Humanist, skeptic, acute observer of himself and others, Michel de Montaigne (1533–92) was the first to use the term “essay” to refer to the form he pioneered and he has remained one of its most famous practitioners. He reflected on the great themes of existence in his masterly and engaging writings, his subjects ranging from proper conversation and good reading, to the raising of children and the endurance of pain, from solitude, destiny, time and custom, to truth, consciousness, and death. Having stood the test of time, his essays continue to influence writers nearly five hundred years later.

Also included in this complete edition of his works are Montaigne’s letters and travel journal, fascinating records of the experiences and contemplations that would shape and infuse his essays. Montaigne speaks to us always in a personal voice in which his virtues of tolerance, moderation, and understanding are dazzlingly manifest.

Donald M. Frame’s masterful translation is widely acknowledged to be the classic English version.

Seneca Six Pack 2 presents six more primary and secondary texts for students of Stoicism and fans of Lucius Annaeus Seneca. There are three Seneca originals, a study of Seneca's poetry, a biographical essay by Elbert Hubbard and a look at the parallels between Seneca and Plutarch. Apocolocyntosis Or, Ludus de Morte Claudii: The Pumpkinification of Claudius by Seneca. Letters from a Stoic Volume II by Seneca. On Benefits by Seneca. Seneca's Poetry by Harold Edgeworth Butler. Seneca by Elbert Hubbard. Seneca and Plutarch by Michel de Montaigne.

A selection of Michel de Montaigne's most profound, searching essays, in a new translation and stunning hardback edition 'I myself am the subject of my book'. So wrote Montaigne in the introductory note to his Essays, the book that marked the birth of the modern essay form. In works of probing intelligence and idiosyncratic observation, Montaigne moved from intimate personal reflection to roving theories of the conduct of kings and cannibals, the effects of sorrow and fear, and the fallibility of human memory and judgement. This new selection of Montaigne's most ingenious essays appears in a lucid new translation by the prize-winning David Coward. What Do I Know? offers the modern reader profound insight into a great Renaissance mind.

The Essays of Michel de Montaigne (1877) is a collection of essays and letters by Michel de Montaigne. Originally published in French as Essais (1580), this edition was translated by English poet Charles Cotton in the late-17th century and republished by William Carew Hazlitt, the grandson of renowned English essayist and critic William Hazlitt. "No man living is more free from this passion [of sorrow] than I, who yet neither like it in myself nor admire it in others, and yet generally the world, as a settled thing, is pleased to grace it with a particular esteem, clothing therewith wisdom, virtue, and conscience. Foolish and sordid guise!" In his masterful essays, Michel de Montaigne eschews the typical distancing required of the authorial voice in order to investigate public matters through a personal lens. As the subject of his own musings, he provides both a stirring self-portrait and an invaluable new voice that will resonate throughout Western literature. Unlike the Enlightenment thinkers who would follow in his footsteps, Montaigne is skeptical of the possibility of human certainty and takes an ethical stand against the European colonial project in the Americas and elsewhere. At times serious, at others tongue-in-cheek, his wide-ranging topics include conscience, politics, sorrow, solitude, fear, friendship, war, and poetry. The Essays of Michel de Montaigne were written at a crossroads in human history-between Renaissance and Enlightenment, Catholicism and Protestantism, Montaigne argues that to look outward requires we first look within, and that the quest for happiness requires us to accept what we cannot know. With a beautifully designed cover and professionally typeset manuscript, this edition of The Essays of Michel de Montaigne is a classic of French philosophy reimagined for modern readers.

Under the pretense of defending an obscure treatise by a Catalan theologian, Sebond, Montaigne attacks the philosophers who attempt rational explanations of the universe and argues for a skeptical Christianity based squarely on faith rather than reason. The result is the Apology for Raymond Sebond , a classic of Counter-Reformation thought and a masterpiece of Renaissance literature. This new translation by Roger Ariew and Marjorie Grene achieves both accuracy and fluency, conveying at once the nuances of Montaigne's arguments and his distinctive literary style.

A superb achievement, one that successfully brings together in accessible form the work of two major writers of Renaissance France. This is now the default version of Montaigne in English. --Timothy Hampton, Professor of French and Comparative Literature, University of California, Berkeley

'No one characteristic clasps us purely and universally in its embrace.' A selection of charming essays from a master of the genre exploring the contradictions inherent to human thought, words and actions. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Michel de Montaigne (1533-1592). Montaigne's works available in Penguin Classics are The Complete Essays, An Apology for Raymond Sebond, On Friendship, On Solitude and The Essays: A Selection

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. Michel de Montaigne was the originator of the modern essay form; in these diverse pieces he expresses his views on relationships, contemplates the idea that man is no different from any animal, argues that all cultures should be respected, and attempts, by an exploration of himself, to understand the nature of humanity.

For the true bibliophile and design-savvy book lover, here is the next set of Penguin's celebrated Great Ideas series by some of history's most innovative thinkers. Acclaimed for their striking and elegant package, each volume features a unique type-driven design that highlights the bookmaker's art. Offering great literature and great design at great prices, this series is ideal for readers who want to explore and savor the Great Ideas that have shaped our world.

Shakespeare, Nietzsche wrote, was Montaigne's best reader-a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne's ever-changing record of the self and Shakespeare's kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne-though how extensively remains a matter of debate-and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. Florio's Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton's Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne's and Shakespeare's visions of the world, and Platt's introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world.

A superb achievement, one that successfully brings together in accessible form the work of two major writers of Renaissance France. This is now the default version of Montaigne in English. --Timothy Hampton, Professor of French and Comparative Literature, University of California, Berkeley