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This is volume 15 of a series which aims to provide details of
advances in stratification research from various, international,
points of view.
The United States is at risk of finding its nuclear weapons
capabilities severely weakened by the absence of an available
capability to enrich uranium. International legal obligations
prohibit the United States from using, for military purposes,
foreign-produced enriched uranium or uranium enriched here in this
country by foreign-source technology. Efforts to deploy a
next-generation American enrichment technology must succeed so that
our nation has the ability to address the forthcoming shortage of
this strategic material. This national security requirement could
be met with little cost to taxpayers if the federal government
implemented policies that ensure a strong U.S. enrichment industry.
Teaching in Transnational Higher Education examines current trends
and challenges that face students, teachers and institutions of
higher education around the globe. This book comes at a pivotal
moment where many universities are offering their courses in
offshore locations. Students who could once not access an
international qualification can now do so without leaving their
home country. The book clearly defines and takes an in-depth look
at the various types of transnational education, including:
institutions that have campuses abroad, teach specific courses
abroad, and form partnerships with diverse schools to teach
jointly. Teaching in Transnational Higher Education serves as a
forum for debate on such insightful topics as: the modification of
teaching to adapt to the needs of diverse students the use of
technology in the classroom the view of higher education as a
marketable service the importance of cultural awareness and
understanding in a transnational classroom the complexities of
assuring quality education across borders The authors choose to
highlight a broad sampling of transnational programs including
those in: Zambia, China, and the United Arab Emirates among others.
Interviews with students and teachers participating in these
programs of study make this an enjoyable and unique portrait of
higher education that is invaluable to those who teach and learn
around the world. Lee Dunn is a lecturer and academic developer in
the Teaching and Learning Centre at Southern Cross University.
Michelle Wallace is an Associate Professor in the Graduate College
of Management at Southern Cross University.
Bert Williams-a Black man forced to perform in blackface who
challenged the stereotypes of minstrelsy. Eva Tanguay-an
entertainer with the signature song "I Don't Care" who flouted the
rules of propriety to redefine womanhood for the modern age. Julian
Eltinge-a female impersonator who entranced and unnerved audiences
by embodying the feminine ideal Tanguay rejected. At the turn of
the twentieth century, they became three of the most provocative
and popular performers in vaudeville, the form in which American
mass entertainment first took shape. A Revolution in Three Acts
explores how these vaudeville stars defied the standards of their
time to change how their audiences thought about what it meant to
be American, to be Black, to be a woman or a man. The writer David
Hajdu and the artist John Carey collaborate in this work of graphic
nonfiction, crafting powerful portrayals of Williams, Tanguay, and
Eltinge to show how they transformed American culture. Hand-drawn
images give vivid visual form to the lives and work of the book's
subjects and their world. This book is at once a deft telling of
three intricately entwined stories, a lush evocation of a
performance milieu with unabashed entertainment value, and an
eye-opening account of a key moment in American cultural history
with striking parallels to present-day questions of race, gender,
and sexual identity.
Recent years have seen dramatic developments in the way schools are
structured and much greater emphasis placed on managing your school
effectively. Every education professional knows how demanding these
new methods can be, but they can also reinforce a sense of purpose
and control. Senior Management Teams in Primary Schools looks at
how positive teamwork can be achieved within your school and
illustrates the benefits it brings.
Most teachers involved in managing their school will recognise the
situations detailed in the case studies contained in the book - the
forceful head, the overworked middle managers, the meetings that
try to wade through the mountains of administration that face the
modern teacher.
You will find practical advice, clear guidelines, case studies
from schools that are involved in the process of good practice.
This book will organise you in your approach and ensure that you
reap the benefits of teamwork while avoiding the pitfalls.
Recent years have seen dramatic developments in the way schools are
structured and much greater emphasis placed on managing your school
effectively. Every education professional knows how demanding these
new methods can be, but they can also reinforce a sense of purpose
and control. Senior Management Teams in Primary Schools looks at
how positive teamwork can be achieved within your school and
illustrates the benefits it brings. Most teachers involved in
managing their school will recognise the situations detailed in the
case studies contained in the book - the forceful head, the
overworked middle managers, the meetings that try to wade through
the mountains of administration that face the modern teacher. You
will find practical advice, clear guidelines, case studies from
schools that are involved in the process of good practice. This
book will organise you in your approach and ensure that you reap
the benefits of teamwork while avoiding the pitfalls.
This book conjoins the latest advances on the use of endoscopy to
diagnose, monitor, and treat patients with inflammatory bowel
disease. Chapters include the historical use of rigid
sigmoidoscopy, non-interventional imaging procedures, and the
correlation of pathology and endoscopic visualization. This is the
first book to include individual chapters in gastroenterology,
colorectal surgery, and IBD texts, the preeminent role of
endoscopic imaging in the management of chronic ulcerative colitis,
and Crohn's disease. It also includes chapters on capsule endoscopy
and balloon and overtube-assisted enteroscopy to define the
presence and activity of Crohn's enteritis and additional chapters
defining the use of random biopsies versus chromoendoscopy, and
computer enhanced imaging to define possible dysplasia development.
The book also includes access to online videos, making it the
ultimate verbal and visual tool for all medical professionals
interested in the advances in the field over the last several
decades. Endoscopy in Inflammatory Bowel Disease is a concise text
that is of great value to practicing endoscopists,
gastroenterologists, general or colorectal surgeons, physicians in
training, and all medical professionals caring for patients with
inflammatory bowel disease.
Bert Williams-a Black man forced to perform in blackface who
challenged the stereotypes of minstrelsy. Eva Tanguay-an
entertainer with the signature song "I Don't Care" who flouted the
rules of propriety to redefine womanhood for the modern age. Julian
Eltinge-a female impersonator who entranced and unnerved audiences
by embodying the feminine ideal Tanguay rejected. At the turn of
the twentieth century, they became three of the most provocative
and popular performers in vaudeville, the form in which American
mass entertainment first took shape. A Revolution in Three Acts
explores how these vaudeville stars defied the standards of their
time to change how their audiences thought about what it meant to
be American, to be Black, to be a woman or a man. The writer David
Hajdu and the artist John Carey collaborate in this work of graphic
nonfiction, crafting powerful portrayals of Williams, Tanguay, and
Eltinge to show how they transformed American culture. Hand-drawn
images give vivid visual form to the lives and work of the book's
subjects and their world. This book is at once a deft telling of
three intricately entwined stories, a lush evocation of a
performance milieu with unabashed entertainment value, and an
eye-opening account of a key moment in American cultural history
with striking parallels to present-day questions of race, gender,
and sexual identity.
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