Who has the right to speak? How is this right acquired? What happens when this right is denied or inhibited? These are the questions examined by Michel de Certeau in this foundational exploration of political expression and participation.

In The Capture off Speech, de Certeau moves beyond formal or legal definitions of rights. He argues that to "communicate" in a contemporary political system means not only having the abstract possibility of utterance, but possessing the conditions that allow being heard. De Certeau emphasizes that all too often free speech is upheld in the abstract while social institutions work in such a way as to deny access to effective communication.

The book's title essay was written in response to the revolutionary events of May 1968. Almost thirty years later, these essays remain a central resource for exploring de Certeau's political thought.

In this incisive book, Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws brilliantly on an immense theoretical literature to speak of an apposite use of imaginative literature.

<div>The culmination of de Certeau's lifelong engagement with the human sciences, this volume is both an analysis of Christian mysticism during the sixteenth and seventeenth centuries and an application of this influential scholar's transdisciplinary historiography.</div>

To remain unconsumed by consumer society--this was the goal, pursued through a world of subtle and practical means, that beckoned throughout the first volume of The Practice of Everyday Life. The second volume of the work delves even deeper than did the first into the subtle tactics of resistance and private practices that make living a subversive art. Michel de Certeau, Luce Giard, and Pierre Mayol develop a social history of "making do" based on microhistories that move from the private sphere (of dwelling, cooking, and homemaking) to the public (the experience of living in a neighborhood). A series of interviews--mostly with women--allows us to follow the subjects' individual routines, composed of the habits, constraints, and inventive strategies by which the speakers negotiate daily life. Through these accounts the speakers, "ordinary" people all, are revealed to be anything but passive consumers. Amid these experiences and voices, the ephemeral inventions of the "obscure heroes" of the everyday, we watch the art of making do become the art of living.This long-awaited second volume of de Certeau's masterwork, updated and revised in this first English edition, completes the picture begun in volume 1, drawing to the last detail the collective practices that define the texture, substance, and importance of the everyday.Michel de Certeau (1925-1986) wrote numerous books that have been translated into English, including Heterologies (1986), The Capture of Speech (1998), and Culture in the Plural (1998), all published by Minnesota. Luce Giard is senior researcher at the Centre National de la Recherche Scientifique and is affiliated with the Ecole des Hautes Etudes en Sciences Sociales, Paris. She is visiting professor of history and history of science at the University of California, San Diego. Pierre Mayol is a researcher in the French Ministry of Culture in Paris.Timothy J. Tomasik is a freelance translator pursuing a Ph.D. in French literature at Harvard University.

In this long-awaited translation, Michel de Certeau anticipates current debates surrounding multiculturalism and social diversity, providing a prescient critique of identity politics.

De Certeau considers the idea of culture itself, unveiling the specific political and social conflicts culture is designed to conceal. He looks at culture from several points of view, positioning his ideal of culture in the plural in opposition to an exclusivist notion of culture as "the best that has been thought and said".

De Certeau stresses that anyone attempting to understand contemporary societies in the West must grasp the already-existing diversity that outflanks elitist conceptions of the "national group". Whatever the perceived benefits older ideas of social unity offered, de Certeau argues compellingly that they have no pertinence in the practical situation of societies today. Resonating with today's "culture wars", Culture in the Plural sheds new light on the challenges facing societies in transition.

A leading intellectual member of France's Freudian school, Michel de Certeau combined principles from the disciplines of religion, history, and psychoanalysis in order to redefine historiography and rethink the categories of history. In "The Writing of History," de Certeau examines the West's changing conceptions of the very role and nature of history itself, from the seventeenth-century attempts to formulate a "history of man" to Freud's "Moses and Monotheism" with which de Certeau interprets historical practice as a function of mankind's feelings of loss, mourning, and absence. Exhaustively researched and stunningly innovative, "The Writing of History" is a crucial introduction to de Certeau's work and is destined to become a classic of modern thought.

It is August 18, 1634. Father Urbain Grandier, convicted of sorcery that led to the demonic possession of the Ursuline nuns of provincial Loudun in France, confesses his sins on the porch of the church of Saint-Pierre, then perishes in flames lit by his own exorcists. A dramatic tale that has inspired many artistic retellings, including a novel by Aldous Huxley and an incendiary film by Ken Russell, the story of the possession at Loudun here receives a compelling analysis from the renowned Jesuit historian Michel de Certeau.
Interweaving substantial excerpts from primary historical documents with fascinating commentary, de Certeau shows how the plague of sorceries and possessions in France that climaxed in the events at Loudun both revealed the deepest fears of a society in traumatic flux and accelerated its transformation. In this tour de force of psychological history, de Certeau brings to vivid life a people torn between the decline of centralized religious authority and the rise of science and reason, wracked by violent anxiety over what or whom to believe.
At the time of his death in 1986, Michel de Certeau was a director of studies at the ecole des hautes etudes en sciences sociales, Paris. He was author of eighteen books in French, three of which have appeared in English translation as "The Practice of Everyday Life, " "The Writing of History, " and "The Mystic Fable, Volume 1, " the last of which is published by The University of Chicago Press.
"Brilliant and innovative. . . . "The Possession at Loudun" is de Certeau's] most accessible book and one of his most wonderful."--Stephen Greenblatt (from the Foreword)