J. Michael Wilson (1916-1999), Soldier, Medical Doctor, Priest and Academic, may be best known for his often ground-breaking professional achievement, from working with lepers in Ghana to his seminal work in Pastoral Studies. For all his successful accomplishments, however, he thought accolades, titles and qualifications were no more than vain baubles for obituary columns. Becoming a fully human being was, he believed, best manifested in community, through art, poetry, prayer and revelling in the wonders of Nature. Here, finally, is your chance to share a merry dance through his creative life and works...

One of the most famous writers of all time, George Orwell's life played a huge part in his understanding of the world. A constant critic of power and authority, the roots of Animal Farm and Nineteen Eighty-Four began to grow in his formative years as a pupil at a strict private school in Eastbourne. His essay Such, Such Were The Joys recounts the ugly realities of the regime to which pupils were subjected in the name of class prejudice, hierarchy and imperial destiny. This graphic novel vividly brings his experiences at school to life. As Orwell earned his place through scholarship rather than wealth, he was picked on by both staff and richer students. The violence of his teachers and the shame he experienced on a daily basis leap from the pages, conjuring up how this harsh world looked through a child's innocent eyes while juxtaposing the mature Orwell's ruminations on what such schooling says about society. Today, as the private school and class system endure, this is a vivid reminder that the world Orwell sought to change is still with us.

Oscar Wilde's clever parody provides an entertaining twist on the traditional gothic horror story. A gauche, materialistic American family moves into the English mansion of Canterville Chase, much to the annoyance of the resident ghost. Wilde creates an unforgettable gallery of characters, from Hiram B. Otis and his children to Lord Canterville and the chain-clanking ghost Sir Simon. This brilliant and often overlooked story is a clever commentary on how Wilde saw "free" America challenging "traditional" England -- all in the guise of a charming fireside tale. This faithful graphic novel adaptation is ideal for students and any readers who want to understand and appreciate the original story. Running 130 pages and featuring stunning artwork, the book includes an illustrated character list (like a dramatis personae) and fascinating support material that details the life and work of Wilde.

This authoritative and multi-disciplinary book provides architects, lighting specialists, and anyone else working daylight into design, with all the tools needed to incorporate this most fundamental element of architecture. It includes: an overview of current practice of daylighting in architecture and urban planning a review of recent research on daylighting and what this means to the practitioner a global vision of architectural lighting which is linked to the climates of the world and which integrates view, sunlight, diffuse skylight and electric lighting up-to-date tools for design in practice delivery of information in a variety of ways for interdisciplinary readers: graphics, mathematics, text, photographs and in-depth illustrations a clear structure: eleven chapters covering different aspects of lighting, a set of worksheets giving step-by-step examples of calculations and design procedures for use in practice, and a collection of algorithms and equations for reference by specialists and software designers. This book should trigger creative thought. It recognizes that good lighting design needs both knowledge and imagination.

Twenty-nine Breton tales, as told over a series of long winter nights, featuring an ingenious miller, a Jerusalem-bound ant, a mad dash at midnight, and more In the late nineteenth century, the folklorist François-Marie Luzel spent countless winter evenings listening to stories told by his neighbors, local Breton farmers and villagers. At these social gatherings, known as veillées, Luzel recorded the tales in unusual detail, capturing a storytelling tradition that is now almost forgotten. The Midnight Washerwoman and Other Tales of Lower Brittany collects twenty-nine stories gathered by Luzel, many translated into English for the first time. The tales are presented in a series of five imaginary veillées, giving readers a unique opportunity to listen in on a long-ago winter’s night of storytelling. Some of the stories mix the apparently supernatural with the everyday—as in the title tale, when a mysteriously nocturnal washerwoman causes three handsome lads to flee so quickly they lose their clogs in the process. Others invite listeners to root for the underdog, as when a simple miller outwits a powerful Seigneur. Another tale must have been greeted with raucous laughter as it recounts an ascending ladder of obstacles—from a mouse to a cat to a man to God (or the Devil) himself—confronted by a traveling ant. Michael Wilson, the volume’s editor and translator, provides a substantive introduction that discusses Luzel’s work and the significance of Breton storytelling.

