Gesta Pontificum Anglorum (The History of the English Bishops) is a modern edition of one of the most important medieval texts written c. 1125 by one of England's key historians of the period, William, Monk of Malmesbury. It is a is a vivid narrative on the English Church, its bishoprics and monasteries, from c. 600 to William's contemporary era, and the edition features the original Latin text of the manuscript with the English translation alongside. Conceived as a companion piece to his Gesta Regum Anglorum, this historical work was a unique enterprise, and the result is a substantial book, elegantly written, full of original information, and characterized by intelligent interpretation and judgement. The first four books of the text, treat each diocese in turn, and the fifth book is devoted to the history of William's own monastery. A second volume by R. M. Thomson will contain an introduction and detailed commentary on the work.

Double bill of TV series following road trips taken by Steve Coogan and Rob Brydon. In 'The Trip' (2010) Coogan and Brydon tour the north of England, sampling the best restaurants of Lancashire, Yorkshire and the Lake District. Gorging themselves on ever more elaborate dishes in the region's fanciest restaurants, they ruminate on masculinity, identity, love, relationships, ageing, fame and the nature of success - not to mention who can do the best impersonation of Michael Caine. 'The Trip to Italy' (2014), directed by Michael Winterbottom, follows Coogan and Brydon as they travel to Italy to retrace the steps of the legendary Romantic poets Byron and Shelley. The poets, who left England following persistent outrage and threats relating to their social and political views, found refuge in Italy and particularly Pisa, where they often dined, hunted and discussed poetry together.

This volume is an edition, with a new Latin text and full commentary, of Book 2 of Quintilian's Education of the Orator. Education and the conceptualization of technical disciplines are now focal points of research into Graeco-Roman antiquity, and Quintilian's work is central to both areas. Following the treatment of elementary education in Book 1, Quintilian proceeds to the discussion of the second stage of instruction, provided by the teacher of rhetoric. He gives important insights into the way teaching was conducted in a rhetorical school in Rome in the first century AD, and discusses the various elementary rhetorical exercises one by one. The second half of the book is concerned with Quintilian's theoretical conception of rhetoric. Rhetoric is seen as an "art," a technical discipline grounded in rules and organized like medicine or seafaring, and--less obviously--as a virtue. The section as a whole provides an argument for Quintilian's celebrated claim that the perfect orator is "a good man, skilled in speaking."

The Early Lives of St Dunstan contains new editions, with translation and extensive commentary, of the two earliest Lives of St Dunstan, archbishop of Canterbury (960-88) and one of the principal figures of the tenth-century English church. The two Lives were composed in the early eleventh century (within a few years of Dunstan's death in 988), and provide eye-witness accounts of some of the most important events in the archbishop's long and troubled life. Neither of them has been translated before; the provision of translations and commentary facilitates a new understanding of this cardinal figure of the pre-Conquest English church. Neither Life has been edited since the nineteenth century; the editions in the present book are based on a wholly new interpretation of the manuscript evidence for the two works, so that the text which is presented here is radically different from the text currently in use (that of William Stubbs, published in 1874); furthermore, the excruciatingly difficult Latin of the author of the earliest Life, who names himself only as B., has hindered historians from acquiring a proper understanding of Dunstan's life and achievements. The new translation, in combination with detailed philological and historical notes, allows scholarly access to the work for the very first time, and allows a fresh assessment of many aspects of tenth-century English history.

The Life of St AEthelwold is one of the most important and interesting sources for the history of Anglo-Saxon England and for the religious movements of western Europe in the tenth century. It was written around the year 1000 by Wulfstan of Winchester, who had been a student of AEthelwold; the Life, therefore, provides a firsthand account of the activities of the man who was the central force in the Benedictine reform movement of the later tenth century. It also reveals the nature of AEthelwold's education and contacts with continental monasticism, and shows why Winchester became a focal point of late Anglo-Saxon culture. The present book, by two well-known authorities in the field of Anglo-Latin literature, provides the first critical edition of Wulfstan's Life. It is accompanied by a translation, extensive historical notes, and a substantial introduction which treats both Wulfstan and Aethelwold in the light of recent scholarly research. Appendices provide editions of other texts relevant to the study of AEthelwold, including a Latin Life by his pupil AElfric, some verses by a twelfth-century Ely poet, and a previously unprinted Middle English poem on the saint. This is a valuable edition of a major source, which will be welcomed by all students of Anglo-Saxon England.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

"Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.

The Miracles of the Virgin Mary, written c. 1135 by the Benedictine monk and historian William of Malmesbury (d. 1143), is an important document in the history of Marian devotion in medieval Europe. This is the first title in the new series Boydell Medieval Texts, which will provide scholarly editions of major works with facing translation. Written c. 1135 by the Benedictine monk, historian and scholar William ofMalmesbury (d. 1143), The Miracles of the Blessed Virgin Mary is of interest on several counts. It belongs in the first wave of collected miracles of the Virgin, produced by English Benedictine monks in the 1120s and '30s.These collections were to be influential across Europe and through the rest of the medieval period. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately, in groups or individually; the systematic use of this evidence is a feature of this new text. The work is written in elegant Latin and embellished with William's customary erudition, including frequent quotations and echoes from (sometimes unusual) ancient authors. His instinct as a historian is to the fore, as he tries to establish historical context and credibility for his stories. Above all, the scope of the collection is surprisingly international, including stories drawn from all around the Mediterranean. This is an important document in the history of Marian devotion in medieval Europe. In his long Prologue (which enjoyed some independent circulation), William argues strongly for the Virgin's Immaculate Conception and bodily Assumption, doctrines still not generally accepted in western Europe at the time. With the appearance of this book all of William of Malmesbury's major works are available in modern editions and translations. A paperback edition of the translation alone is also available (9781783271962).

