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This book explores ephemeral exhibition spaces between 1750 and
1918. The chapters focus on two related spaces: the domestic
interior and its imagery, and exhibitions and museums that display
both national/imperial identity and the otherness that lurks beyond
a country's borders. What is revealed is that the same tension
operates in these private and public realms; namely, that between
identification and self-projection, on the one hand, and
alienation, otherness and objectification on the other. In
uncovering this, the authors show that the self, the
citizen/society and the other are realities that are constantly
being asserted, defined and objectified. This takes place, they
demonstrate, in a ceaseless dynamic of projection versus
alienation, and intimacy versus distancing.
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