This is the classic novel brought to life in full colour! 'I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future'. Classical Comics' first Dickens title is probably his best-loved story. Scrooge gets a rude awakening to how his life is, and how it should be. Full of Christmas Spirit(s), this is a book that you'll want to read all year round!

During the two decades following entry into World War II, nearly 30 million men and women served in or worked for the United States military. Tens of thousands faced a general court-martial under the Articles of War, which prescribed either life in prison or death for crimes of murder, rape or desertion. Only 160 men were sentenced to death and executed-159 for murder or rape (or a combination of the two), and one for desertion. The manner of death was by firing squad or by hanging. These dishonored servicemen were buried in various locations around the world. Later, nearly all were moved to grave sites in military cemeteries, segregated from those who died honorably. This book tells the stories of the men, their crimes and their executions.

Exploring the potential for storytelling as a creative practice for health and well-being, Michael Wilson considers how the art form might help us reconsider the power relationships in healthcare contexts and restore agency to patients, in partnership with medical professionals. Storytelling is explored not simply as a means of conveying information and experience from one person to another but as an act of listening, a process for thinking, evaluating and understanding. Wilson reflects on his over thirty of years of researching and practising storytelling, and blends his experience with a collection of case studies representing diverse approaches to storytelling for health, including theatre, stand-up comedy, writing, visual arts and digital storytelling. Most importantly, storytelling is approached not from the point of view of the medical practitioner or educator, or even the patient, but through the lens of those who tell stories as a creative and everyday practice. It is a book with the storyteller at its core.

During the refounding of the Anthroposophical Society as the General Anthroposophical Society at Christmas 1923/24, Rudolf Steiner also reconstituted, as the School of Spiritual Science, the Esoteric School he had led in three classes from 1904 to 1914, at the same time extending its scope by adding artistic and scientific Sections. However, owing to his illness and later death in March 1925, he was only able to make a beginning by establishing the First Class and the Sections. The actual step from the Esoteric School to the School of Spiritual Science was nevertheless an exceptional one. The Esoteric School from Helena Blavatsky's time had been secret. Its existence was known only to those personally invited to participate. In contrast, the existence of the School of Spiritual Science was stated openly in the public statutes of the General Anthroposophical Society. From the Christmas Conference onwards, Rudolf Steiner worked within this publicly acknowledged framework. The Class Lessons comprise a complete spiritual course of nineteen fundamental lessons given between February and August 1924, several lessons given at other locations, and seven further lessons from September 1924 which take up the themes of the first part of the nineteen lessons in a modified form. This authentic, accurate and high-quality bilingual edition - with English and German texts printed side by side - is published in conjunction with the School of Spiritual Science at the Goetheanum. A compact four-volume clothbound set, it features plates with Rudolf Steiner's handwritten notes of the mantras and reproductions of his original colour blackboard drawings. The translations of the mantric verses have been reworked by a committed group of translators, linguists and editors, expressing subtleties of meaning, grammatical accuracy and poetic style whilst retaining the original sound and metre of the German mantric forms. Three versions of the existing English translations are also included.

"More Frontier Justice in the Wild West; Bungled, Bizarre and Fascinating Executions" reveals the details of more than two dozen instances of frontier justice from the era of the Wild West. These stories of how society dealt with the bad guys--and how the good guys walked a fine line between justice and vigilantism--reveals some surprising truths about the culture of the Wild West. The events chosen are unique, have some surprising twist, serve as a landmark or benchmark event, or just stand out in the annals of western justice.

Massacres, mayhem, and mischief fill the pages of "Outlaw Tales of Wyoming 2," with compelling legends of the Cowboy State's most despicable desperadoes. Ride with horse thieves and cattle rustlers, duck the bullets of murderers, plot strategies with con artists, and hiss at lawmen turned outlaws.

California was the mining centre of the West for half a century. Wherever precious minerals were found, road agents appeared to "mine the roads" of treasure being shipped out and payrolls being shipped in. The first recorded robbery of a stagecoach occurred in 1856, and the last in 1913. Over that period there were 457 stagecoach robberies, many with special characteristics such as a claim the robbers were Confederate soldiers, a murder, a gun battle, or a thrilling pursuit and capture. Surprisingly, there were many robberies in which the perpetrator remained unknown or in which was so little stolen the robber was not even sought out. This book gives all the details of those robberies taken from the contemporary newspapers and from a variety of other sources.

