An honest and stirring novel about the choices made by young environmental activists, and the balancing act between consequence and triumph Malia has had a privileged upbringing in Indonesia, but since her Indonesian father died, her Canadian mother wants to return to her own family on the other side of the world. Malia is determined to stay. Indonesia is her home, and she loves it. Besides, if she leaves, how can she continue to fight for her country's precious rainforests? Ari knows he is lucky to be going to school and competing on the chess team, even if it means an endless round of chores at his uncle's restaurant. Back in his home village, he and his cousin Suni dreamed about getting a chance like this. But now he is here without her, and the guilt is crushing him. As if that weren't enough, he's horribly worried about Ginger Juice, his uncle's orangutan. The too-small cage where she lives is clearly hurting her body and her mind, but where else can she go? The rainforest where she was born is a palm oil plantation now. In Berani, Governor General's Award finalist Michelle Kadarusman spins together three perspectives: Malia, who is prepared to risk anything for her activism, Ari, who knows the right path but fears what it will cost, and Ginger Juice, the caged orangutan who still remembers the forest and her mother. The choices the young people make will have consequences for themselves, for Ginger Juice, and for others, if they are brave enough-or reckless enough-to choose.

From Governor General's Literary Award finalist Michelle Kadarusman comes a novel about a young violinist who discovers her mother's family secretly harbor a sanctuary for extinct Tasmanian tigers in the remote Australian rainforest Shipped halfway around the world to spend the summer with her mom's eccentric Australian relatives, middle schooler and passionate violinist Louisa is prepared to be resentful. But life at the family's remote camp in the Tasmanian rainforest is intriguing, to say the least. There are pig-footed bandicoots, scary spiders, weird noises and odors in the night, and a quirky boy named Colin who cooks the most amazing meals. Not the least strange is her Uncle Ruff, with his unusual pet and veiled hints about something named Convict Rock. Finally, Louisa learns the truth: Convict Rock is a sanctuary established by her great-grandmother Eleanor-a sanctuary for Tasmanian tigers, Australia's huge marsupials that were famously hunted into extinction almost a hundred years ago. Or so the world believes. Hidden in the rainforest at Convict Rock, one tiger remains. But now the sanctuary is threatened by a mining operation, and the last Tasmanian tiger must be lured deeper into the forest. The problem is, not since her great-grandmother has a member of the family been able to earn the shy tigers' trust. As the summer progresses, Louisa forges unexpected connections with Colin, with the forest, and-through Eleanor's journal-with her great-grandmother. She begins to suspect the key to saving the tiger is her very own music. But will her plan work? Or will the enigmatic Tasmanian tiger disappear once again, this time forever? A moving coming-of-age story wrapped up in the moss, leaves, and blue gums of the Tasmanian rainforest where, hidden under giant ferns, crouches its most beloved, and lost, creature.

The Governor General’s Literary Award-nominated novel about a girl from the slums of Jakarta who dreams of an education and a future as a writer From the time she was a little girl, Nia has dreamed up adventures about the Javanese mythical princess, Dewi Kadita. Now fourteen, Nia would love nothing more than to continue her education and become a writer. But high school costs too much. Her father sells banana fritters at the train station, but many of his earnings go toward his drinking habit. Too often Nia is left alone to take over the food cart as well as care for her brother and their home in the Jakarta slums. But Nia is determined to find a way to earn her school fees. After she survives a minibus accident unharmed and the locals say she is blessed with ‘good luck magic,’ Nia exploits the notion for all its worth by charging double for her fried bananas. Selling superstitions can be dangerous, and when the tide turns it becomes clear that Nia’s future is being mapped without her consent. If Nia is to write a new story for herself, she must overcome more obstacles than she could ever conceive of for her mythical princess, and summon courage she isn’t sure she has.

