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Showing 1 - 9 of 9 matches in All Departments
Oscar Wilde's children's stories explore timeless themes of good and evil, freedom and responsibility, love and death, beauty and self-sacrifice. Featuring princesses, ogres and talking animals, the questions they pose are as pertinent now as they were at the turn of the century. What is love? asks 'The Happy Prince'. How do you get what you need? asks 'The Nightingale and the Rose'. How do you win friends (and avoid alienating people)? asks 'The Selfish Giant'. Can you have too much compassion? asks 'The Devoted Friend'. How can you set the world on fire? asks 'The Remarkable Rocket'. Wilde's stories have given pleasure to generations of readers. By turns moving and funny, they gently teach free thinking rather than giving prescriptive lessons. This beautiful collectors' edition with original watercolour illustrations and decorative motifs from the 1913 edition by Charles Robinson and an introduction by Wilde expert Michele Mendelssohn is certain to surprise and delight adults and children alike.
What makes a home, and when do we really feel at home? Is it a physical place, or something we all carry inside us wherever we go? Part of the Macmillan Collector's Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by writer and academic Professor Michele Mendelssohn. In No Place Like Home: An anthology about the places we come back to, writers from around the world celebrate the comfort of home, capturing its emotional power and sharing nostalgia for what we leave behind. There are extracts from the likes of Louisa May Alcott, Kenneth Graham and Charlotte Bronte as well as lesser known but no less insightful poets and writers to discover.
This groundbreaking, cross-generic collection is the first to consider the entire breadth of Alan Hollinghurst's Booker Prize-winning writing. Focused through the concept of influence, the volume addresses critical issues surrounding the work of Britain's most important contemporary novelist. It encompasses provocative and timely subjects ranging from gay visual cultures and representations, to Victorian, modernist and contemporary literature, as well as race and empire, theatre and cinema, eros and economics. The book reveals the fascinating intellectual and affective matter that lies beneath the polished control and dazzling style of Hollinghurst's work. Alongside contributions by distinguished British and American critics, the book includes an unpublished interview with Hollinghurst. Alan Hollinghurst: Writing under the influence uses a creative range of critical approaches to provide the most authoritative and innovative account available of Hollinghurst's works. -- .
This groundbreaking, cross-generic collection is the first to consider the entire breadth of Alan Hollinghurst's Booker Prize-winning writing. Focused through the concept of influence, the volume addresses critical issues surrounding the work of Britain's most important contemporary novelist. It encompasses provocative and timely subjects ranging from gay visual cultures and representations, to Victorian, modernist and contemporary literature, as well as race and empire, theatre and cinema, eros and economics. The book reveals the fascinating intellectual and affective matter that lies beneath the polished control and dazzling style of Hollinghurst's work. Alongside contributions by distinguished British and American critics, the book includes an unpublished interview with Hollinghurst. Alan Hollinghurst: Writing under the influence uses a creative range of critical approaches to provide the most authoritative and innovative account available of Hollinghurst's works. -- .
Some friendships need celebrating, some are hard to navigate, and some need a bit of tender love and care. Delve into this anthology for a tour of all aspects of friendship by your favourite classic authors. Part of the Macmillan Collector’s Library; a series of stunning pocket size classics. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by writer, academic and historian, Michèle Mendelssohn. Why Friendship Matters is an inspiring collection that spans three centuries of writing and includes many favourite authors such as Michel de Montaigne, Ralph Waldo Emerson and Jane Austen. Readers will also discover lesser-known delights such as American writer Audre Lorde on her high school friendships and playwright Alice E. Ives writing about friendship between women. Contributors from across the globe celebrate and investigate all aspects of friendship; the strength of its bonds, how it can hurt and how it runs deep.
Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, this book tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.
Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into Modern emphasises the in-between: the gradual changeover from one period to the next. The volume examines shared developments, points out continuities rather than ruptures, and explores and exploits an understanding of the late nineteenth to the early twentieth centuries as a cultural moment in which new knowledges were forming with particular speed and intensity. The organising principle of this book is to retain a key focus on literary texts, broadly understood to include familiar categories of genre as well as extra-textual elements such as press and publishing history, performance events and visual culture, while remaining keenly attentive to the inter-relations between text and context in the period. Individual chapters explore such topics as Celticism, the New Woman, popular fictions, literatures of empire, aestheticism, periodical culture, political formations, avant-garde poetics, and theatricality.
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. This volume opens up, in new and innovative ways, a range of dimensions, some familiar and some more obscure, of late Victorian and modern literature and culture, primarily in British contexts. Late Victorian into Modern emphasises the in-between: the gradual changeover from one period to the next. The volume examines shared developments, points out continuities rather than ruptures, and explores and exploits an understanding of the late nineteenth to the early twentieth centuries as a cultural moment in which new knowledges were forming with particular speed and intensity. The organising principle of this book is to retain a key focus on literary texts, broadly understood to include familiar categories of genre as well as extra-textual elements such as press and publishing history, performance events and visual culture, while remaining keenly attentive to the inter-relations between text and context in the period. Individual chapters explore such topics as Celticism, the New Woman, popular fictions, literatures of empire, aestheticism, periodical culture, political formations, avant-garde poetics, and theatricality.
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