Since colonial days, administration of the death penalty--whether by hanging, firing squad, electrocution, or lethal injection--has persisted as one of the most controversial ethical and practical issues of American jurisprudence. This thorough work seeks to clarify the issue by chronicling every legal execution in Nebraska, Kansas, and Oklahoma, including Indian Territory, through December 2010. Each case history includes a detailed description of the crime, the pursuit and capture of the suspect, his or her pre-trial experiences, the trial, sentencing, incarceration, execution, and its aftermath. While advocates of capital punishment contend that the death penalty remains a powerful deterrent to murder, this revealing examination highlights a history of patterns and practices that strongly refutes that claim.

Since statehood was achieved in Arizona, Colorado, Nevada, New Mexico and Utah, 321 men and 2 women have been executed. The first of these post-statehood executions took place in Nevada on October 30, 1868, and the last took place in Utah on June 18, 2010. This text provides a case history for each execution, including details of the crimes committed, pursuits and captures, the particulars of the legal process, and the executions. There have been five methods of execution available in these states, and death by hanging, lethal gas, electrocution, firing squad and lethal injection are all represented.

First published in 1997, this volume takes a dive into methods of teenage storytelling, including questions of believability, fashionability, rebellious spirit, the supernatural, personal narratives and riddles, along with an archive of texts collected by the author intended to illuminate and inform the analysis. It builds on the extensive work of Peter and Iona Opie on the same subject involving children of all ages and explores connections to folklore and narrative variations from a performative perspective. Michael Wilson shares their findings that children continue to cherish their traditional lore in the face of modern technological entertainment. His study is similar in responding to the poor status and even denial of a teenage narrative tradition, inspired by both short and extended narratives which he experienced daily. Wilson hoped to give academic depth and breadth to the storytelling renaissance and giving teenage storytellers their rightful place in our ongoing oral narrative tradition.

Frontier Justice highlights eighteen crimes and subsequent punishments of the most interesting, controversial, and unusual executions from an era when hangings and shootings were a legal means of capital punishment. Learn about the bungled hanging of Tom Ketchum who was beheaded by the noose; the unique trigger for the trapdoor used to hang Tom Horn; "Big Nose" George Parrott who was skinned, pickled, and made into a pair of shoes; the double trials of Jack McCall, assassin of Wild Bill Hickok; the hanging of a woman-Elizabeth Potts; the shooting of John D. Lee of Mountain Meadows Massacre infamy; and the only use of a double "twitch-up" gallows; etc. Each action-packed chapter includes biographical information, the pursuit, the investigation, legal maneuvers, trial information, and rarely-seen photographs.

During the 1800s trains carried the nation's wealth throughout the east, but no one thought to rob a speeding train until 1866. In 1870 the first western train was robbed in Nevada and within hours a second train was robbed. Railroads made every alteration to their cars and changed every procedure they could imagine to thwart the robbers, but to no avail. Robbing trains became epidemic over the next five decades, even when the legislatures made train robbery a capital crime. A few of the hundreds of train robberies stand out as thrilling and dangerous affairs, and the greatest of these (15-20) are included in this book.

In a time and place teeming with miners desperate to strike it rich in the gold rush, the slow-moving stagecoach filled with other men's fortunes was often a temptation too great to resist. The treasure-laden express box quickly became a favorite target among road agents, making stagecoach robbery an enduring part of the mythology of the Old West.William Brazleton was bold enough to elude authorities - for a time, anyway - by reversing the direction of his steed's horseshoes. Arizona's "petticoat bandit" Pearl Hart liked to rob her stagecoaches with a polite and ladylike .38 caliber revolver. And the last stagecoach robber on the frontier was practically caught red-handed - his bloody palm print being the first used as evidence in a U.S. criminal prosecution.Great Stagecoach Robberies of the Old West tells the stories of hauls too large, murders too cold-blooded, and bandits too eccentric to fade into obscurity.

The Theatre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror. Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director. The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.