Now in Paperback! An honest and stirring novel about the choices made by young environmental activists that Booklist calls “a compelling call to action and a crucial reminder that, while doing what is right is not always easy, it is always worthwhile�   Malia has had a privileged upbringing in Indonesia, but since her Indonesian father died, her Canadian mother wants to return to her own family on the other side of the world. Malia is determined to stay. Indonesia is her home, and she loves it. Besides, if she leaves, how can she continue to fight for her country’s precious rainforests?  Ari knows he is lucky to be going to school and competing on the chess team, even if it means an endless round of chores at his uncle’s restaurant. Back in his home village, he and his cousin Suni dreamed about getting a chance like this. But now he is here without her, and the guilt is crushing him. As if that weren’t enough, he’s horribly worried about Ginger Juice, his uncle’s orangutan. The too-small cage where she lives is clearly hurting her body and her mind, but where else can she go? The rainforest where she was born is a palm oil plantation now.  In Berani, Governor General’s Award finalist Michelle Kadarusman spins together three perspectives: Malia, who is prepared to risk anything for her activism, Ari, who knows the right path but fears what it will cost, and Ginger Juice, the caged orangutan who still remembers the forest and her mother. The choices the young people make will have consequences for themselves, for Ginger Juice, and for others, if they are brave enough—or reckless enough—to choose.   “[T]his moving middle grade novel will keep kids interested. Readers will be putting the pieces of the plot together as they turn each compelling page….A perfect choice to give to fans of The One and Only Ivan by Katherine Applegate, and an inspiring tale in support of environmental conservation.�—School Library Journal  “The expansive story, nimbly told from both human and orangutan viewpoints, gives glimpses into different class, race, and even species experiences while introducing readers to life in Indonesia and the plight of the orangutans. Ari and Malia are warm and well-intentioned guides, and it’s impossible to resist Ginger Juice’s gentle charms. A compelling call to action and a crucial reminder that, while doing what is right is not always easy, it is always worthwhile.�—Booklist  “A stirring introduction to the plight faced by orangutans.�—Kirkus Reviews 

From Governor General's Literary Award finalist Michelle Kadarusman comes a novel about a young violinist who discovers her mother's family secretly harbor a sanctuary for extinct Tasmanian tigers in the remote Australian rainforest Shipped halfway around the world to spend the summer with her mom's eccentric Australian relatives, middle schooler and passionate violinist Louisa is prepared to be resentful. But life at the family's remote camp in the Tasmanian rainforest is intriguing, to say the least. There are pig-footed bandicoots, scary spiders, weird noises and odors in the night, and a quirky boy named Colin who cooks the most amazing meals. Not the least strange is her Uncle Ruff, with his unusual pet and veiled hints about something named Convict Rock. Finally, Louisa learns the truth: Convict Rock is a sanctuary established by her great-grandmother Eleanor-a sanctuary for Tasmanian tigers, Australia's huge marsupials that were famously hunted into extinction almost a hundred years ago. Or so the world believes. Hidden in the rainforest at Convict Rock, one tiger remains. But now the sanctuary is threatened by a mining operation, and the last Tasmanian tiger must be lured deeper into the forest. The problem is, not since her great-grandmother has a member of the family been able to earn the shy tigers' trust. As the summer progresses, Louisa forges unexpected connections with Colin, with the forest, and-through Eleanor's journal-with her great-grandmother. She begins to suspect the key to saving the tiger is her very own music. But will her plan work? Or will the enigmatic Tasmanian tiger disappear once again, this time forever? A moving coming-of-age story wrapped up in the moss, leaves, and blue gums of the Tasmanian rainforest where, hidden under giant ferns, crouches its most beloved, and lost, creature.

From Governor General's Literary Award finalist Michelle Kadarusman, an empowering novel about a girl from the slums of Jakarta who dreams of an education and the chance at a better life From the time she was a little girl, Nia has dreamed up adventures about the Javanese mythical princess, Dewi Kadita. Now fourteen, Nia would love nothing more than to continue her education and become a writer. But high school costs too much. Her father sells banana fritters at the train station, but too much of his earnings go toward his drinking habit. Too often Nia is left alone to take over the food cart as well as care for her brother and their home in the Jakarta slums. But Nia is determined to find a way to earn her school fees. After she survives a minibus accident unharmed and the locals say she is blessed with 'good luck magic,' Nia exploits the notion for all its worth by charging double for her fried bananas. Selling superstitions can be dangerous, and when the tide turns it becomes clear that Nia's future is being mapped without her consent. If Nia is to write a new story for herself, she must overcome more obstacles than she could ever have conceived of for her mythical princess, and summon courage she isn't sure she has. A portion of the proceeds from this #ownvoices story are in support of Plan International Canada Because I Am A Girl