William of Malmesbury's Gesta Regum Anglorum (The Deeds of the English Kings) is one of the great histories of England. This volume provides a full historical introduction and a detailed textual commentary, to complement the text and translation which appeared in Volume I.

William of Malmesbury's Gesta Regum Anglorum (The Deeds of the English Kings) is one of the great histories of England. Apart from its formidable learning, it is characterized by narrative skill and entertainment value. This edition, with facing-page English translation, provides for the first time a detailed commentary on all aspects of the work.

Michael Winterbottom directs this six-part comedy in which Steve Coogan and Rob Brydon take a trip to Spain. Following on from 'The Trip' (2010), in which Coogan and Brydon travelled around the north of England, and 'The Trip to Italy' (2014), in which they toured Italy and sampled some of its finest cuisine, this time Steve is asked to review some Spanish restaurants so the pair set off to sample the country's hospitality and converse on matters of interest once again as they travel from coast to coast. Having both recently turned 50, the pair contemplate their respective mid-life crises while touring the country in search of adventure, discussing Cervantes and doing impressions of some well-known celebrities along the way. The episodes are: 'Txoko', 'Etxebarri', 'La Posada del Laurel', 'Nöla', 'Parador de Almagro' and 'El Refectorium'.

This book contains twenty-six articles on a wide range of topics in Latin literature by the eminent scholar and former Professor of Latin at Oxford, Robin Nisbet. Original, stimulating, and at times provocative, this collection represents some of the best in Latin scholarship in recent years.

Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: "controversiae" on law-court themes, "suasoriae" on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BCE-?40 CE) he collected together ten books devoted to "controversiae" (some only preserved in excerpt) and at least one (surviving) of "suasoriae," These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that coloured the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca's own contribution, the lively prefaces, engaging anecdote about speakers, writers and politicians, and brisk criticism of declamatory excess.

Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices while presenting the text in a modern English version as elegant and engaging as the original. Written around 1135 by the Benedictine monk, historian and scholar William of Malmesbury (d. 1143), The Miracles of the Blessed Virgin Mary belongs in the first wave of collected miracles of the Virgin, produced by EnglishBenedictine monks in the 1120s and '30s. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately,in groups or individually; the systematic use of this evidence is a feature of this new text. Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices - important to understand William's quotations and echoes from ancient authors - while presenting the text in a modern English version as elegant and engaging as the original. Anyone wishing to compare the original and this translation may refer to the hardcover which remains available (9781783270163).

Declamation - the practice of training young men to speak in public by setting them to compose and deliver speeches on fictional legal cases - was central to the Greek and Roman educational systems over many centuries and has been the subject of a recent explosion of scholarly interest. The work of Michael Winterbottom has been seminal in this regard, and the present volume brings together a broad selection of his scholarly articles and reviews published since 1964, creating an authoritative and accessible resource for this burgeoning field of study. The assembled papers focus on two related topics: the rhetorician Quintilian and ancient declamation in practice. Quintilian, who taught rhetoric at Rome in the second half of the first century AD, was the author of the Institutio Oratoria, a key text for Roman educational practice, rhetoric, and literary criticism. Subjects explored in the present collection range widely over not only the establishment and interpretation of the text and its literary and historical context, but also Quintilian's views on inspiration, morality, philosophy, and declamation, of which he was a practitioner. While the volume also offers detailed examinations of the texts and interpretations of a wide range of Latin and Greek authors of declamations, such as Seneca the Elder, Sopatros, and Ennodius, there is a particular focus on two collections wrongly attributed to Quintilian, the so-called 'Minor' and 'Major Declamations'. A major re-assessment of the manuscript tradition of the latter collection is published here for the first time.

This excellent and accessible work includes many major texts in translation: Aristotle's Poetics, Longinus' On Sublimity, Horace's Art of Poetry, Tacitus' Dialogues, and extracts from Plato and Plutarch. Based on the highly praised Ancient Literary Criticism (OUP, 1972), it contains a new introduction and explanatory notes, and will be of enormous value to students both of Latin and Greek and of literary criticism and theory. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: "controversiae" on law-court themes, "suasoriae" on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BCE-?40 CE) he collected together ten books devoted to "controversiae" (some only preserved in excerpt) and at least one (surviving) of "suasoriae," These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that coloured the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca's own contribution, the lively prefaces, engaging anecdote about speakers, writers and politicians, and brisk criticism of declamatory excess.

Tacitus (Cornelius), famous Roman historian, was born in 55, 56 or 57 CE and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) "Life and Character of Agricola," written in 97-98, specially interesting because of Agricola's career in Britain. (ii) "Germania" (98-99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) "Dialogue on Oratory" ("Dialogus"), of unknown date; a lively conversation about the decline of oratory and education. (iv) "Histories" (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period 69-96 CE, but only Books I-IV and part of Book V survive, dealing in detail with the dramatic years 69-70. (v) "Annals," Tacitus's other great work, originally covering the period 14-68 CE (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books I-IV (covering the years 14-28); a bit of Book V and all Book VI (31-37); part of Book XI (from 47); Books XII-XV and part of Book XVI (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story whichhe brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

Michael Winterbottom directs this comedy drama based on the life of the Soho property tycoon and adult magazine publisher Paul Raymond (Steve Coogan). Charting his life from his early Liverpool roots, the film follows Raymond as he steadily progresses up the financial and social ladder, accumulating wealth and notoriety in equal measure. But as his Soho-based adult entertainment empire grows, his marriage to wife Jean (Anna Friel) teeters under the pressure of his relationship with glamour model Fiona Richmond (Tamsin Egerton), whilst the love he holds for cherished daughter Debbie (Imogen Poots) suffers a tragic fate.