No nonsense solutions from the straight-talking face of British business. IF FUNDAMENTAL REFORM DOES NOT TAKE PLACE THEN WE ARE DEAD IN THE WATER. GLOBALISATION DOES NOT TAKE PRISONERS. BRITAIN MUST BECOME FIT FOR PURPOSE IN THE 21ST CENTURY. This is the explosive, first book from 'the face of British business', Lord Digby Jones. With a renowned, no-nonsense, straight-talking approach, he is one of the world's most acclaimed business commentators. In his candid and forthright style Fixing Britain puts the spotlight on critical national and international business issues and lays out the essential reform urgently needed for the growth of our nation. Knowledgeable, authoritative and independent, Digby highlights how untenable the status quo is in the UK, and sets out how Britain can get back in and stay in the globalised race. Sending a clear message to government, business leaders, strategists and the media, Fixing Britain explores the effective linkage of change at all levels, from Westminster to education, the public and private sectors, our social cohesion and our sense of common purpose. Digby is never afraid to say what others are thinking - this is the most explosive examination of the state of British business in years.

First published in 1997, this volume takes a dive into methods of teenage storytelling, including questions of believability, fashionability, rebellious spirit, the supernatural, personal narratives and riddles, along with an archive of texts collected by the author intended to illuminate and inform the analysis. It builds on the extensive work of Peter and Iona Opie on the same subject involving children of all ages and explores connections to folklore and narrative variations from a performative perspective. Michael Wilson shares their findings that children continue to cherish their traditional lore in the face of modern technological entertainment. His study is similar in responding to the poor status and even denial of a teenage narrative tradition, inspired by both short and extended narratives which he experienced daily. Wilson hoped to give academic depth and breadth to the storytelling renaissance and giving teenage storytellers their rightful place in our ongoing oral narrative tradition.

Therapists sometimes ask: What supports you in life? What gets you through difficult times? Our 'journey' in life relies on a range of resources to equip and fulfil us. Knowing about these resources, however, is not enough: for lasting benefits, they must be bodily felt experiences. The aim of this book is to illustrate the holistic purpose of therapy to resource integration of the client. It draws upon extensive material to affirm that the practice of contemporary therapy benefits from insights gained from evolving neuroscience. Particular emphasis is put on the benefits of drawing on the dimensions of experience to strengthen ego processes like self-awareness and self-regulation, and engage with the depths of being, including 'soul'. Resource Focused Counselling and Psychotherapy provides professionals with a comprehensive and integrative model of resource focused therapy, drawing upon clinical examples and the current range of research and theory surrounding this emerging approach. Additionally, the book contains a range of self-resourcing exercises and practices for each part of the integrative model, enabling individuals to develop self-resources for greater resilience and well-being in their own lives. This book is an important read for psychotherapists, psychologists and counsellors, including those working with trauma. It also provides valuable insights for modalities practising from a psycho-spiritual perspective, including Jungian and transpersonal psychotherapists.

A graphic novel version of the life of legendary samurai Miyamoto Musashi.
This is a graphic novel version of the life of Miyamoto Musashi, the legendary samurai known throughout the world as a master swordsman, spiritual seeker, and author of the classic" Book of Five Rings." Acclaimed manga creator Sean Michael Wilson has created both a vivid account of a fascinating period in feudal Japan and a portrait of a courageous, iconoclastic samurai who wrestled with philosophical and spiritual ideas that are as relevant today as they were in his time. For Musashi, the way of the martial arts was about mastery of the mind rather than simply technical prowess--and it is this path to mastery that is the core teaching in "Book of Five Rings." This graphic novel is based on "The Lone Samurai," the meticulously researched biography of Musashi by William Scott Wilson, renowned translator and expert on samuari history.

A companion to UEP's Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine" (Gothic Studies). London's Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noel Coward. London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its social, cultural and historical contexts. It also presents a selection of ten remakarble English-language Grand Guignol plays, some of which were banned by the Lord Chamberlain, the censor of the day, and have never been published or publicly performed. Among the plays in the book is a previously unpublished work by Noel Coward, The Better Half, first performed at the Little Theatre in 1922. The reviewer in the journal Gothic Studies wrote, of the authors' previous book: "having recently taught a module on Grand Guignol with third year drama students, it is also worth noting that this book captured their imaginations in a way that few other set texts seem to manage."