This book chronicles the life story of Ted Turner—cable television mogul, successful baseball team owner, and fascinating public figure. Ted Turner: A Biography tells the story of a man whose wide range of accomplishments have led to a Man of the Year award from Time magazine, induction into the Advertising Hall of Fame, and numerous awards and honorary degrees for humanitarian, philanthropic, and environmental activism. Ted Turner shows how this remarkable, unpredictable man built the risky purchase of a small Atlanta UHF station into a cable television juggernaut, as well as how Turner transformed the Atlanta Braves from a lowly franchise to one of baseball's most popular and successful teams. The book also highlights other fascinating aspects of Turner's life, including his record-breaking career as a yachtsman, his extraordinary efforts to save the American bison, his headline-making marriage to Jane Fonda, and his sometimes contradictory, often controversial public persona.

Archarius is a proud soldier in the Roman Army from a well-known military family whose heart had become hardened by his years in the army as well as his disappointment with people in general. He has accepted tonight's assignment of guard duty unaware that he was assuming responsibility for guarding a very special man. His debate with "The Man in the Cell" this night would prove to be the end of everything he knew and understood of this world and the beginning of a new life and a new journey. It would be in this Roman dungeon that the Son of God would choose not to concern himself with his last hours as a man but instead the redemption of one more lost sheep. Wayne Michael O'Connor is an avid reader and history buff. His love of books and a good story has always fueled his desire to one day author his first book. This novel his first, was an inspiration that came to him on one blessed morning and has been written for the glory of God. Wayne lives with his wife Karen in North Haven Connecticut

The book is a contemporary compilation of important research in the area of microfinance and financial inclusion. It explores a plurality of views and experiences from different parts of the world while linking a variety of international research backgrounds. Accordingly the book will fill a gap in providing a carefully curated cross-sectorial selection of topics relevant to the development finance research community primarily but also industry practitioners who are interested in keeping abreast of developing research. Benefits in this regard also include being able to provide a platform to less established researchers offering them a voice in published form.

Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it-spiritually, emotionally, physically, mentally, socially, politically, economically-for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God's kingdom-whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.

Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it-spiritually, emotionally, physically, mentally, socially, politically, economically-for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God's kingdom-whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.

Join Jamie, the son of a travelling droll teller, as he journeys across Cornwall, a land steeped in myth and legend. Along the way you will hear mysterious and exciting tales like what happened when Bodrugan took his soldiers to capture Richard Edgcumbe, why the ghost of Lady Emma was never seen again, what proper job King Arthur gave the Giant and how St Piran came to settle in Cornwall. These stories – specially chosen to be enjoyed by 7- to 11-year-old readers – sparkle with magic and explode with adventure. As old as the moors and as wild as the sea, they have been freshly re-told for today’s readers by storyteller Mike O’Connor.

Theatre of the Puppet is a transmedia narrative and series of interviews covering life on the stage of life. The approach is kind of different; this is theatre with intensity; one emerges with the same feeling as though completing a monstrous workout. And like that you are on the other side of the room from where you had been watching so seductively.