A new interpretation of Celtic Christianity, supported by images of Christ taken from manuscripts, metalwork and sculpture, and showing how it departed from continental practice largely due to a differing perception and application of Pelagianism. Christ in Celtic Christianity gives a new interpretation of the nature of Christianity in Celtic Britain and Ireland from the fifth to the tenth century. The written and visual evidence on which the authors base their argument includes images of Christ created in and for this milieu, taken from manuscripts, metalwork and sculpture and reproduced in this study. The authors challenge the received opinion that Celtic Christians were in unity with Romein all matters except the method of Easter reckoning and the shape of the clerical tonsure. They find, on the contrary, that the strain of the Pelagian heresy which rooted itself in Britain in the early fifth century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea for several hundred years, creating a theological spectrum quite distinct from that of continental establishments. MICHAEL W. HERRENis Professor of Classics and Distinguished Research Professor at York University (Toronto), a member of the Graduate Faculty at the Centre for Medieval Studies in the University of Toronto, and an Honorary Member of the Royal Irish Academy; SHIRLEY ANN BROWN is Professor of Art History and a member of the Faculty of Graduate Studies at York University.

This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.

Translation with notes of Aldhelm's famous treatise on virginity, and his less well-known letters. Aldhelm, born c.640 in Wessex, and becoming abbot of Malmesbury and later bishop of Sherborne, was the first English man of letters; up to 1100, his prose writings were the most widely read of any Latin literature produced in Anglo-Saxon England. His surviving prose works include a long treatise De virginitate, and a number of letters; these in particular are an important source of knowledge concerning Anglo-Saxon England. The treatise, a lengthy exhortation on virtue addressed to nuns at Barking Abbey, is a fascinating series of exempla drawn from the prodigious range of Aldhelm's knowledge of patristic literature, and tailored to the expectations of a seventh-century Anglo-Saxon female audience. Because of the extreme difficulty of his Latin, however, Aldhelm's prose works have rarely been read, and have never been adequately appreciated - which this translation seeks to remedy. It is accompanied with an introduction outlining Aldhelm's central importance to Anglo-Saxon literary culture; a critical biography which throws new light on what has previously been assumed about him; and an essay establishing an accurate canon and chronology of his writings.

Translations from the Latin of the ingenious works of Aldelm, first English man of letters. Introduction, bibliography and notes to the texts included. Aldhelm was the first Latin poet of Europe who was not a native speaker of Latin. The ingenuity and originality which he brought to the task of composing Latin poetry ensured that his poems would be widely read everywhere, but they were studied especially in England during the early medieval period. Aldhelm's poetic corpus includes the Carmina Ecclesiastica, a series of dedicatory poems which contain a wealth of detail about early Anglo-Saxon churches; the Carmen de Virginitate, a verse counterpart to his earlier prose De Virginitate, but which includes an extensive passage describing an allegorical battle of the vices and virtues; a collection of 100 riddles or Enigmata, which are an imaginative investigation of the structure of the natural world; and a brief rhythmical poem describing the effects of a mighty storm in southwest England. In each of the poetic genres he essayed, Aldhelm found a host of later imitators, and it is not an exaggeration to say that he was the most influential Latin poet whose works were studied in Anglo-Saxon England; indeed, many surviving Old English poems are simple translations or adaptations of Latin poems by Aldhelm. The translations are presented here with an introduction outlining what is known of Aldhelm's life and writings, and an appendix by NEIL WRIGHT contains a translation of Aldhelm's De Metris, a technical treatise on the composition of Latin verse.

Papers in Anglo-Norman history including new research on music, the Bayeux Tapestry and Domesday studies. Papers on a very wide range of subjects include, for the first time, one on music, on changes in English chant repertories in the eleventh century; book migrations are examined over the same period, and one of the two papers on the Bayeaux Tapestry looks at changing representations of the "burgheat". There are important papers on law and church administration and the relations of Normandy and England with other regions. The development of Rouen is comparedwith that of Paris; William the Conqueror's relations with Blois and Champagne are discussed; papers on the frontier with the Scots and on Rhys ap Teudur, king of Deheubarth are included. Domesday studies, chronicles and poetry are also represented with new research. Contributors W.M. AIRD, ROBERT BABCOCK, PAUL BRAND, SHIRLEY ANN BROWN, MICHAEL HERREN, EDOARDO D'ANGELO, DAVID DUMVILLE, JEAN DUNBABIN, BERNARD GAUTHIEZ, DAVID HILEY, B.R. KEMP, DEREK RENN, MARY FRANCES SMITH, BENJAMIN THOMPSON, SALLY VAUGHN, JOHN BRYAN WILLIAMS. 16. 1993: St Cuthbert, the Scots and the Normans; Rhys ap Tewdwr; 13c Litigation; Bayeaux Tapestry; Falco of Benevento's Chronicle; Anglo-Saxon Books on Norman Hands; Geoffrey of Chaumont, Thibaud of Blois and William the Conqueror; Paris, un Rouen capetien? 11c English Chant Repertories; Appointment of Parochial Incumbents in 12c England; Burgheat and Gonfanon; ArchbishopStigand; Free Alms Tenure in 12c; Anselm in Italy 1097-1100; Judhael of Totnes.