The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

A new addition to the successful Michael Aaron Piano Course lesson books. These new Performance books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

A new addition to the successful Michael Aaron Piano Course lesson books. These new Technic books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in 20th and 21st century culture: the ongoing split between its over- and under-statement, between its cold realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. It examines the formal, psychological and political exchange between cinema and death. It is accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. It considers how filmmaking practice or visual medium affect the representation of death and its cultural significance.

A new addition to the successful Michael Aaron Piano Course lesson books. These new Theory books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

Ofrece ejercicios y melodA-as para: Estudios del Pedal * Escalas cromAticas y menores * Arreglos fAciles de algunas piezas clAsicas * Ejercicios rA-tmicos y mAs. [Spanish]
[The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading)].

Since opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure. Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous 'Bridgegate' Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie's candidacy for the US presidency. Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable. Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image provides the first in depth study of the representation of death and dying in mainstream Western cinema from its earliest to its latest renditions. It explores the impact of gender, race, nation and narration upon death's dramatics on screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture's themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. It also ultimately disinters the capacity for film, and film criticism, to engage with life and vulnerability differently. Aimed at the burgeoning field of death studies and explosion of interest in trauma and ethics within film studies, this book charts important new territory for the discipline whilst arguing for the centrality of this subject to the socio political significance of cinema. It examines the formal, psychological and political exchange between cinema and death. It offers an accessible 'before, during, after' structure, of death's presence as narrative promise, physical event and spectatorial reaction. It also provides a comparative and interdisciplinary approach to film (draws on critical race, political theory and mise en scene analysis and case studies from beyond Western and fiction film).

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Depuis quelques annees, il semble que les gens s'interessent davantage au piano. Cel est srtout vrai pour les adultes qui ont eu dans leur jeunesse quelques notions elementaires de musique ou pour d'autres qui, pour une raison quelconque, n'ont pu concretiser leur reve de faire de la musique active. La Radio qui pour ainsi dire fait partie de notre vie quotidienne a joue un role considerable dans l'epanouissement de ce besoin imprieux. Ce Cours Special pour adultes, presses de pouvoir jourer du piano a leur gre, doit les inciter d'abord a faire connaissance avec les principes fondamentaux de la musique. Sans aucun doute, les eleves et les professeurs sauront apprecier a sa juste valeur, notre maniere de proceder, et aussi le service que rendra cette methode progressive.

This book cuts a lucid path through the debate on spectatorship. It revisits the classics of Hollywood; explores films beyond the mainstream, such as Dogme 95; and shows how cinema makes a spectacle of the everyday while turning the spectacular into something commonplace. It also muses on the consequences of our sharing in or witnessing the private or intimate acts of others and our enjoyment of events that often represent a gross break with legal and social mores.

Cada pieza incorpora nuevos fundamentos de la tA(c)cnica del piano: Escalas mayores y acordes * Ejercicios rA-tmicos * TransposiciA3n * Diccionario Musical y TeorA-a. [Spanish]
[The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading)].

La methode que nous presentons suggere a l'eleve l'amour de la musique, et lui trace la voie du succes. Elle recourt a la forme melodique pour lui faciliter l acces du piano, pour capter plus etroitement son attention, et, en definitive pour enlever a le'etude du piano l'aridite dont elle est souvent coutumiere.