In place of token identity theory or eliminative materialism, he advocates a generalisation of the adverbial approach to sensory experience, the 'operator theory'. He applies this to the analysis of prepositional attitudes, arguing that mental statements cannot involve reference to mental events or objects and that therefore causal statements about the mental cannot be regarded as asserting relations between events. This adverbial theory has the virtue of being both simple and systematic and is an important contribution to the philosophy of mind.

When Alice steps through the looking-glass, she encounters a peculiar world where she meets animated chess pieces, characters from nursery rhymes, and talking animals. Everything there is inside out and upside down: so it is with consciousness. Reflecting on the inception of consciousness, it is natural to suppose that there are just two alternatives. Either consciousness appeared in living beings suddenly, like a light switch turning on, or it appeared gradually, just as life did, through a range of borderline cases. For the former theory, consciousness is an on/off matter, but once it was there it became richer over time, like a beam of light becoming brighter and broader in its sweep. For the latter theory this is not the case. There are shades of gray. There is no one moment at which consciousness appeared. Unfortunately, both alternatives face deep problems. The solution to these problems lies in the realization, strange as it may be, that a key element of consciousness itself was always here, as a fundamental feature of micro-reality. Varying conscious states were not, however: they appeared gradually. In Vagueness and the Evolution of Consciousness, Michael Tye explains in detail how this can be so. He also addresses questions about the location of consciousness in the brain, the causal efficacy of consciousness with respect to behaviour, and the extent of consciousness in the animal world.

How can one think about the same thing twice without knowing that it's the same thing? How can one think about nothing at all (for example Pegasus, the mythical flying horse)? Is thinking about oneself special? One could mistake one's car for someone else's, but it seems one could not mistake one's own headache for someone else's. Why not? Mark Sainsbury and Michael Tye provide an entirely new theory-called 'originalism'- which provides simple and natural solutions to these puzzles and more. Originalism's central thesis is that concepts, the constituents of thoughts, are to be individuated by their origin, rather than epistemically or semantically. The doctrine has further valuable consequences for the nature of thought, our knowledge of our own thoughts, the nature of experience, the epistemology of perception-based beliefs, and for arguments based on conceivability. Sainsbury and Tye argue that although thought is special, there is no special mystery attaching to the nature of thought. Their account of the mind considers it as part of nature, as opposed to something with supernatural powers-which means that human beings have more opportunities to make mistakes than many have liked to think.

When Alice stepped through the looking-glass, she encountered a peculiar world where she meets animated chess pieces, characters from nursery rhymes, and talking animals. Everything there is inside out and upside down: so it is with consciousness. Reflecting on the inception of consciousness, it is natural to suppose that there are just two alternatives. Either consciousness appeared in living beings suddenly, like a light switch turning on, or it appeared gradually, like the biological development of life itself, through borderline cases which became the collective experience over time. For the former theory, consciousness is an on/off matter, but once it was there it became richer over time, like a beam of light becoming brighter and broader in its sweep. For the latter theory this is not the case, and there are shades of grey in how consciousness develops. Unfortunately, both alternatives face deep problems. The solution to these problems lies in the realization, strange as it may be, that a key element of consciousness itself was always here, as a fundamental feature of micro-reality. Varying conscious states were not, however: they appeared gradually. In Vagueness and the Evolution of Consciousness, Michael Tye addresses the questions that this raises. Where in the brain is consciousness located? How can consciousness be casually efficacious with respect to behaviour? What is the extent of consciousness in the animal world? How can all of this be so?

In the seventeenth century, the famous French philosopher, Rene Descartes, held that nonhuman animals, lacking souls, are organic automata without any consciousness. This led him to participate in vivisections on dogs, dismissing their howls as mere noises. Voltaire later ridiculed Descartes' view; and it is certainly a position to which hardly anyone would subscribe today. But just which animals are conscious? Most people would admit mammals generally; but what about fish? Honeybees? Crabs? Turning to the artificial realm, what about suitably complex robots? These questions are hard to answer in part because feelings and experiences are subjective things, and we have no direct access to the feelings and experiences of others. Exacerbating the issue is the fact that there are differences between human brains and the brains of nonhuman creatures. With the differences in neurophysiology, perhaps the crucial feature underwriting any spark of consciousness is missing with the result that the animals simply function in ways that are similar to us along various dimensions without feeling as we do on the inside or feeling anything at all for that matter. In some cases, the differences in neurophysiology seem acute. Take fish, for example, or insects. Fish lack a neocortex, as do insects, and, in humans, consciousness is often held to require cortical activity. The present book suggests a methodology for dealing with these questions, without endorsing any specific theory of the nature of consciousness (about which there is little agreement anyway), and offers concrete answers. In the final chapter, there is a discussion of the ethical treatment of animals and related issues, including whether we should be vegetarians.

