Gary Daniels stars in this action thriller written and directed by Ara Paiaya. When hitman Bradley (Daniels) informs his superiors that his next job will be his last, he realises that in his line of work you cannot simply resign. When he rescues young prostitute Anna (Dominique Swain) from her violent pimp, she tells him that her sister has gone missing and begs him to help her. Now considered a rogue agent, Bradley is forced to run when The Executive (Eric Roberts) sends agents after him. Can Bradley dodge the men long enough to locate Anna's sister?

This innovative work critically studies the contemporary problems of one segment of Science, Technology, Engineering, and Math (STEM) education. The lack of a diverse U.S.-based pool of talent entering the field of engineering education has been termed a crisis by academic and political leaders. Engineering remains one of the most sex segregated academic arenas; the intersection of gendered and racialized exclusion results in very few Latina engineers. Drawing on cutting-edge scholarship in gender and Latino/a Studies, the book provides an analytically incisive view of the experiences of Latina engineers. Sponsored by the National Science Foundation through a Gender in Science and Engineering grant, the authors bridge interdisciplinary perspectives to illuminate the nuanced and multiple exclusionary forces that shape the culture of engineering. A large, multi-institution, longitudinal dataset permits disaggregation by race and gender. The authors rely on primary and secondary sources and incorporate an integrated mixed-methods approach combining quantitative and qualitative data.Together, this analysis of the voices of Latina engineering majors breaks new ground in the literature on STEM education and provides an exemplar for future research on subpopulations in these fields. This book is aimed at researchers who study underrepresented groups in engineering and are interested in broadening participation and ameliorating problems of exclusion. It will be attractive to scholars in the fields of multicultural and higher education, sociology and cultural anthropology, as well as cultural studies and feminist technology studies, and all researchers interested in the intersections of STEM, race and gender. This resource will be useful for policy-makers and educational leaders looking to revitalize and re-envision the culture within engineering.

This practical guide prepares graduate students of color for their first job in academia and offers strategies for succeeding in the early years of a tenure-track position. Through the voices of faculty who have experienced the rigors of the job search and a career in academia, Beginning a Career in Academia offers advice for graduate students of color on how to transition from graduate school to an academic position. This inclusive volume shares perspectives that vary based on gender, racial, ethnic, generational, and disciplinary backgrounds, giving readers an opportunity to reflect on successful strategies for career readiness and for dealing with marginalization. The authors provide recommendations and tips to enhance the job search, identify campus fit, prepare for the interview and negotiation process, address dynamics of of racial and gender politics, find work-life balance, and demystify the promotion and tenure process. This must-read provides candid advice and mentorship for any graduate students of color embarking on a carreer in academe.

This practical guide prepares graduate students of color for their first job in academia and offers strategies for succeeding in the early years of a tenure-track position. Through the voices of faculty who have experienced the rigors of the job search and a career in academia, Beginning a Career in Academia offers advice for graduate students of color on how to transition from graduate school to an academic position. This inclusive volume shares perspectives that vary based on gender, racial, ethnic, generational, and disciplinary backgrounds, giving readers an opportunity to reflect on successful strategies for career readiness and for dealing with marginalization. The authors provide recommendations and tips to enhance the job search, identify campus fit, prepare for the interview and negotiation process, address dynamics of of racial and gender politics, find work-life balance, and demystify the promotion and tenure process. This must-read provides candid advice and mentorship for any graduate students of color embarking on a carreer in academe.

