Daan van der Walt, a Latin-quoting, God-fearing former Kalahari farmer, visits his estranged son in China for the first time.

When he has a vertigo attack soon after his arrival, his son drops him off at a Buddhist monastery. Under the guidance of Master Yang, an obstreperous Daan is made to practice Tai Chi to recover his balance, both physically and spiritually. He soon finds himself on a difficult path (the Dao of the title) to come to terms with his feelings of remorse and guilt. He sets out to write his Historia, or confessions, in the form of letters to his deceased wife and imaginary observations to his beloved dog.

An unusual, often very funny, novel whose fields of reference include Roman and Greek mythology, Christian theology, Chinese history and Daoism.

An astounding debut by an octogenarian author; translated by Michiel Heyns.

When Natasha, a novice writer from South Africa, is nominated for a major British literary prize, Terence, a young university lecturer, undertakes to introduce her to the sights of London.

However, London and its literary cliques are a far cry from Natasha’s Karoo hometown: through no fault of her own, she is disqualified, and their affair ends in tragedy. Terence, whose best friend accuses him of suffering from a Good Samaritan complex, now takes an interest in a rough sleeper and his dog that he meets outside a tube station.

This turns out to be a complex undertaking. As the ghosts of his past relationships are visited upon him, Terence is forced to reconsider the meaning of human connections – how our lives touch, and are touched by, others.

Michiel Heyns’s Each Mortal Thing shows us the metropolis through fresh eyes, calculates the cost of acts of kindness, and speaks to the grace that friendship can bestow on us.

When zoologist Magrieta Prinsloo is put on the wrong antidepressant, her head comes unstuck. She insults the head of her department, and impulsively resigns from her job. She accepts a position at the Bureau for Continuing Education, with the inscrutable Markus Potsdam as her boss. When he disappears one morning, matters become very complicated. Winterbach's extraordinary gift as a novelist, and uncanny understanding of the human psyche, are again as evident as ever.

LONGLISTED FOR THE 2020 INTERNATIONAL BOOKER PRIZE At the end of the eighteenth century, a giant strides the Cape Colony frontier. Coenraad de Buys is a legend, a polygamist, a swindler and a big talker; a rebel who fights with Xhosa chieftains against the Boers and British; the fierce patriarch of a sprawling mixed-race family with a veritable tribe of followers; a savage enemy and a loyal ally. Like the wild dogs who are always at his heels, he roams the shifting landscape of southern Africa, hungry and spoiling for a fight. This is his story; the story of his country, and of our blood-soaked history.

J.M. Coetzee: a life in writing is the first biography of Nobel laureate J.M. Coetzee. A global publishing event of the rarest kind, the book has been written with the full cooperation of Coetzee, who granted the author interviews and put him in touch with family, friends, and colleagues who could talk about events in Coetzee's life. For the first time, Coetzee allowed complete access to his private papers and documents, including the manuscripts of his 16 novels. J.C. Kannemeyer has also made a study of the enormous body of literature on Coetzee, and through archival research has unearthed further information not previously available. The book deals in depth with Coetzee's origins, early years, and first writings; his British interlude from 1962-1965; his time in America from 1965-1971; his 30 years back in South Africa, when he achieved international recognition and won the Booker prize; and his Australian years since 2002, during which time he won the Nobel Prize in Literature. J.M. Coetzee: a life in writing is a major work that corrects many of the misconceptions about Coetzee, and that illuminates the genesis and implications of his novels.This magisterial biography will be an indispensable source for everybody concerned with Coetzee's life and work.

This lively and original book examines the notion that the realist novel reinforces existing social structures through its techniques of representation. Michiel Heyns depicts the nineteenth-century literary scapegoat - the ostensible victim of the expulsive pressure of plot - as begetter of an alternative vision, questioning the values apparently upheld by the novel as a whole. Novels, like communities, need scapegoats to rid them of their unexpressed anxieties. This has placed the realist novel under suspicion of collaborating with established authority, by reproducing the very structures it often seeks to criticize. Expulsion and the Nineteenth-Century Novel investigates this charge through close and illuminating readings of five realist novels of the nineteenth century: Austen's Mansfield Park, Dickens's Our Mutual Friend, Eliot's Daniel Deronda, Conrad's Lord Jim, and James's The Golden Bowl. Michiel Heyns looks at these works in relation to one another, to their literary and social contexts, and to modern critical thinking. Sceptical of unexamined abstractions, but appreciative of the acumen of much recent criticism, this book places the realist novel in the centre of current debates, while yet respecting the power of literature to anticipate the insights of the its critics.

Based on a real expedition by two American naturalists in the early 1900s, this novel starts out as a gung-ho African adventure story and becomes a stark portrait of misguided plans and colonial corruption. Willis Reed, a zoologist, and Guy Nichols, an entomologist, are commissioned by the Antwerp Zoo to bring back the first live specimen of an okapi, a shy, forest-dwelling creature that had taken on an almost mythical status after first being described by Sir Harry Johnston in 1902. Setting off into the jungles of central Africa, the men are confident about their mission to further scientific knowledge, but their idealism is eroded by encounters with Belgian colonial officials, fanatical rubber farmers, local tribes, and their own isolation.

Three women look back in old age at a past they shared, not always harmoniously - Emmeline Pankhurst, the formidable suffragette; her daughter Sylvia; and Helen, who was loved by Harry, the neglected son of Emmeline and beloved brother to Sylvia. Through the narrative of each woman flits the figure of Christabel, Mrs Pankhurst's favourite daughter - selfish, vain but irresistible. The three accounts, sometimes contradictory, sometimes confirmatory, reconstruct piece by piece the events surrounding Harry's death and the human entanglements behind, indeed at times driving, the public acts of the time.