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The film industry and mainstream popular culture are notorious for
promoting stereotypical images of Native Americans: the noble and
ignoble savage, the pronoun-challenged sidekick, the ruthless
warrior, the female drudge, the princess, the sexualized maiden,
the drunk, and others. Over the years, Indigenous filmmakers have
both challenged these representations and moved past them, offering
their own distinct forms of cinematic expression. Native Americans
on Film draws inspiration from the Indigenous film movement,
bringing filmmakers into an intertextual conversation with
academics from a variety of disciplines. The resulting dialogue
opens a myriad of possibilities for engaging students with ongoing
debates: What is Indigenous film? Who is an Indigenous filmmaker?
What are Native filmmakers saying about Indigenous film and their
own work? This thought-provoking text offers theoretical approaches
to understanding Native cinema, includes pedagogical strategies for
teaching particular films, and validates the different voices,
approaches, and worldviews that emerge across the movement.
Native Studies Keywords explores selected concepts in Native
studies and the words commonly used to describe them, words whose
meanings have been insufficiently examined. This edited volume
focuses on the following eight concepts: sovereignty, land,
indigeneity, nation, blood, tradition, colonialism, and indigenous
knowledge. Each section includes three or four essays and provides
definitions, meanings, and significance to the concept, lending a
historical, social, and political context. Take sovereignty, for
example. The word has served as the battle cry for social justice
in Indian Country. But what is the meaning of sovereignty? Native
peoples with diverse political beliefs all might say they support
sovereignty-without understanding fully the meaning and
implications packed in the word. The field of Native studies is
filled with many such words whose meanings are presumed, rather
than articulated or debated. Consequently, the foundational terms
within Native studies always have multiple and conflicting
meanings. These terms carry the colonial baggage that has accrued
from centuries of contested words. Native Studies Keywords is a
genealogical project that looks at the history of words that claim
to have no history. It is the first book to examine the
foundational concepts of Native American studies, offering multiple
perspectives and opening a critical new conversation.
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