This innovative work critically studies the contemporary problems of one segment of science, technology, engineering, and math (STEM) education. The lack of a diverse U.S.-based pool of talent entering the field of engineering education has been termed a crisis by academic and political leaders. Engineering remains one of the most sex segregated academic arenas; the intersection of gendered and racialized exclusion results in very few Latina engineers. Drawing on cutting-edge scholarship in gender and Latino/a studies, the book provides an analytically incisive view of the experiences of Latina engineers. Sponsored by the National Science Foundation through a Gender in Science and Engineering grant, the authors bridge interdisciplinary perspectives to illuminate the nuanced and multiple exclusionary forces that shape the culture of engineering. A large, multi-institution, longitudinal dataset permits disaggregation by race and gender. The authors rely on primary and secondary sources and incorporate an integrated mixed-methods approach combining quantitative and qualitative data. Together, this analysis of the voices of Latina engineering majors breaks new ground in the literature on STEM education and provides an exemplar for future research on subpopulations in these fields. This book is aimed at researchers who study underrepresented groups in engineering and are interested in broadening participation and ameliorating problems of exclusion. It will be attractive to scholars in the fields of multicultural and higher education, sociology, cultural anthropology, cultural studies, and feminist technology studies, and all researchers interested in the intersections of STEM, race, and gender. This resource will be useful for policy-makers and educational leaders looking to revitalize and re-envision the culture within engineering.

Pierce Brosnan's fourth outing in the 20th Bond film. 007 has spent the last 12 months in a North Korean prison - after being captured whilst on assignment by government agents - and when he is finally freed his superiors are worried that he will not be up to the job. That is until Bond discovers that one of his former captors, Zao (Rick Yune), has teamed up with the evil Gustav Graves (Toby Stephens) and the pair plan to put the fate of the entire world in jeopardy. Bond must once again save the world whilst also keeping his quota of glamorous women in tow (Halle Berry and Rosamund Pike), using the gadgets provided by Q (John Cleese) and travelling the world in the most expensive cars. Madonna provides the theme tune and also has a cameo role.

Ridley Scott directs this drama starring Geena Davis and Susan Sarandon. Waitress Louise (Sarandon) persuades her friend Thelma (Davis) to escape her sexist husband and join her on a road trip. When they stop off at a country bar, Louise ends up saving Thelma from an attempted rape - shooting and killing the rapist in the process - and the women consequently find themselves forced to go on the run. Along the way their money is stolen by a handsome cowboy (Brad Pitt) and they begin holding-up convenience stores to get by, feeling strangely liberated by their new-found assertiveness. The cast also includes Harvey Keitel, Michael Madsen and Christopher McDonald.

Time: A future where ships can fold space and much of humanity has abandoned its depleted world. Two forces-- Government and Corporation- vie for control of what's left of the Earth, of known space, and of the universe beyond. Hyperbreed tm: Gene-spliced human-animal hybrid assets with no legal status, living, breathing slaves created and programmed to do their Corporate masters bidding. Government, in trying to limit Corporate power, has recently insisted "splices" be paid wages and has begun to debate a bill that would allow the Hyperbreed assets to buy their freedom. Corporate will do anything to stop it. Maks: A race of alien robot pirates that exists on the edge of explored space--terrifying monsters who wear the body parts of vanquished flesh-and-blood enemies as trophies. An attack on Earth is next on their agenda. Caught in the middle: Byrr, Fext and Cammo, three Hyperbreed assets who've run afoul of their Corporate masters. Thrown together on an ancient freighter, their mission is to transport valuable Explosive Ore to a distant mining colony. But their mission is far from what it seems and the battle for their futures and the future of Known Space is about to begin. In the vastness of space, small betrayals can have major consequences, playing the odds can change the course of history, and Luck isn't always what it seems.

Pierce Brosnan's fourth outing in the 20th Bond film. 007 has spent the last 12 months in a North Korean prison - after being captured whilst on assignment by government agents - and when he is finally freed his superiors are worried that he will not be up to the job. That is until Bond discovers that one of his former captors, Zao (Rick Yune), has teamed up with the evil Gustav Graves (Toby Stephens) and the pair plan to put the fate of the entire world in jeopardy. Bond must once again save the world whilst also keeping his quota of glamorous women in tow (Halle Berry and Rosamund Pike), using the gadgets provided by Q (John Cleese) and travelling the world in the most expensive cars. Madonna provides the theme tune and also has a cameo role.