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This volume reflects on the complexity of relations between
traditional and new media. Articles collected here focus on the
increasing dynamism and fluidity of dependencies between
literature, visual arts, digital media, or internet artistic
projects. They analyse the abrupt evolutions of the media through
which art is made available to the public, as well as describe the
changing status of audiences and viewers within the new
communicative paradigms. Verging on the non-human,
computer-generated, or virtual reality, texts and projects analysed
here provide case studies for a better understanding of the
contemporary cultural reality whose most significant feature is the
fact that it is an inherent part of our everyday experience.
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