This book presents a collection of essays discussing a history of the five myths of Dionysus, Narcissus, Prometheus, Marcolf, and Labyrinth in twentieth-century literature. The author traces their transformations against the wider backdrop of Polish and European literature. The book is an excellent, thought-provoking lesson in understanding the signs of contemporary culture and a fascinating journey through its complex trails.

Totalitarian Speech brings together a range of texts on totalitarian manipulations of language. The author analyzes various phenomena, from the hateful rhetoric of Nazi Germany to the obfuscating newspeak of communist Poland, finding certain common characteristics. Above all, totalitarian speech in its diverse manifestations imposes an all-embracing worldview and an associated set of dichotomous divisions from an omniscient and authoritative perspective. This volume collects the work of over three decades, including essays written during the communist era and more recent pieces assessing the legacy of totalitarian ways of thinking in contemporary Poland.

A mosaic of memories from a childhood in the Warsaw Ghetto and a life in hiding on the other side of the wall
When six-year-old Michal Glowinski first heard the adults around him speak of the ghetto, he understood only that the word was connected with moving-and conjured up a fantastical image of a many-storied carriage pulled through the streets by some umpteen horses. He was soon to learn that the ghetto was something else entirely. A half-century later, Glowinski, now an eminent Polish literary scholar, leads us haltingly into Nazi-occupied Poland. Scrupulously attentive to the distance between a child's experience and an adult's reflection, Glowinski revisits the images and episodes of his childhood: the emaciated violinist playing a Mendelssohn concerto on the ghetto streets; his game of chess with a Polish blackmailer threatening to deliver him to the Gestapo; and his eventual rescue by Catholic nuns in an impoverished, distant convent. In language at once spare and eloquent, Glowinski explores the horror of those years, the fragility of existence, and the fragmented nature of memory itself.