The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

A new addition to the successful Michael Aaron Piano Course lesson books. These new Performance books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in 20th and 21st century culture: the ongoing split between its over- and under-statement, between its cold realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. It examines the formal, psychological and political exchange between cinema and death. It is accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. It considers how filmmaking practice or visual medium affect the representation of death and its cultural significance.

Ofrece ejercicios y melodA-as para: Estudios del Pedal * Escalas cromAticas y menores * Arreglos fAciles de algunas piezas clAsicas * Ejercicios rA-tmicos y mAs. [Spanish]
[The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading)].

A new addition to the successful Michael Aaron Piano Course lesson books. These new Theory books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image provides the first in depth study of the representation of death and dying in mainstream Western cinema from its earliest to its latest renditions. It explores the impact of gender, race, nation and narration upon death's dramatics on screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture's themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. It also ultimately disinters the capacity for film, and film criticism, to engage with life and vulnerability differently. Aimed at the burgeoning field of death studies and explosion of interest in trauma and ethics within film studies, this book charts important new territory for the discipline whilst arguing for the centrality of this subject to the socio political significance of cinema. It examines the formal, psychological and political exchange between cinema and death. It offers an accessible 'before, during, after' structure, of death's presence as narrative promise, physical event and spectatorial reaction. It also provides a comparative and interdisciplinary approach to film (draws on critical race, political theory and mise en scene analysis and case studies from beyond Western and fiction film).

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Depuis quelques annees, il semble que les gens s'interessent davantage au piano. Cel est srtout vrai pour les adultes qui ont eu dans leur jeunesse quelques notions elementaires de musique ou pour d'autres qui, pour une raison quelconque, n'ont pu concretiser leur reve de faire de la musique active. La Radio qui pour ainsi dire fait partie de notre vie quotidienne a joue un role considerable dans l'epanouissement de ce besoin imprieux. Ce Cours Special pour adultes, presses de pouvoir jourer du piano a leur gre, doit les inciter d'abord a faire connaissance avec les principes fondamentaux de la musique. Sans aucun doute, les eleves et les professeurs sauront apprecier a sa juste valeur, notre maniere de proceder, et aussi le service que rendra cette methode progressive.

This book cuts a lucid path through the debate on spectatorship. It revisits the classics of Hollywood; explores films beyond the mainstream, such as Dogme 95; and shows how cinema makes a spectacle of the everyday while turning the spectacular into something commonplace. It also muses on the consequences of our sharing in or witnessing the private or intimate acts of others and our enjoyment of events that often represent a gross break with legal and social mores.

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

La methode que nous presentons suggere a l'eleve l'amour de la musique, et lui trace la voie du succes. Elle recourt a la forme melodique pour lui faciliter l acces du piano, pour capter plus etroitement son attention, et, en definitive pour enlever a le'etude du piano l'aridite dont elle est souvent coutumiere.

An American Diplomat in Franco Spain is filled with Michael Aaron Rockland's experiences as a cultural attache at the United States embassy in Madrid, Spain in the 1960s. He captures episodes of historical and cultural significance as he goes about doing his country's business. Some of his stories are quite poignant while others are quite amusing. He shares with his readers how he avoided shaking Francisco Franco's hand, how he spent a day with Martin Luther King in Madrid, how his son was selected to be in the movie Dr. Zhivago, how he came to know several Kennedys, including Senator Edward Kennedy, Pat Lawford Kennedy, and Jackie Kennedy, and how the U.S. accidentally dropped four unarmed hydrogen bombs on Spain. Throughout these stories, Rockland explains Spanish culture, past and present, with his experiences involving bull fighting, being a Jew in a very Catholic Spain, his love affair with Spanish food, and what is lost in translation.

Poems of the New Enlightenment. This Reality of Man by poet & artist, Michael Aaron Casares is a collection of poetry that delves into the personal, conscience, conscious, social, and humanistic paradigms of our grand illusion: life. The book gathers new verse, as well as verse previously published in Eviscerator Heaven, Calliope Nerve, Gloom Cupboard, Quib.Nest.Nido., The Dreamcatcher, The San Antonio Express News, Carcinogenic Poetry, The Clockwise Cat, and The Stark Electric Space, among others. This Reality of Man, a new collection of poems bursting from the independent underground; new views coming into light for the evolution of thought and the awakening consciousness. This book also contains additional content including reviews and interviews.