Michael Tye untangles the complex web of empirical and conceptual issues of the newly revived imagery debate in psychology between those that liken mental images to pictures and those that liken them to linguistic descriptions. He also takes into account longstanding philosophical issues, to arrive at a comprehensive, up-to-date view and an original theory that provides answers to questions raised in both psychology and philosophy.Drawing on the insights of Stephen Kosslyn and the work on vision of David Mart, Tye develops a new theory of mental imagery that includes an account of imagistic representation and also tackles questions about the phenomenal qualities of mental images, image indeterminacy, the neurophysiolgical basis of imagery, and the causal relevance of image content to behavior.Tye introduces the history of philosophical views on the nature of mental imagery from Aristotle to Kant. He examines the reasons for the decline of picture theories of imagery and the use of alternative theories, the reemergence of the picture theory (with special reference to the work of Stephen Kosslyn), and the contrasting view that mental images are inner linguistic descriptions rather than pictorial representations. He then proposes his own theory of images interpreted as symbol-filled arrays in part like pictures and in part like linguistic descriptions, addresses the issue of vagueness in some features of mental images, and argues that images need not have qualia to account for their phenomenological character. Tye concludes by discussing the questions of how images are physically realized in the brain and how the contents of images can be causally related to behavior.Michael Tye holds appointments in Philosophy at both Temple University and Kings College, London.

Can neurophysiology ever reveal to us what it is like to smell a skunk or to experience pain? In what does the feeling of happiness consist? How is it that changes in the white and gray matter composing our brains generate subjective sensations and feelings? These are several of the questions that Michael Tye addresses, while formulating a new and enlightening theory about the phenomenal "what it feels like" aspect of consciousness. The test of any such theory, according to Tye, lies in how well it handles ten critical problems of consciousness.

Tye argues that all experiences and all feelings represent things, and that their phenomenal aspects are to be understood in terms of what they represent. He develops this representational approach to consciousness in detail with great ingenuity and originality. In the book's first part Tye lays out the domain, the ten problems and an associated paradox, along with all the theories currently available and the difficulties they face. In part two, he develops his intentionalist approach to consciousness. Special summaries are provided in boxes and the ten problems are illustrated with cartoons.

"A Bradford Book

Representation and Mind series"

Four major puzzles of consciousness philosophical materialism must confront after rejecting the phenomenal concept strategy. We are material beings in a material world, but we are also beings who have experiences and feelings. How can these subjective states be just a matter of matter? To defend materialism, philosophical materialists have formulated what is sometimes called "the phenomenal-concept strategy," which holds that we possess a range of special concepts for classifying the subjective aspects of our experiences. In Consciousness Revisited, the philosopher Michael Tye, until now a proponent of the the phenomenal-concept strategy, argues that the strategy is mistaken. A rejection of phenomenal concepts leaves the materialist with the task of finding some other strategy for defending materialism. Tye points to four major puzzles of consciousness that arise: How is it possible for Mary, in the famous thought experiment, to make a discovery when she leaves her black-and-white room? In what does the explanatory gap consist and how can it be bridged? How can the hard problem of consciousness be solved? How are zombies possible? Tye presents solutions to these puzzles-solutions that relieve the pressure on the materialist created by the failure of the phenomenal-concept strategy. In doing so, he discusses and makes new proposals on a wide range of issues, including the nature of perceptual content, the conditions necessary for consciousness of a given object, the proper understanding of change blindness, the nature of phenomenal character and our awareness of it, whether we have privileged access to our own experiences, and, if we do, in what such access consists.